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Troublemakers: The Story of Land Art (2016)

Troublemakers: The Story of Land Art poster
Theatrical Performance
Domestic Box Office $29,462Details
International Box Office $4,420Details
Worldwide Box Office $33,882
Home Market Performance
Domestic DVD Sales $42,561 Details
Total Domestic Video Sales $42,561
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Troublemakers unearths the history of land art in the tumultuous late 1960s and early 1970s when a cadre of renegade New York artists sought to transcend the limitations of painting and sculpture by producing earthworks on a monumental scale in the desolate desert spaces of the American southwest. Today these works remain impressive not only for the sheer audacity of their makers but also for their out-sized ambitions to break free from traditional norms. The film casts these artists in a heroic light, which is exactly how they saw themselves. Iconoclasts who changed the landscape of art forever, these revolutionary, antagonistic creatives risked their careers on radical artistic change and experimentation, and took on the establishment to produce art on their own terms.

Metrics

Rotten Tomatoes
Critics FreshAudience Upright
Critics
93% - Fresh
Audience
70% - Upright

Latest Ranking on Cumulative Box Office Lists


Movie Details

Domestic Releases: January 8th, 2016 (Limited) by First Run Features
International Releases: May 13th, 2016 (Wide) (United Kingdom)
Video Release: May 17th, 2016 by First Run Home
MPAA Rating: Not Rated
Running Time: 72 minutes
Comparisons: Create your own comparison chart…
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production Companies: Summitridge Pictures, RSJC LLC
Production Countries: United States

Ranking on other Records and Milestones

RecordRankRevenueChart
Date
Days In
Release
Biggest 11th Weekend at the Domestic Box Office 4,627 $88 Mar 18, 2016 73
Biggest 10th Weekend at the Domestic Box Office 5,025 $112 Mar 11, 2016 66
Biggest 8th Weekend at the Domestic Box Office 5,552 $1,247 Feb 26, 2016 52
Biggest 6th Weekend at the Domestic Box Office 7,046 $216 Feb 12, 2016 38
Biggest 5th Weekend at the Domestic Box Office 7,168 $1,280 Feb 5, 2016 31
Biggest 4th Weekend at the Domestic Box Office 7,689 $1,946 Jan 29, 2016 24
Biggest 3rd Weekend at the Domestic Box Office 8,779 $1,081 Jan 22, 2016 17
Biggest 2nd Weekend at the Domestic Box Office 9,213 $3,403 Jan 15, 2016 10
Biggest Opening Weekend at the Domestic Box Office 10,251 $5,424 Jan 8, 2016 3

Cast

Carl Andre    Himself
Michael Heizer    Himself
Robert Smithson    Himself
Walter De Maria    Himself
Germano Celant    Himself
Dennis Oppenheim    Himself
Nancy Holt    Herself
Vito Acconci    Himself
Virginia Dwan    Herself
Charles Ross    Himself
Paula Cooper    Herself
Lawrence Weiner    Himself
Willoughby Sharp    Himself
Gianfranco Gorgoni    Himself

Production and Technical Credits

Director   
Screenwriter    James Crump
Producer    James Crump
Producer    Farley Ziegler
Producer    Michel Comte
Executive Producer    Ronnie Sassoon
Editor    Nick Tamburri
Cinematographer    Alex Themistocleous
Cinematographer    Robert O'Haire
Sound Designer    Rick Ash
Sound Designer    Gary Gegan

Home Market Releases for May 17th, 2016

May 17th, 2016

Dark Passage

The Deadpool Blu-ray arrived last Tuesday, which is par for course for Fox, as their screeners always seem to arrive as late as possible while still technically not being late. There are updates below with the extras. On a side note, the film is so good, I was tempted to make it the Pick of the Week for the second week in a row. However, in the end I went with Dark Passage, a classic Film Noir with a famous hook. The Blu-ray is the Pick of the Week. More...

Theater Averages: Anomalisa Leads Uneventful Chart with $12,738

January 13th, 2016

Anomalisa

There were only three films in the $10,000 club this weekend and all of them were holdovers. Leading the way was Anomalisa with an average of $12,738 in 17 theaters. At this pace, the film will earn some measure of mainstream success. However, unless it wins an Oscar, it likely won't match its $8 million production budget in theaters. The Revenant slipped into second place with $11,801, while the overall number one film, Star Wars: The Force Awakens, was next with $10,245. More...

Compare this performance with other movies…

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/01/08 62 $5,424   4 $1,356   $5,424 3
2016/01/15 62 $3,403 -37% 3 $1,134   $13,811 10
2016/01/22 71 $1,081 -68% 3 $360   $19,043 17
2016/01/29 73 $1,946 +80% 3 $649   $22,925 24
2016/02/05 76 $1,280 -34% 2 $640   $24,924 31
2016/02/12 91 $216 -83% 1 $216   $26,246 38
2016/02/26 80 $1,247   4 $312   $27,936 52
2016/03/11 103 $112   2 $56   $28,048 66
2016/03/18 111 $88 -21% 1 $88   $28,140 73

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/01/08 59 $10,408   5 $2,082   $10,408 7
2016/01/15 60 $7,554 -27% 5 $1,511   $17,962 14
2016/01/22 71 $3,017 -60% 4 $754   $20,979 21
2016/01/29 79 $2,665 -12% 3 $888   $23,644 28
2016/02/05 75 $2,386 -10% 3 $795   $26,030 35
2016/02/12 99 $216 -91% 1 $216   $26,246 42
2016/02/19 103 $443 +105% 2 $222   $26,689 49
2016/03/11 113 $116   2 $58   $28,052 70
2016/03/18 123 $124 +7% 1 $124   $28,176 77
2016/04/15 119 $265   1 $265   $28,581 105
2016/04/22 115 $229 -14% 1 $229   $28,810 112
2016/04/29 105 $652 +185% 2 $326   $29,462 119

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
United Kingdom 5/13/2016 $4,251 3 3 3 $4,251 6/9/2016
 
Rest of World $169
 
International Total$4,420 6/9/2016

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.