A suburban family is torn apart when 14-year-old Annie meets her first boyfriend online. After months of communicating via online chat and phone, Annie discovers her friend is not who he originally claimed to be. Shocked into disbelief, her parents are shattered by their daughter's actions and struggle to support her as she comes to terms with what has happened to her once innocent life.
||April 1st, 2011 (Limited) by Alchemy|
||May 1st, 2012 by Alchemy|
||R for disturbing material involving the rape of a teen, language, sexual content and some violence.|
(Rating bulletin 2150, 12/8/2010)
||Coming of Age, Internet, Sex Crimes|
|Production Method:||Live Action|
|Creative Type:||Contemporary Fiction|
||Millennium Films, Nu Image, Dark Harbor Stories|
July 25th, 2011
Summer time at the box office is amazing. From the first weekend in May until sometime in August, there is usually an average of one $100 million dollar movie released per week. This year will have at least three months in a row with at least one $100 million film. On the home market, on the other hand, summer time is crappy. This year has been particularly tiresome, as the spring wasn't a fun time at the box office. The biggest release this week is Source Code, which was only a midlevel hit. To be fair, it is one of the best-reviewed wide releases of the year. On the other hand, neither the DVD nor the Blu-ray are exactly overloaded with extras.
April 5th, 2011
The Four Times led a group of three films that topped the $10,000 mark on the per theater chart this week with $16,192 in its lone theater. My Perestroika was next with $13,498, also in one theater. Meanwhile, the overall box office leader, Hop, was the final member of the $10,000 club with an average of $10,490.
April 1st, 2011
Normally limited releases open in only a couple theaters and even six theaters is quite a lot compared to the average. However, this weekend, we have a film opening in nearly a dozen theaters, another opening in a few dozen theaters, and even one opening in more than 100 theaters. It's always risky to open a film in that many theaters, and to make matters worse, most of the films opening in limited release this week are not earning spectacular reviews. But let's hope we have continued success on the limited release front.
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