Veer-Zaara (2004)

Theatrical Performance
Domestic Box Office $2,938,532Details
International Box Office $4,079,327Details
Worldwide Box Office $7,017,859
Further financial details...

Metrics

Opening Weekend:$843,010 (28.7% of total gross)
Legs:3.49 (domestic box office/biggest weekend)
Domestic Share:41.9% (domestic box office/worldwide)
Production Budget:$7,000,000 (worldwide box office is 1.0 times production budget)
Theater counts:88 opening theaters/88 max. theaters, 4.8 weeks average run per theater
Infl. Adj. Dom. BO $5,097,549

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 7,401-7,500) 7,415 $2,938,532
All Time International Box Office (Rank 6,901-7,000) 6,971 $4,079,327
All Time Worldwide Box Office (Rank 8,801-8,900) 8,812 $7,017,859
All Time Domestic Highest Grossing Limited Release Movies (Rank 801-900) 846 $2,938,532

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: November 12th, 2004 (Wide) by Yash Raj Films
International Releases: November 12th, 2004 (Wide), released as Veer Zaara (Australia)
MPAA Rating: Not Rated
Running Time: 192 minutes
Comparisons: vs. Jab Tak Hai Jaan
Create your own comparison chart…
Keywords: Romantic Drama, Romance, Non-Chronological, 1980s
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: India
Languages: Hindi, Punjabi, Urdu

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 12, 2004 15 $843,010   88 $9,580   $903,010 1
Nov 19, 2004 18 $547,956 -35% 83 $6,602   $1,752,335 2
Nov 26, 2004 18 $403,841 -26% 81 $4,986   $2,462,255 3
Dec 3, 2004 25 $154,909 -62% 46 $3,368   $2,665,685 4
Dec 10, 2004 29 $91,619 -41% 49 $1,870   $2,790,401 5
Dec 17, 2004 43 $34,784 -62% 21 $1,656   $2,827,985 6
Dec 24, 2004 48 $17,175 -51% 12 $1,431   $2,856,738 7
Dec 31, 2004 58 $14,246 -17% 10 $1,425   $2,874,425 8
Jan 7, 2005 58 $19,974 +40% 10 $1,997   $2,900,082 9
Jan 14, 2005 59 $17,469 -13% 10 $1,747   $2,921,738 10
Jan 21, 2005 60 $13,580 -22% 10 $1,358   $2,938,532 11

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 12, 2004 15 $1,144,379   88 $13,004   $1,204,379 1
Nov 19, 2004 17 $854,035 -25% 83 $10,290   $2,058,414 2
Nov 26, 2004 18 $452,362 -47% 81 $5,585   $2,510,776 3
Dec 3, 2004 27 $188,006 -58% 46 $4,087   $2,698,782 4
Dec 10, 2004 33 $94,419 -50% 49 $1,927   $2,793,201 5
Dec 17, 2004 46 $46,362 -51% 21 $2,208   $2,839,563 6
Dec 24, 2004 55 $20,616 -56% 12 $1,718   $2,860,179 7
Dec 31, 2004 58 $19,929 -3% 10 $1,993   $2,880,108 8
Jan 7, 2005 61 $24,161 +21% 10 $2,416   $2,904,269 9
Jan 14, 2005 62 $20,683 -14% 10 $2,068   $2,924,952 10
Jan 21, 2005 64 $13,580 -34% 10 $1,358   $2,938,532 11

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/12/2004 $64,425 8 9 42 $232,289 9/3/2020
 
Rest of World $3,847,038
 
International Total$4,079,327 9/3/2020

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Incredibles have a Super Weekend

December 1st, 2004

With a nearly 3-1 lead over its nearest competitor, The Incredibles took top spot on the International Box Office charts this week with $44.3 million on 4,362 screens in 22 markets for a running tally of $59.1 million. The film opened number one in all twelve markets and in a few of the markets the film debuted in this week it was able to break the record for biggest debut by an animated films. However, in others it fell short to either Finding Nemo, (France) or Shrek 2 (the U.K. and Spain.) Its biggest single market was the U.K., where the brought in $18.1 million, including sneak peaks, which was a Disney record. Other highlights include $9.2 million in France, $5.6 million in Spain, $5.4 million in Italy, and $1.3 million in Belgium. Considering the results so far it should challenge for supremacy among the elite animated films and $400 million to $500 million isn't out of the question. More...

Secondary Education

November 30th, 2004

For the second weekend in a row Bad Education easily took top spot on a per theatre chart with $46,182, down just 6% from last week. Next on the list was A Very Long Engagement with just over $100,000 in 4 theatres for an average of $25,437. Compared to Audrey Tautou's biggest hit, Amelie, it's quite a big drop, but it's too soon to tell how well this film will do. Last week's second place film, Days of Being Wild dropped a long way in its weekend box office, but still managed to earn $10,600 in its lone theatre. More...

Bridget Slims Down but Still Number One

November 24th, 2004

Bridget Jones: Edge of Reason's second round of openings was no quite as strong as last week's, but it was still more than enough to keep its first place finish at the international box office. Overall the British comedy took in $20.6 million on 1,854 screens in 18 markets lifting its tally to $59 million. Out of the new openings, the film was most impressive in Spain with $2.6 million while its best market overall was the U.K. where the film dropped just 29% to $9.3 million. The film is still tracking well ahead of the original and is becoming one of the monster hits of the fall. More...

Nothing Bad About this Result

November 23rd, 2004

Bad Education took top spot on a per theatre chart loaded down with Oscar hopefuls. The latest offering from acclaimed director, Pedro Almodovar, earned nearly $150,000 in just three theatres for an average of $49,123. Coming in second place with $18,090 in its lone theatre was Days of Being Wild, a Hong Kong film from the early 90s. Three and four on the list were last week's one and two as Kinsey beat out Finding Neverland $16,048 to $14,680. The only other film to make it to the $10,000 club was the overall box office champ, National Treasure with $11,648. More...

Bridget has 26 million Reasons to Celebrate

November 17th, 2004

Bridget Jones: Edge of Reason opened in a mere half a dozen international markets over the weekend, but what an opening it was. Despite place on fewer than 1000 screens the film was able to pull in an amazing $26.7 million, the lion's share coming from the U.K. where the film took in $19.1 million on 496 screens, (including $5.9 million from sneak peaks.) That was the best opening for a Working Title film smashing the previous record of $11.1 million for Love Actually. In each market the film broke the record for Working Title films and more than doubled the original's debut. And even with legs that are expected to be much lower, it should be able to break $300 million internationally, although it may have trouble hitting $50 million domestically. More...

Sex (Research) Sells

November 16th, 2004

Kinsey, the biography of sex researcher Dr. Alfred Kinsey was top of the per theatre charts this past weekend. With nearly $170,000 in 5 theatres, the film was able to earn an impressive $33,808 per theatre average. Coming in second place was another biography, Finding Neverland with an average of $27,566 in 8 theatres. Well back was Bridget Jones: The Edge of Reason, which took in $16,385 in 530 on average. The only returning film in the $10,000 club was the overall box office champ, The Incredibles with $12,777 per theatre. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Metrics

Opening Weekend:$843,010 (28.7% of total gross)
Legs:3.49 (domestic box office/biggest weekend)
Domestic Share:41.9% (domestic box office/worldwide)
Production Budget:$7,000,000 (worldwide box office is 1.0 times production budget)
Theater counts:88 opening theaters/88 max. theaters, 4.8 weeks average run per theater
Infl. Adj. Dom. BO $5,097,549

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 7,401-7,500) 7,415 $2,938,532
All Time International Box Office (Rank 6,901-7,000) 6,971 $4,079,327
All Time Worldwide Box Office (Rank 8,801-8,900) 8,812 $7,017,859
All Time Domestic Highest Grossing Limited Release Movies (Rank 801-900) 846 $2,938,532

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: November 12th, 2004 (Wide) by Yash Raj Films
International Releases: November 12th, 2004 (Wide), released as Veer Zaara (Australia)
MPAA Rating: Not Rated
Running Time: 192 minutes
Comparisons: vs. Jab Tak Hai Jaan
Create your own comparison chart…
Keywords: Romantic Drama, Romance, Non-Chronological, 1980s
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: India
Languages: Hindi, Punjabi, Urdu

Incredibles have a Super Weekend

December 1st, 2004

With a nearly 3-1 lead over its nearest competitor, The Incredibles took top spot on the International Box Office charts this week with $44.3 million on 4,362 screens in 22 markets for a running tally of $59.1 million. The film opened number one in all twelve markets and in a few of the markets the film debuted in this week it was able to break the record for biggest debut by an animated films. However, in others it fell short to either Finding Nemo, (France) or Shrek 2 (the U.K. and Spain.) Its biggest single market was the U.K., where the brought in $18.1 million, including sneak peaks, which was a Disney record. Other highlights include $9.2 million in France, $5.6 million in Spain, $5.4 million in Italy, and $1.3 million in Belgium. Considering the results so far it should challenge for supremacy among the elite animated films and $400 million to $500 million isn't out of the question. More...

Secondary Education

November 30th, 2004

For the second weekend in a row Bad Education easily took top spot on a per theatre chart with $46,182, down just 6% from last week. Next on the list was A Very Long Engagement with just over $100,000 in 4 theatres for an average of $25,437. Compared to Audrey Tautou's biggest hit, Amelie, it's quite a big drop, but it's too soon to tell how well this film will do. Last week's second place film, Days of Being Wild dropped a long way in its weekend box office, but still managed to earn $10,600 in its lone theatre. More...

Bridget Slims Down but Still Number One

November 24th, 2004

Bridget Jones: Edge of Reason's second round of openings was no quite as strong as last week's, but it was still more than enough to keep its first place finish at the international box office. Overall the British comedy took in $20.6 million on 1,854 screens in 18 markets lifting its tally to $59 million. Out of the new openings, the film was most impressive in Spain with $2.6 million while its best market overall was the U.K. where the film dropped just 29% to $9.3 million. The film is still tracking well ahead of the original and is becoming one of the monster hits of the fall. More...

Nothing Bad About this Result

November 23rd, 2004

Bad Education took top spot on a per theatre chart loaded down with Oscar hopefuls. The latest offering from acclaimed director, Pedro Almodovar, earned nearly $150,000 in just three theatres for an average of $49,123. Coming in second place with $18,090 in its lone theatre was Days of Being Wild, a Hong Kong film from the early 90s. Three and four on the list were last week's one and two as Kinsey beat out Finding Neverland $16,048 to $14,680. The only other film to make it to the $10,000 club was the overall box office champ, National Treasure with $11,648. More...

Bridget has 26 million Reasons to Celebrate

November 17th, 2004

Bridget Jones: Edge of Reason opened in a mere half a dozen international markets over the weekend, but what an opening it was. Despite place on fewer than 1000 screens the film was able to pull in an amazing $26.7 million, the lion's share coming from the U.K. where the film took in $19.1 million on 496 screens, (including $5.9 million from sneak peaks.) That was the best opening for a Working Title film smashing the previous record of $11.1 million for Love Actually. In each market the film broke the record for Working Title films and more than doubled the original's debut. And even with legs that are expected to be much lower, it should be able to break $300 million internationally, although it may have trouble hitting $50 million domestically. More...

Sex (Research) Sells

November 16th, 2004

Kinsey, the biography of sex researcher Dr. Alfred Kinsey was top of the per theatre charts this past weekend. With nearly $170,000 in 5 theatres, the film was able to earn an impressive $33,808 per theatre average. Coming in second place was another biography, Finding Neverland with an average of $27,566 in 8 theatres. Well back was Bridget Jones: The Edge of Reason, which took in $16,385 in 530 on average. The only returning film in the $10,000 club was the overall box office champ, The Incredibles with $12,777 per theatre. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 12, 2004 15 $843,010   88 $9,580   $903,010 1
Nov 19, 2004 18 $547,956 -35% 83 $6,602   $1,752,335 2
Nov 26, 2004 18 $403,841 -26% 81 $4,986   $2,462,255 3
Dec 3, 2004 25 $154,909 -62% 46 $3,368   $2,665,685 4
Dec 10, 2004 29 $91,619 -41% 49 $1,870   $2,790,401 5
Dec 17, 2004 43 $34,784 -62% 21 $1,656   $2,827,985 6
Dec 24, 2004 48 $17,175 -51% 12 $1,431   $2,856,738 7
Dec 31, 2004 58 $14,246 -17% 10 $1,425   $2,874,425 8
Jan 7, 2005 58 $19,974 +40% 10 $1,997   $2,900,082 9
Jan 14, 2005 59 $17,469 -13% 10 $1,747   $2,921,738 10
Jan 21, 2005 60 $13,580 -22% 10 $1,358   $2,938,532 11

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 12, 2004 15 $1,144,379   88 $13,004   $1,204,379 1
Nov 19, 2004 17 $854,035 -25% 83 $10,290   $2,058,414 2
Nov 26, 2004 18 $452,362 -47% 81 $5,585   $2,510,776 3
Dec 3, 2004 27 $188,006 -58% 46 $4,087   $2,698,782 4
Dec 10, 2004 33 $94,419 -50% 49 $1,927   $2,793,201 5
Dec 17, 2004 46 $46,362 -51% 21 $2,208   $2,839,563 6
Dec 24, 2004 55 $20,616 -56% 12 $1,718   $2,860,179 7
Dec 31, 2004 58 $19,929 -3% 10 $1,993   $2,880,108 8
Jan 7, 2005 61 $24,161 +21% 10 $2,416   $2,904,269 9
Jan 14, 2005 62 $20,683 -14% 10 $2,068   $2,924,952 10
Jan 21, 2005 64 $13,580 -34% 10 $1,358   $2,938,532 11

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/12/2004 $64,425 8 9 42 $232,289 9/3/2020
 
Rest of World $3,847,038
 
International Total$4,079,327 9/3/2020

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.