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Veer-Zaara (2004)

Theatrical Performance
Domestic Box Office $2,938,532Details
International Box Office $4,079,327
Worldwide Box Office $7,017,859
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Video Sales
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Metrics

Rotten Tomatoes
Critics FreshAudience Upright
Critics
100% - Fresh
Audience
88% - Upright

Latest Ranking on Cumulative Box Office Lists


Movie Details

Production Budget:$7,000,000
Domestic Releases: November 12th, 2004 (Wide) by Yash Raj Films
MPAA Rating: Not Rated
Comparisons: vs. The Border
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Keywords: Foreign Language
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: India

Ranking on other Records and Milestones

RecordRankRevenueChart
Date
Days In
Release
Biggest 11th Weekend at the Domestic Box Office 3,110 $13,580 Jan 21, 2005 73
Biggest 10th Weekend at the Domestic Box Office 3,349 $17,469 Jan 14, 2005 66
Biggest 9th Weekend at the Domestic Box Office 3,664 $19,974 Jan 7, 2005 59
Biggest 8th Weekend at the Domestic Box Office 4,292 $14,246 Dec 31, 2004 52
Biggest 7th Weekend at the Domestic Box Office 4,704 $17,175 Dec 24, 2004 45
Biggest 6th Weekend at the Domestic Box Office 4,696 $34,784 Dec 17, 2004 38
Biggest 5th Weekend at the Domestic Box Office 4,385 $91,619 Dec 10, 2004 31
Biggest 4th Weekend at the Domestic Box Office 4,512 $154,909 Dec 3, 2004 24
Biggest 3rd Weekend at the Domestic Box Office 4,300 $403,841 Nov 26, 2004 17
Biggest 2nd Weekend at the Domestic Box Office 4,566 $547,956 Nov 19, 2004 10
Biggest Opening Weekend at the Domestic Box Office 4,639 $843,010 Nov 12, 2004 3

Incredibles have a Super Weekend

December 1st, 2004

With a nearly 3-1 lead over its nearest competitor, The Incredibles took top spot on the International Box Office charts this week with $44.3 million on 4,362 screens in 22 markets for a running tally of $59.1 million. The film opened number one in all twelve markets and in a few of the markets the film debuted in this week it was able to break the record for biggest debut by an animated films. However, in others it fell short to either Finding Nemo, (France) or Shrek 2 (the U.K. and Spain.) Its biggest single market was the U.K., where the brought in $18.1 million, including sneak peaks, which was a Disney record. Other highlights include $9.2 million in France, $5.6 million in Spain, $5.4 million in Italy, and $1.3 million in Belgium. Considering the results so far it should challenge for supremacy among the elite animated films and $400 million to $500 million isn't out of the question. More...

Secondary Education

November 30th, 2004

For the second weekend in a row Bad Education easily took top spot on a per theatre chart with $46,182, down just 6% from last week. Next on the list was A Very Long Engagement with just over $100,000 in 4 theatres for an average of $25,437. Compared to Audrey Tautou's biggest hit, Amelie, it's quite a big drop, but it's too soon to tell how well this film will do. Last week's second place film, Days of Being Wild dropped a long way in its weekend box office, but still managed to earn $10,600 in its lone theatre. More...

Bridget Slims Down but Still Number One

November 24th, 2004

Bridget Jones: Edge of Reason's second round of openings was no quite as strong as last week's, but it was still more than enough to keep its first place finish at the international box office. Overall the British comedy took in $20.6 million on 1,854 screens in 18 markets lifting its tally to $59 million. Out of the new openings, the film was most impressive in Spain with $2.6 million while its best market overall was the U.K. where the film dropped just 29% to $9.3 million. The film is still tracking well ahead of the original and is becoming one of the monster hits of the fall. More...

Nothing Bad About this Result

November 23rd, 2004

Bad Education took top spot on a per theatre chart loaded down with Oscar hopefuls. The latest offering from acclaimed director, Pedro Almodovar, earned nearly $150,000 in just three theatres for an average of $49,123. Coming in second place with $18,090 in its lone theatre was Days of Being Wild, a Hong Kong film from the early 90s. Three and four on the list were last week's one and two as Kinsey beat out Finding Neverland $16,048 to $14,680. The only other film to make it to the $10,000 club was the overall box office champ, National Treasure with $11,648. More...

Bridget has 26 million Reasons to Celebrate

November 17th, 2004

Bridget Jones: Edge of Reason opened in a mere half a dozen international markets over the weekend, but what an opening it was. Despite place on fewer than 1000 screens the film was able to pull in an amazing $26.7 million, the lion's share coming from the U.K. where the film took in $19.1 million on 496 screens, (including $5.9 million from sneak peaks.) That was the best opening for a Working Title film smashing the previous record of $11.1 million for Love Actually. In each market the film broke the record for Working Title films and more than doubled the original's debut. And even with legs that are expected to be much lower, it should be able to break $300 million internationally, although it may have trouble hitting $50 million domestically. More...

Sex (Research) Sells

November 16th, 2004

Kinsey, the biography of sex researcher Dr. Alfred Kinsey was top of the per theatre charts this past weekend. With nearly $170,000 in 5 theatres, the film was able to earn an impressive $33,808 per theatre average. Coming in second place was another biography, Finding Neverland with an average of $27,566 in 8 theatres. Well back was Bridget Jones: The Edge of Reason, which took in $16,385 in 530 on average. The only returning film in the $10,000 club was the overall box office champ, The Incredibles with $12,777 per theatre. More...

Compare this performance with other movies…

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2004/11/12 15 $843,010   88 $9,580   $903,010 3
2004/11/19 18 $547,956 -35% 83 $6,602   $1,752,335 10
2004/11/26 18 $403,841 -26% 81 $4,986   $2,462,255 17
2004/12/03 25 $154,909 -62% 46 $3,368   $2,665,685 24
2004/12/10 29 $91,619 -41% 49 $1,870   $2,790,401 31
2004/12/17 43 $34,784 -62% 21 $1,656   $2,827,985 38
2004/12/24 48 $17,175 -51% 12 $1,431   $2,856,738 45
2004/12/31 58 $14,246 -17% 10 $1,425   $2,874,425 52
2005/01/07 58 $19,974 +40% 10 $1,997   $2,900,082 59
2005/01/14 59 $17,469 -13% 10 $1,747   $2,921,738 66
2005/01/21 60 $13,580 -22% 10 $1,358   $2,938,532 73

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2004/11/12 15 $1,144,379   88 $13,004   $1,204,379 7
2004/11/19 17 $854,035 -25% 83 $10,290   $2,058,414 14
2004/11/26 18 $452,362 -47% 81 $5,585   $2,510,776 21
2004/12/03 26 $188,006 -58% 46 $4,087   $2,698,782 28
2004/12/10 33 $94,419 -50% 49 $1,927   $2,793,201 35
2004/12/17 45 $46,362 -51% 21 $2,208   $2,839,563 42
2004/12/24 55 $20,616 -56% 12 $1,718   $2,860,179 49
2004/12/31 58 $19,929 -3% 10 $1,993   $2,880,108 56
2005/01/07 61 $24,161 +21% 10 $2,416   $2,904,269 63
2005/01/14 61 $20,683 -14% 10 $2,068   $2,924,952 70
2005/01/21 64 $13,580 -34% 10 $1,358   $2,938,532 77

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.