Ukraine Box Office for We're the Millers (2013)

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We're the Millers poster
Theatrical Performance (US$)
Ukraine Box Office $1,576,684Details
Worldwide Box Office $267,816,276Details
Home Market Performance
North America DVD Sales $33,661,624 Details
North America Blu-ray Sales $17,181,624 Details
Total North America Video Sales $50,843,248
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

David Burke is a small-time pot dealer whose clientele includes chefs and soccer moms, but no kids-after all, he has his scruples. So what could go wrong? Plenty. Preferring to keep a low profile for obvious reasons, he learns the hard way that no good deed goes unpunished when he tries to help out some local teens and winds up getting jumped by a trio of gutter punks. Stealing his stash and his cash, they leave him in major debt to his supplier, Brad. In order to wipe the slate clean-and maintain a clean bill of health-David must now become a big-time drug smuggler by bringing Brad's latest shipment in from Mexico. Twisting the arms of his neighbors, cynical stripper Rose and wannabe customer Kenny, and the tatted-and-pierced streetwise teen Casey, he devises a foolproof plan. One fake wife, two pretend kids and a huge, shiny RV later, the "Millers" are headed south of the border for a Fourth of July weekend that is sure to end with a bang.

Metrics

Movie Details

Production Budget:$37,000,000
Ukraine Releases: August 22nd, 2013 (Wide), released as We're the Millers
Video Release: November 19th, 2013 by Warner Home Video
MPAA Rating: R for crude sexual content, pervasive language, drug material and brief graphic nudity.
(Rating bulletin 2292, 10/2/2013)
Running Time: 100 minutes
Keywords: Scene in End Credits, Narcotics, Strippers / Stripping, Runaway, Unexpected Families, Road Trip, Family Vacations, Organized Crime, DEA Agent, Witness Protection, Corrupt Cops, Outtakes During Credits, Breaking the Fourth Wall
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: New Line Cinema, Newman/Tooley, Slap Happy Productions, Heyday Films, Benderspink Productions
Production Countries: United States
Languages: English

DVD and Blu-ray Releases for November 19th, 2013

November 20th, 2013

There are some good releases this week, but it is also a shallow week. If you look at Amazon.com's list of new releases, by the third or fourth page, you will find more filler than releases worth talking about. On the other hand, there are a number of late releases that finally arrived and I was able to get done. There are a number of contenders for Pick of the Week this week, including Doctor Who Story 29: The Tenth Planet, which is a must have for all Whovians. Kinky Boots is a very fun movie and you can't beat the price of the DVD. On the other hand, the Star Trek: The Next Generation Blu-ray releases for Season Five and Unification are expensive, but worth it for fans. In the end, I went with The World's End on Blu-ray Combo Pack for Pick of the Week. More...

International Box Office: Rise of Detective Dee

October 3rd, 2013

Young Detective Dee: Rise of the Sea Dragon opened in China with $17.0 million earning first place in that market and on the overall international chart. The original earned a limited release here and was a great movie, so I'm hoping this film will also get a release here. I'm certainly looking forward to seeing it. More...

International Box Office: Facing Facts

September 25th, 2013

There was an international film leading the way on the international chart this week. Gwansang jumped into first place internationally with $15.27 million on 1,239 screens in South Korea, lifting its total in that market to $46.58 million after just two weeks of release. It isn't the best South Korean film of the year, at least not yet, as Snowpiercer has made $62.1 million in that market. Meanwhile, Iron Man 3 earned about $65 million there. More...

Weekend Predictions: Prisoners Free to Capture Top Spot

September 20th, 2013

There might be a close race at the box office this weekend. The buzz surrounding Prisoners is growing enough that it should earn first place, but Insidious Chapter 2 might hold on well enough to challenge the newcomer for top spot. The other new release for the week is Battle of the Year, which is opening in fewer theaters than I thought it would and with much worse reviews. It likely won't be a factor. In fact, there's a slim chance that the 3-D re-release of The Wizard of Oz will earn more this weekend than Battle of the Year will. The best new releases from this week last year was End of Watch, which only managed $13.15 million. This is close to what it cost to make, but it is low for a number one film. On the other hand, last year had much better depth than this year will have, so 2013's winning streak might come to an end. More...

International Box Office: Little Smurfs, Big Bucks

September 19th, 2013

The Smurfs 2 rose to first place on the international chart with $17.52 million on 12,965 screens in 70 markets for totals of $219.56 million internationally and $288.51 million worldwide. It opened in first place in China with $9.93 million on 8,053 screens. It also opened in first place in Australia with $1.89 million on 462 screens over the weekend for a total opening of $2.04 million. More...

Weekend Wrap-Up: Insidious Scores September Record

September 17th, 2013

Both new releases topped expectations and even though a couple of the holdovers struggled a little bit, the overall box office was still fantastic. Insidious Chapter 2 broke a September record that has been held for more than a decade on its way to a $40 million opening. The Family was well back in second place, but still on the high end of expectations. Overall, the box office pulled in $103 million. This was 21% more than last week and 19% more than the same weekend last year. In fact, Insidious Chapter 2 made more than Resident Evil: Retribution and Finding Nemo 3D made combined last year. Year-to-date, 2013 has pulled in $7.66 billion compared to $7.55 billion at this point in 2012. More...

International Box Office: Elysium On Top, But White House Moves Up

September 13th, 2013

Elysium remained in first place with $21.31 million on 10,731 screens in 52 markets for totals of $127.46 million internationally and $212.57 million worldwide. Of that, $11.75 million came from 6,253 screens in China, which was enough for first place there. Not this weekend, but next weekend, the film opens in Japan, Brazil, Mexico, and other markets, so it should be a player on the international market for a few weeks, but it will need help on the home market to break even. More...

Weekend Wrap-Up: Box Office was Left in the Dark

September 10th, 2013

We have good news and bad news. Riddick only managed to reach the low end of expectations, while the overall box office was down nearly $40 million, or 32%, from last week. On the positive side, Instructions Not Included finished on the high end of expectations, while the overall box office was $85 million, which was 26% higher than the same weekend last year. Year-to-date, 2013 has earned $7.54 billion, or 1.2% higher than last year's pace. More...

Weekend Predictions: Will Riddick Light Up the Charts?

September 6th, 2013

The weekend after the Labor Day long weekend is historically the worst weekend of the year. Because of that, it should come as no surprise that there is only one wide release this weekend. After all, studios don't want to release a film if the weekend is practically cursed. However, that one film is Riddick, which is actually earning good buzz. It might crack $30 million over the weekend. Might. It would be a surprise, but you can't completely dismiss the possibility. The only other semi-new film to talk about is Instructions Not Included, which is doubling its theater count. However, it's a niche market film and these tend to have short legs, as the target audience rushes out to see them immediately. Fortunately, it doesn't really matter, because last year was a disaster. As long as Riddick tops $10 million, 2013 will come out ahead. More...

International Box Office: Elysium Returns to the Top

September 6th, 2013

Elysium returned to first place with $17.89 million on 5,056 screens in 55 markets for an international total of $97.87 million. The film earned second place in South Korea with an estimated $5 million on 588 screens, including weekday numbers. It earned first place in Italy, albeit with a lower opening of $2.06 million on 404 screens. The film has yet to open in Japan, Brazil, Mexico, and other markets, but it will need a lot of help to break even any time soon. More...

Weekend Wrap-Up: Summer Ends in an Upward Direction

September 4th, 2013

The Labor Day long weekend is over and pre-weekend predictions were spot on, at least when it came to the top-two films. One Direction: This is Us opened in first place on Friday, but by Sunday had fallen to fifth place, allowing Lee Daniels' The Butler to remain on top, if you go by the four-day weekend. There were a few surprises this weekend, including Instructions Not Included. I hoped it would do well, but I never imaged it would do this well. Overall the weekend was strong at $125 million over the three-day weekend, which was 14% more than last weekend. Over four days, the total box office was $160 million. This was 21% higher than the same weekend last year. Year-to-date, 2013 holds a 0.9% lead over 2012 at 7.44 billion to $7.37 billion. More...

Weekend Predictions: Laborious Task

August 29th, 2013

It's the Labor Day long weekend, which is widely regarded as the weakest long weekend of the year. This year there are two wide releases, One Direction: This is Us and Getaway, looking to grab the final box office dollars before Summer officially ends. (One could argue it unofficially ended weeks ago.) One Direction should have no trouble finding an audience among young girls, but there's a chance the more mature audience Lee Daniels' The Butler has been attracting will be large enough to withstand that push. Getaway, on the other hand, is just hoping to get one positive review before the weekend starts. There was a third film that was supposed to open wide this week, Closed Circuit, but it is now opening in 800 or so theaters, so it won't be a factor. Last year, there were two wide releases, both of which topped $10 million during the three-day weekend. The new releases this year won't match that, but there's better depth this time around. More...

International Box Office: Jurassic Park Roars in China

August 28th, 2013

Jurassic Park earned first place in China with $32.08 on 3,000 screens, but that was for the full week. Over the weekend, the film's international weekend haul was $28.9 million on 3,373 screens in 11 markets for a total of $43.37 million during its 3-D re-release. Even with the tiny studio share in China, it makes sense to release films like this in 3-D there, because they didn't get a chance to see it in theaters the first time around. More...

Weekend Wrap-Up: Butting Heads

August 26th, 2013

Summer is rapidly ending and you can tell by the box office numbers of the wide releases this weekend. The Mortal Instruments: City of Bones had the biggest opening of the three wide releases, but not really the best opening. The World's End earned a little less over the three-day weekend, but it also reportedly cost just $20 million to make, so it will earn a profit, unlike City of Bones. The final new release was You're Next, which couldn't live up to its reviews, but again, it is rumored to have cost very little to make, perhaps less than $1 million, so it should break even sooner rather than later. With the weakness in the new releases, Lee Daniels' The Butler had no trouble repeating in first place, but the overall box office did fall by 21% from last weekend to $110 million. This was still better than last year by 12%, which extends 2013's winning streak to five weeks. Year-to-date, 2013 has pulled in $7.18 billion leading 2012's pace of $6.97 billion by 3%. More...

Weekend Estimates: Openers Falter to Give Butler Second Win

August 25th, 2013

Lee Daniels' The Butler will enjoy a second weekend atop the box office chart thanks in part to a good hold, at 31% down from last weekend, but also because of a major misfire for Mortal Instruments: City of Bones on its opening weekend. The fantasy adventure will only muster about $9.3 million Friday-Sunday for $14.05 million after five days in release -- a big disappointment for a film that reportedly cost $60 million to produce. International markets will make up some of the gap, and a sequel is still said to be in the works, but North America won't contribute much if anything to the coffers after marketing costs are taken into account. The rest of the chart has some bright spots though. More...

Weekend Predictions: Can Any New Release take out The Butler?

August 23rd, 2013

There are three wide releases coming out this week, well, two and a half really. The World's End is only opening in 1,548 theaters, but it is also earning by far the best reviews. It is probably still too much of a niche market to take top spot. You're Next is earning great reviews and horror films do have a history of doing well at this time of year. The final wide release of the week is The Mortal Instruments: City of Bones. Not only did it open on Wednesday, but its reviews are terrible. Last year there were three wide releases, all of them bombed. Combined they made less than $14 million. The new releases should have no trouble topping last year's new releases, while the holdovers are also stronger. More...

International Box Office: Elysium Elevates the Box Office

August 23rd, 2013

Elysium rushed to top spot with $24.04 million on 4,588 screens in 41 markets for an early total of $40.08 million. This week it opened in France with $4.16 million on 466 screens, which was enough for first place. It also debuted in first place in Australia ($3.38 million on 317 screens); and in Germany ($3.20 million on 584); and Spain ($3.04 million on 450). It was pushed into third place in Russia with $2.98 million on 976 screens for a total of $12.50 million after two weeks of release. It fell 58%, which is actually better than average for a sophomore film in Russia. More...

Weekend Wrap-Up: Box Office Got Served

August 20th, 2013

It turns out Lee Daniels' The Butler was the strongest of the four wide releases. In fact, given its reviews and its target demographic, it could hit $100 million. Kick-Ass 2 really stumbled, which is not that surprising given its reviews, but a lot of analysts failed to predict this result. Jobs missed the top five by a wide degree, while Paranoia missed the top ten. The overall box office fell 12% to $139 million. This is higher than the same weekend last year, but by a barely perceivable 0.2%. Year-to-date, 2013 is ahead of 2012, but by a tiny 0.25% margin. Still, compared to where we were earlier in the year, this is a massive victory. More...

Weekend Predictions: Will the Box Office Kick it Up a Notch?

August 16th, 2013

Summer blockbuster season has officially ended, but there are four films hoping to grab a share of the limited box office dollars left. Kick-Ass 2 is the clear favorite among analysts, but it is being beat up by critics. Lee Daniels' The Butler is the only other film with a shot at first place. It is earning good reviews, but not great reviews, and I think it will be remembered as busted Oscar bait. Neither Jobs nor Paranoia have a real shot at the top five, nor are they earning critical praise. There were also four films that opened wide this weekend last year. All four of them earned $10 million or more, led by The Expendables II with $28.59, while there were three holdovers with $10 million or more. There's a slim chance Kick-Ass 2 will match The Expendables II, but I wouldn't bet on it. Plus the depth this year is weaker that last year's depth was. That's bad news for the year-over-year comparison. More...

Weekend Wrap-Up: Summer Still Strong

August 13th, 2013

There were four films that opened wide last week and while none of them were monster hits, three of the four of them were solid openings. Elysium opened in first place, but landed on the lower end of expectations. We're the Millers was a bit of a surprise hit, earning more over five days than it cost to make. Disney's Planes had the best opening for an animated film in August. There's not a lot of competition for that record. Finally there was Percy Jackson: Sea of Monsters, which will cost the studio a fortune. With four new releases taking the top four spots, it should be no surprise that the overall box office was strong. In fact, it rose 16% from last weekend to $159 million. No film was able to match last year's winner, The Bourne Legacy, but we had a lot better depth this time around. This helped 2013 win the year-over-year comparison by 12%. Meanwhile, 2013 has completed the comeback and now has a 3.6% lead over 2012 at $6.85 billion to $6.61 billion. More...

Weekend Estimates: Elysium Leads Pack of Openers

August 11th, 2013

The waning days of the Summer season are seeing a glut of films as distributors try to find one last hit. Four films opened in wide release this weekend and, even though they played to quite different demographics, they will ultimately all fall somewhat short of expectations (or, more accurately, hopes). Topping the pack will be Elysium, which is expected to earn $30.5 million by Sunday evening -- a solid enough performance, but not enough to make a serious dent in its $120 million production budget. Good legs and an impressive international run will be needed for this one to turn a profit. We're the Millers will land in second place for the weekend with about $26.5 million, but will arguably have had a better start, with $38 million earned in total since it opened on Wednesday (not to mention a much lower production cost). Planes will be third with $22.5 million or so, which is OK for a film that was originally destined for a direct-to-video release. The real bomb of the weekend is Percy Jackson: Sea of Monsters, with $14.6 million expected Friday to Sunday and $23.5 million in total over five days. More...

Weekend Predictions: Will Summer go to the Dogs?

August 9th, 2013

The Dog Days of summer have begun; in fact, they began last weekend. There are four films trying to find an audience that is distracted with other concerns like back-to-school, or the last family outing before back-to-school, etc. Will any of the films find an audience? Elysium has the best chance. It is earning the best reviews of the week. We're the Millers opened on Wednesday and did quite well, earning first place, but it's far from a monster hit. Percy Jackson: Sea of Monsters cost $90 million to make, but barely topped The Smurfs 2's Wednesday opening from last week. That's not a good sign. Finally there's Disney's Planes, a film that started production as a direct-to-DVD film and the reviews reflect that. The Bourne Legacy opened this week last year with $38.14 million, which is something Elysium might match. More...

2013 Preview: August

August 1st, 2013

July was hit and miss at the box office, mostly miss. In fact, only two films really topped expectations, Despicable Me 2 and The Conjuring. That said, 2013 has nearly closed the gap with 2012 and it won't take much to pull ahead. Looking forward to August, we find that it is a very busy month with 16 or so films opening wide over five weeks. Of course, the closer you get to September, the more likely these films will struggle to find an audience, and more often than not, there are simply too many films opening wide to suspect they will all find an audience. On the high end, 2 Guns could be the biggest hit of the month with just over $100 million. The Smurfs 2 and Elysium could pull in $100 million. All three of those films are opening in the first two weeks of the month. After that, most of the new releases will be lucky if they reach $50 million during their theatrical runs. By comparison, last August was not as busy with 14 wide releases. Of those, only one film, The Bourne Legacy, topped $100 million, although a couple came reasonably close. Hopefully we will have more $100 million hits this time around and 2013 will be able to complete the comeback. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2013/11/22 18 $132   1 $132   $1,576,684 14

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Brazil 9/27/2013 $0 0 6 7 $2,863,099 12/13/2015
Ecuador 9/27/2013 $0 0 3 6 $643,581 12/30/2018
Egypt 9/25/2013 $0 0 2 9 $112,933 12/30/2018
Hungary 8/22/2013 $0 0 39 39 $1,589,905 12/30/2018
North America 8/7/2013 $26,419,396 3,260 3,445 31,564 $150,394,119
Peru 9/19/2013 $0 0 11 13 $852,166 12/30/2018
Spain 11/8/2013 $0 0 250 725 $3,138,874 12/13/2015
Ukraine 8/22/2013 $0 0 1 1 $1,576,684 12/30/2018
Venezuela 10/25/2013 $0 0 18 69 $1,453,515 12/13/2015
 
Rest of World $105,191,400
 
Worldwide Total$267,816,276 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Jennifer Aniston    Rose O’Reilly
Jason Sudeikis    David Clark
Will Poulter    Kenny Rosemore
Emma Roberts    Casey Mathis

Supporting Cast

Ed Helms    Brad Gurdlinger
Nick Offerman    Don Fitzgerald
Kathryn Hahn    Edie Fitzgerald
Molly Quinn    Melissa Fitzgerald
Tomer Sisley    Pablo Chacon
Matthew Willig    One-Eye
Luis Guzmán    Mexican Cop
Thomas Lennon    Rick Nathanson
Mark L. Young    Scottie P.
Ken Marino    Todd - Strip Club Owner
Laura-Leigh    Kymberly
Crystal Nichol    Brad's Receptionist
Dickson Obahor    Parking Cop
Brett Gentile    White Bread Dad
Kelly Collins Lintz    White Bread Mom
J. Lynn Talley    Stylist
Alan Gilmer    Middle Aged Man
Sam Richardson    TSA Agent
Denielle Fisher Johnson    Flight Attendant #1
Deborah Chavez    Flight Attendant #2
Kevin Dorff    Border Guard #1
Rawson Marshall Thurber    The Ultimate Border Guard
Kurt Grossi    Border Guard
Dave McElhaney    White Gringo
Brendan Hunt    Sketchy Dude
Scott Adsit    Doctor
Vickie Eng    Hospital Nurse
Lunden DeLeon    Hospital Receptionist
Joey Nappo    Gutter Punt #1
Joshua Mikel    Gutter Punk #2
Matthew Schweppe    Gutter Punk #2
Tonya Bludsworth    Soccor Mom
Matthew Cornwell    Dan Johnson
Marcus Viscidi    Business Man

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Rawson Marshall Thurber    Director
Bob Fisher    Screenwriter
Sean Anders    Screenwriter
Bob Fisher    Story Creator
Steve Faber    Screenwriter
John Morris    Screenwriter
Steve Faber    Story Creator
Vincent Newman    Producer
Tucker Tooley    Producer
Chris Bender    Producer
David Heyman    Executive Producer
J.C. Spink    Executive Producer
Toby Emmerich    Executive Producer
Richard Brener    Executive Producer
Dave Neustadter    Executive Producer
Marcus Viscidi    Executive Producer
Barry Peterson    Director of Photography
Clayton Hartley    Production Designer
Mike Sale    Editor
George Drakoulias    Music Supervisor
Theodore Shapiro    Composer
Ludwig Göransson    Composer
Shay Cunliffe    Costume Designer
Lisa Beach    Casting
Sarah Katzman    Casting
Marcus Viscidi    Unit Production Manager
Will Weiske    Unit Production Manager
Mary Ellen Woods    First Assistant Director
Tommy Martin    Second Assistant Director
John Burton West    Production Supervisor
Denise Faye    Choreography
Elliott Glick    Art Director
Chuck Potter    Set Decorator
Jonathan Gaynor    Sound Mixer
Cindy Marty    Sound Designer
Cindy Marty    Effects Editor
James Matheny    Dialogue Editor
Ronald J. Webb    Music Editor
Elmo Weber    Re-recording Mixer
Brad Sherman    Re-recording Mixer
Katie Saunders    Costume Supervisor
Whitney James    Makeup Department Head
Patricia Glasser    Hair Department Head
G. Peter King    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.