Nigeria Box Office for When the Bough Breaks (2016)

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When the Bough Breaks
Theatrical Performance (US$)
Nigeria Box Office $92,649Details
Worldwide Box Office $30,768,449Details
Home Market Performance
North America DVD Sales $3,018,438 Details
North America Blu-ray Sales $994,434 Details
Total North America Video Sales $4,012,872
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

John and Laura Taylor are a young, professional couple who desperately want a baby. After exhausting all other options, they finally hire Anna, the perfect woman to be their surrogate — but as she gets further along in her pregnancy, so too does her psychotic and dangerous fixation on the husband. The couple becomes caught up in Anna's deadly game and must fight to regain control of their future before it's too late.

Metrics

Movie Details

Production Budget:$10,000,000
Nigeria Releases: September 16th, 2016 (Wide)
Video Release: December 13th, 2016 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for violence, sexuality/partial nudity, thematic elements, some disturbing images, and language.
(Rating bulletin 2422 (Cert #49740), 4/27/2016)
Running Time: 107 minutes
Keywords: African Americans, Unconventional Pregnancies, Obsessive Love, Psychological Thriller, Killing in Self Defence, Erotic Thriller
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Screen Gems, Unique Features
Production Countries: United States
Languages: English

Home Market Releases for December 27th, 2016

December 26th, 2016

A Man Called Ove

This Tuesday is the day after Boxing Day. I don’t know if there is a worse possible day to release something on the home market. There are a few films on this week’s list you could call busted Oscar bait, but almost nothing that is a contender for Pick of the Week. Fortunately, it is almost nothing and not completely nothing. A Man Called Ove is the best release and the DVD or Blu-ray are clearly the Pick of the Week. More...

Home Market Releases for December 13th, 2016

December 12th, 2016

The Twilight Zone

This is a strange week on the home market. We have one of the biggest domestic hits of the year, Suicide Squad, but it is one of the worst movies I’ve seen this year. (Granted, I’ve done fewer reviews this year and skipped a lot of terrible looking movies, like Independence Day: Resurgence, Warcraft, Gods of Egypt, Allegiant... Ben Hur, The Huntsman, The Legend of Tarzan. I could keep going. Wow! It was a bad year for $100 million movies.) After Suicide Squad, the next biggest release according to Amazon is the Chicago Cubs 2016 World Series Collector's Edition Blu-ray. That’s a huge drop in sales. As far as quality is concerned, I have to give a shout out to that World Series Blu-ray. Real fans want full games and this one provides them. On the other hand, I personally find baseball boring to watch. Unfortunately, there’s no one release that stands out as an obvious Pick of the Week, but instead we have a lot of releases that are close, but wouldn’t be close enough during a good week. The Twilight Zone: The Complete Series on Blu-ray is the best, assuming you didn’t grab the individual seasons when they came out. More...

Weekend Predictions: Baby vs. Witch

September 15th, 2016

Bridget Jones’s Baby

There are three wide releases this week, plus another that could sneak into the top ten. Two of the three new releases, Blair Witch and Bridget Jones’s Baby, are expected to do well. On the other hand, Snowden is only going to reach the top five due to the lack of competition. Meanwhile, Hillsong: Let Hope Rise is a faith-based concert film. It could reach the top five, or it could miss the Mendoza Line. There’s no way to predict its box office potential. Despite the number of new releases, Sully is expected to remain in top spot thanks to its reviews and target demographic. This weekend last year, Maze Runner: The Scorch Trials led the way with just over $30 million. It is likely no film will make that this year, while the depth is a mixed bag, so it looks like 2016 will lose in the year-over-year comparison. More...

Weekend Wrap-Up: Sully Saves the Box Office with $35.03 million

September 13th, 2016

Sully

Four films opened wide or semi-wide over the weekend, but only one of them, Sully, did well at the box office. It earned more than double its nearest competition, When the Bough Breaks, at $35.03 million to $14.20 million. The other two new releases bombed. Overall, the box office was flat, up 1.1% from last weekend to $101 million. This was also flat when compared to last year, down just 1.7%. Since this weekend was so close to last weekend, it should come as no surprise that the year-over-year comparison hardly moved. This time last week, 2016 was ahead of 2016 by just over 6.7%, while this week its lead is just under 6.8% at $8.10 billion to $7.58 billion. More...

Weekend Estimates: Sully Executes Safe Landing with $35.5 Million

September 11th, 2016

Sully

More...

Friday Estimates: Sully Breaks Bough

September 10th, 2016

When the Bough Breaks

Sully is the only new release not to disappoint this weekend, as it earned $12.21 million on Friday. This is well ahead of Tom Hanks’ recent trio of real-life movies. It tops Captain Philips’ opening day by nearly 50%, and that movie went on to earn more than $100 million domestically. Additionally, the film’s reviews improved and hit 84% positive. That’s on the low end of potential Awards Season buzz, but it isn’t impossible to get there. It also earned a solid A from CinemaScore, which suggests good word-of-mouth. As for its opening weekend chances, it is on pace for about $35 million over the weekend and I’m predicting $100 million domestically. There’s no way the studio isn’t happy with that. More...

Weekend Predictions: The Real Work Begins

September 8th, 2016

Morgan

The weekend after the Labor Day long weekend is often the worst weekend of the year. However, this year there two films opening wide that have a real shot at $20 million or more. Sully is Oscar-bait, but it is opening a little too early for that role and its reviews are a little below where they need to be. When the Bough Breaks is a thriller aimed at African-Americans and this time of year has become the perfect time to release such a film. Those two films should earn $50 million combined. Unfortunately, there are two other films coming out this week. The Wild Life is a third-tier animated film, while The Disappointments Room isn’t even opening truly wide. There’s a chance neither of them will reach the top five. The Disappointments Room likely won’t reach the top ten. This weekend last year, the top two films were The Perfect Guy and The Visit, which combined earned just over $50 million at the box office. It should be a really close race in the year-over-year competition. More...

Contest: Don’t Sully Your Reputation

September 1st, 2016

Sully

There may be as many as four wide releases coming out next week; however, the weekend will be a two-horse race between Sully and When the Bough Breaks. Sully should have no trouble being the biggest hit overall, but When the Bough Breaks is a thriller and those films tend to open a lot faster, but collapse quickly. Because of that, it has a chance at earning first place during its opening weekend. In these cases, I flip a coin to decide which film should be the target film and Sully is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Sully.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: September

September 1st, 2016

The Magnificent Seven

August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/09/16 - $19,032   27 $705   $19,032 1
2016/09/23 - $20,988 +10% 27 $777   $53,178 2
2016/10/07 - $6,760   21 $322   $83,966 4
2016/10/14 - $2,199 -67% 7 $314   $90,521 5
2016/10/28 - $147   2 $74   $92,649 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Aruba 9/8/2016 $0 0 3 9 $19,569 12/31/2018
Curacao 9/8/2016 $0 0 4 14 $49,298 12/31/2018
Denmark 9/22/2016 $735 1 1 2 $1,404 10/4/2016
Ghana 9/16/2016 $0 0 2 8 $17,758 12/31/2018
Jamaica 9/14/2016 $25,552 5 5 18 $89,278 12/31/2018
Kenya 9/16/2016 $0 0 7 8 $8,470 12/31/2018
Lebanon 9/15/2016 $11,687 9 9 9 $11,687 12/31/2018
Nigeria 9/16/2016 $19,032 27 27 84 $92,649 12/31/2018
North America 9/9/2016 $14,202,323 2,246 2,246 7,692 $29,747,603 4/4/2018
South Africa 11/4/2016 $0 0 45 133 $326,161 11/29/2016
Suriname 9/15/2016 $5,038 1 1 6 $15,769 12/31/2018
Trinidad 9/14/2016 $67,429 14 14 52 $194,580 12/31/2018
United Arab Emirates 9/15/2016 $55,281 35 35 35 $55,281 12/31/2018
 
Rest of World $138,942
 
Worldwide Total$30,768,449 12/31/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Morris Chestnut    John Taylor
Regina Hall    Laura Taylor
Jaz Sinclair    Anna Walsh

Supporting Cast

Romany Malco    Todd Decker
Michael Kenneth Williams    Roland White
Theo Rossi    Mike Mitchell
Glenn Morshower    Martin Cooper
Gigi Erneta    Dr. Grace Park
Tom Nowicki    Peter Kaye
Denise Gossett    Carol
Janee Michelle    John's Mother
Carrie Lazar    Yoga Instructor
Ariadne Joseph    Nurse
Matt Mitchell    Security Guard
Maurice Johnson    Security Guard
John Boutte    Charity Singer
Ted Ferguson    Judge Paulson
Steve Terada    Young Researcher
Brett Baker    Police Officer
Jonathan Arthur    Police Officer
Greg Rementer    Police Officer
Edwin Compass    Party Guest

Cameos

Chef John Folse*    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jon Cassar    Director
Bob Shaye    Producer
Michael Lynne    Producer
Jack Olsen    Screenwriter
Dylan Sellers    Executive Producer
Glenn S. Gainor    Executive Producer
Morris Chestnut    Executive Producer
David Moxness    Director of Photography
Chris Cornwell    Production Designer
Scott Powell    Editor
John Frizzell    Composer
Olivia Miles    Costume Designer
Valerie Bleth Sharp    Co-Producer
Eric Geisler    Visual Effects Supervisor
Gary J. Tunnicliffe    Special Make-up Effects
Glenn S. Gainor    Unit Production Manager
Mark Anthony Little    First Assistant Director
George R Bott    Assistant Director
Sean M. Gowrie*    Production Supervisor
Brian Dukes    Associate Producer
Charlie Campbell    Art Director
Teresa Visinare    Set Decorator
Jody Blose    Script Supervisor
Steffany Bernstein-Pratt    Costume Supervisor
Vonda Morris    Make up
Kellie Robinson    Make up
Melissa Forney    Hairstylist
Justi Embree    Hairstylist
Dick Hansen    Sound Mixer
Ken Clark    Special Effects Coordinator
Brian O'Neill    Location Manager
Dave Kelsey    Set Designer
Bart Rachmil    Assistant Editor
Steve Pederson    Re-recording Mixer
Steven Ticknor    Re-recording Mixer
Steven Ticknor    Supervising Sound Editor
Daniel Pagan    Sound Effects Editor
Jamie Hardt    Sound Effects Editor
Robert C. Jackson    Dialogue/ADR Editor
Brian Richards    Music Editor
Derek Syverud    Music Editor
Peter Fuchs    Score Recordist
Schuyler Johnson    Score Mixer
Raoul Yorke Bolognini    Visual Effects Producer
Lance Gilbert    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.