South Korea Box Office for The Witness (2016)

← Go to main The Witness page

The Witness poster
Theatrical Performance (US$)
South Korea Box Office $3,787Details
Worldwide Box Office $163,092Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

On March 13, 1964, Kitty Genovese was repeatedly attacked on a street in Kew Gardens, Queens. Soon after, The New York Times published a front-page story asserting that 38 witnesses watched her being murdered from their apartment windows—and did nothing to help. The death of Kitty Genovese, 28, quickly became a symbol of urban apathy.

Metrics

Movie Details

South Korea Releases: September 14th, 2016 (Wide)
MPAA Rating: Not Rated
Running Time: 89 minutes
Keywords: 1960s, 2000s, Archive Footage, Testing an Urban Legend, Set in New York City, Death of a Sibling, Biography, Media Circus, News, Newspaper Industry, TV News
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Five More Minutes
Production Countries: United States
Languages: English

Theater Averages: Witness Seen by Many, Earns $14,523

June 8th, 2016

The Witness

The Witness was the top draw on the theater average chart earning $14,523 in its lone theater. The Fits was the only other member of the $10,000 club earning $10,602, also in one theater. One last note: We are still relying on estimates for Art Bastard and since it is an independent film, we might not get the final number. At the moment, it has an average of $9,800 in two theaters, so there's a chance it actually snuck its way into the $10,000 club. More...

Weekend Estimates: Turtles Power to $35.25 Million Debut

June 5th, 2016

Teenage Mutant Ninja Turtles: Out of the Shadows

Teenage Mutant Ninja Turtles: Out of the Shadows will top the box office chart this weekend with a respectable $35.25 million, according to studio estimates released on Sunday. The weekend as a whole is looking fairly ordinary though, thanks in large part to the muted debuts of X-Men: Apocalypse and Alice Through the Looking Glass last weekend, and their predictably-steep post-Memorial-Day declines. Apocalypse is off 66% this weekend to $22.325 million and $116.5 million in total. Alice will eke out $10.7 million or so for a two-week total of $50.8 million. Overall, the market will be down about 1% from the same weekend last year, and 20% below the comparable weekend from 2014. More...

Limited and VOD Releases: Will The Wailing be the Moby Dick of Limited Releases?

June 3rd, 2016

The Wailing

One second. ... I'm going to have to take a break to recover from that pun in the title. That one hurt me just typing it up. There are several films on this week's list that are earning unanimously positive reviews, or very close to it. Unfortunately, none of them look like they have what it takes to be a break out hit in limited release. The Fits (Reviews) is just too small a film, while both The President (Reviews) and The Wailing (Reviews) are foreign-language films. Hopefully I'm just being too pessimistic. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
North America 6/3/2016 $14,523 1 15 60 $159,305
South Korea 9/14/2016 $0 0 0 0 $3,787 8/20/2018
 
Worldwide Total$163,092 8/20/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Kitty Genovese    Herself
William Genovese    Himself

Interviewee(s)

Charles Skoller    Himself
Michael Farrar    Himself
Vincent Genovese    Himself
Lynne Tillotson    Herself
Tod Tillotson    Himself
Hattie Grund    Herself
Dale Genovese    Herself
Jim Rasenberger    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

James Solomon    Director
James Solomon    Producer
William Genovese    Executive Producer
Melissa Jacobson    Co-Producer
Gabriel Rhodes    Editor
Russell Greene    Editor
Trish Govoni    Cinematographer
Nathan Halpern    Composer
Steven Bennett    Post-Production Supervisor
Maria Valva    Associate Producer
Mike Silvestri    Sound Recordist
Mike Gassert    Sound Recordist
Alex Bayer    First Assistant Editor
Hannah Buck    Second Assistant Editor
Erin Taylor Kennedy    Second Assistant Editor
Michael Peterson    Second Assistant Editor
Jacques Boulanger    Sound Designer
Jacques Boulanger    Re-recording Mixer