Wonder Woman 1984 (2020)

Wonder Woman 1984
Theatrical Performance
Domestic Box Office $46,801,036Details
International Box Office $119,559,196Details
Worldwide Box Office $166,360,232
Home Market Performance
Est. Domestic DVD Sales $16,226,889 Details
Est. Domestic Blu-ray Sales $22,984,405 Details
Total Est. Domestic Video Sales $39,211,294
Further financial details...

Synopsis

Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing two all-new foes: Max Lord and The Cheetah.

Metrics

Opening Weekend:$16,701,957 (35.7% of total gross)
Legs:2.80 (domestic box office/biggest weekend)
Domestic Share:28.1% (domestic box office/worldwide)
Production Budget:$200,000,000 (worldwide box office is 0.8 times production budget)
Theater counts:2,151 opening theaters/2,218 max. theaters, 13.3 weeks average run per theater
Infl. Adj. Dom. BO $52,238,403

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 1,901-2,000) 1,989 $46,801,036
All Time International Box Office (Rank 901-1,000) 903 $119,559,196
All Time Worldwide Box Office (Rank 1,101-1,200) 1,132 $166,360,232
All Time Domestic Box Office for Super Hero Movies (Rank 101-200) 108 $46,801,036
All Time International Box Office for Super Hero Movies 83 $119,559,196
All Time Worldwide Box Office for Super Hero Movies 96 $166,360,232

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: December 25th, 2020 (Wide) by Warner Bros.
December 25th, 2020 (IMAX) by Warner Bros.
International Releases: December 16th, 2020 (Limited) (United Kingdom)
December 17th, 2020 (Wide) (China)
December 17th, 2020 (Wide), released as Mujer Maravilla 1984 (Mexico)
December 17th, 2020 (Wide), released as Mulher-Maravilha 1984 (Portugal)
December 18th, 2020 (Wide) (Brazil)
... Show all releases
Video Release: December 25th, 2020 by Max
MPAA Rating: PG-13 for sequences of action and violence.
(Rating bulletin 2626 (Cert #52443), 4/22/2020)
Running Time: 151 minutes
Franchise: Wonder Woman
DC Extended Universe
Comparisons: vs. Godzilla vs. Kong
Create your own comparison chart…
Keywords: 3-D, IMAX: DMR
Source:Based on Comic/Graphic Novel
Genre:Action
Production Method:Live Action
Creative Type:Super Hero
Production/Financing Companies: Atlas Entertainment, Stone Quarry, Warner Bros., DC Films
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Lowest No. 1 Domestic 31 $2,960,015 Jan 8, 2021 17
New Year's Day (All Movies, 3-Day) 264 $5,429,210 Jan 1, 2021 10
New Year's Day (All Movies, 3-Day, Inflation Adjusted) 408 $6,547,503 Jan 1, 2021 10
Christmas (All Movies, 3-Day) 71 $16,701,957 Dec 25, 2020 3
Christmas (All Movies, 3-Day, Inflation Adjusted) 153 $20,142,171 Dec 25, 2020 3
Christmas (Opening, 3-Day) 32 $16,701,957 Dec 25, 2020 3
Christmas (Opening, 3-Day, Inflation Adjusted) 52 $20,142,171 Dec 25, 2020 3
Top 2020 Theater Average 30 $7,765 Dec 25, 2020 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 25, 2020 1 $16,701,957   2,151 $7,765   $16,701,957 1
Jan 1, 2021 1 $5,429,210 -67% 2,151 $2,524   $28,438,521 2
Jan 8, 2021 1 $2,960,015 -45% 2,218 $1,335   $32,561,233 3
Jan 15, 2021 2 $2,150,101 -27% 2,201 $977   $35,357,565 4
Jan 22, 2021 3 $1,571,074 -27% 2,013 $780   $37,614,054 5
Jan 29, 2021 3 $1,264,917 -19% 1,864 $679   $39,200,191 6
Feb 5, 2021 4 $918,278 -27% 1,864 $493   $40,350,654 7
Feb 12, 2021 4 $1,109,260 +21% 1,681 $660   $41,656,042 8
Feb 19, 2021 4 $800,641 -28% 1,644 $487   $42,729,029 9
Feb 26, 2021 5 $700,803 -12% 1,534 $457   $43,614,573 10
Mar 5, 2021 7 $500,091 -29% 1,534 $326   $44,435,419 11
Mar 12, 2021 10 $400,243 -20% 1,139 $351   $44,954,023 12
Mar 19, 2021 8 $401,020 n/c 1,158 $346   $45,501,088 13
Mar 26, 2021 10 $260,621 -35% 1,128 $231   $45,872,504 14
Apr 2, 2021 11 $173,672 -33% 1,011 $172   $46,145,740 15
Apr 9, 2021 - $93,532 -46% 972 $96   $46,258,641 16
Apr 16, 2021 - $93,742 n/c 952 $98   $46,370,364 17
Apr 23, 2021 - $50,294 -46% 952 $53   $46,436,755 18
Apr 30, 2021 - $44,134 -12% 952 $46   $46,542,819 19
May 7, 2021 - $31,366 -29% 351 $89   $46,582,298 20

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 15, 2021 - $200,000     1,681 $119   $41,887,000 53

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 25, 2020 1 $23,009,311   2,151 $10,697   $23,009,311 1
Jan 1, 2021 1 $6,591,907 -71% 2,151 $3,065   $29,601,218 2
Jan 8, 2021 1 $3,606,246 -45% 2,218 $1,626   $33,207,464 3
Jan 15, 2021 2 $2,835,516 -21% 2,201 $1,288   $36,042,980 4
Jan 22, 2021 3 $1,892,294 -33% 2,013 $940   $37,935,274 5
Jan 29, 2021 - $1,497,102 -21% 1,864 $803   $39,432,376 6
Feb 5, 2021 - $1,114,406 -26% 1,818 $613   $40,546,782 7
Feb 12, 2021 - $1,381,606 +24% 1,681 $822   $41,928,388 8
Feb 19, 2021 - $985,382 -29% 1,644 $599   $42,913,770 9
Feb 26, 2021 - $1,021,558 +4% 1,534 $666   $43,935,328 10
Mar 5, 2021 - $618,452 -39% 1,217 $508   $44,553,780 11
Mar 12, 2021 - $546,288 -12% 1,139 $480   $45,100,068 12
Mar 19, 2021 - $511,815 -6% 1,158 $442   $45,611,883 13
Mar 26, 2021 - $360,185 -30% 1,128 $319   $45,972,068 14
Apr 2, 2021 - $193,041 -46% 1,011 $191   $46,165,109 15
Apr 9, 2021 - $111,513 -42% 972 $115   $46,276,622 16
Apr 16, 2021 - $109,839 -2% 952 $115   $46,386,461 17
Apr 23, 2021 - $112,224 +2% 952 $118   $46,498,685 18
Apr 30, 2021 - $52,247 -53% 500 $104   $46,550,932 19
May 7, 2021 - $35,342 -32% 351 $101   $46,586,274 20

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 12/26/2020 $4,000,000 312 805 3,170 $19,204,043 10/20/2022
Brazil 12/18/2020 $1,700,000 1,881 1,881 6,394 $6,900,000 10/19/2022
China 12/17/2020 $18,400,000 107,970 107,970 115,899 $25,500,000 10/19/2022
Germany 12/23/2020 $0 0 0 0 $71,659 7/6/2021
Hong Kong 2/19/2021 $520,000 75 217 292 $877,000 10/19/2022
Italy 5/13/2021 $17,994 0 4 4 $38,160 10/20/2022
Japan 12/18/2020 $1,600,000 743 743 743 $5,300,000 10/19/2022
Lithuania 4/30/2021 $2,698 10 10 24 $6,314 10/20/2022
Mexico 12/17/2020 $1,381,292 0 0 0 $5,100,000 10/19/2022
Netherlands 3/5/2021 $0 0 1 3 $7,678 6/28/2021
New Zealand 12/26/2020 $631,196 111 114 818 $2,835,771 3/31/2021
Portugal 12/17/2020 $104,422 142 142 488 $437,292 5/12/2021
Russia (CIS) 1/8/2021 $0 0 1,709 5,172 $3,900,000 10/19/2022
Saudi Arabia 12/18/2020 $1,000,000 115 115 115 $3,400,000 10/19/2022
Singapore 12/18/2020 $1,400,000 132 132 132 $3,900,000 10/19/2022
Slovakia 12/18/2020 $30,458 57 57 57 $38,398 12/22/2020
South Korea 12/25/2020 $1,788,399 2,260 2,260 6,458 $4,500,000 10/19/2022
Spain 12/18/2020 $1,100,000 813 813 2,753 $4,319,800 4/8/2021
Taiwan 12/18/2020 $3,500,000 411 411 1,037 $8,900,000 10/19/2022
Thailand 12/18/2020 $2,000,000 605 605 605 $3,200,000 10/19/2022
United Arab Emirates 12/18/2020 $1,100,000 277 277 277 $3,000,000 1/19/2021
United Kingdom 12/25/2020 $1,142,442 214 214 256 $2,236,189 6/16/2021
Vietnam 12/18/2020 $830,000 787 787 787 $830,000 12/21/2020
 
Rest of World $15,056,892
 
International Total$119,559,196 10/20/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Apr 4, 20211245,602 245,602$5,943,568$5,943,56815
Apr 11, 20211109,662-55% 355,264$2,653,820$8,597,38816
Apr 18, 2021161,404-44% 416,668$1,485,977$10,083,36517
Apr 25, 2021142,994-30% 459,662$1,040,455$11,123,82018
May 2, 2021131,637-26% 491,299$765,615$11,889,43519
May 9, 2021233,013+4% 524,312$798,915$12,688,35020
May 16, 2021515,157-54% 539,469$366,799$13,055,14921
May 23, 2021157,696-49% 547,165$186,243$13,241,39222
May 30, 2021187,667n/c554,832$185,081$13,426,47323
Jun 6, 2021188,332+9% 563,164$201,134$13,627,60724
Jun 13, 20212010,675+28% 573,839$257,695$13,885,30225
Jun 20, 2021187,523-30% 581,362$181,605$14,066,90726
Nov 14, 20211915,407 637,919$358,367$15,314,77647
Nov 21, 20212011,568-25% 649,487$269,072$15,583,84848

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Apr 4, 20211342,127 342,127$8,279,473$8,279,47315
Apr 11, 20211150,368-56% 492,495$3,638,906$11,918,37916
Apr 18, 2021178,541-48% 571,036$1,900,692$13,819,07117
Apr 25, 2021152,187-34% 623,223$1,262,925$15,081,99618
May 2, 2021135,763-31% 658,986$865,465$15,947,46119
May 9, 2021233,640-6% 692,626$814,088$16,761,54920
May 16, 2021420,525-39% 713,151$496,705$17,258,25421
May 23, 202179,312-55% 722,463$225,350$17,483,60422
May 30, 2021710,267+10% 732,730$247,845$17,731,44923
Jun 6, 2021710,319+1% 743,049$249,101$17,980,55024
Jun 13, 202198,380-19% 751,429$202,293$18,182,84325
Jun 20, 2021222,972+174% 774,401$554,544$18,737,38726
Jun 27, 2021168,367-64% 782,768$201,979$18,939,36627
Jul 4, 2021206,874-18% 789,642$165,457$19,104,82328
Jul 18, 2021156,516 802,573$156,840$19,416,07230
Aug 8, 2021203,370 812,695$81,116$19,645,13833
Sep 19, 2021125,246 829,948$126,271$20,021,59439
Sep 26, 2021114,827-8% 834,775$111,697$20,133,29140
Oct 3, 2021164,036-16% 838,811$93,393$20,226,68441
Nov 7, 2021912,416 859,442$288,796$20,663,08946
Nov 14, 20211014,484+17% 873,926$336,898$20,999,98747
Nov 21, 20211217,717+22% 891,643$412,097$21,412,08448
Nov 28, 2021440,806+130% 932,449$949,148$22,361,23249

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Gal Gadot    Diana Prince/Wonder Woman
Chris Pine    Steve Trevor
Kristen Wiig    Barbara Ann Miverva/Cheetah
Pedro Pascal    Maxwell Lord

Supporting Cast

Robin Wright    Antiope
Connie Nielsen    Queen Hippolyta
Lilly Aspell    Young Diana
Amr Waked    Emir Said Bin Abydos
Kristoffer Polaha    Handsome Man
Natasha Rothwell    Carol (Co-Worker)
Ravi Patel    Babajide
Oliver Cotton    Simon Stagg
Lucian Perez    Alistair
Gabriella Wilde    Raquel
Kelvin Yu    Jake
Stuart Milligan    POTUS
Shane Attwooll    Dangerous Drunk
David Al Fahmi    Mr. Khalaji
Kevin Wallace    Televangelist
Wai Wong    Lai Zhong
Doutzen Kroes    Venelia
Hari James    Herald (Trigona)
Betty Adewole    Amazon
Camilla Roholm    Amazon
Jessie Graff    Competitor
Bronte Lavine    Competitor
Briony Scarlett    Competitor
Jade Johnson    Competitor
Miranda Chambers    Competitor
Moe Sasegbon    Competitor
Gwendolyn Smith    Competitor
Hayley Warnes    Aella
Said Taghmaoui    Sameer (Photograph)
Ewen Bremner    Charlie (Photograph)
Eugene Brave Rock    Chief (Photograph)
Lucy Davis    Etta (Photograph)
Lyon Beckwith    Buzz Cut
Ryan Watson    Bad Skin
James C. Burke    Flat Top
Brandon Thane Wilson    Scowler
Oakley Bull    Kelly (Girl Hostage)
Andy Riddle    Donkey Kong Geek (Mall)
Rey Rey Terry    Courtney
Tina Edwards    Courtney’s Mom
Bill DeBrason    Mall Cop (Exterior)
Rick Kain    Mall Cop (Exterior)
Vickie Warehime    Mall Security Guard
Mike D. Anderson    Mall Security Guard
Christopher Crutchfield Walker    Mall Security Guard
Gina Grinkemeyer    Panicked Shopper
Cassandra Newman    Panicked Shopper
Valerie Leonard    Jewelry Sales Associate
Susan Smythe    Jewelry Sales Associate
Bob Cusack    News Reporter (Aftermath)
John Bucy    Camaro Driver
Patrick Gover    Camaro Passenger
Tracy Tobin    Jogger
Mitch Holson    Preppy Guy (Dupont Circle)
Ashley Gladden    Preppy Girl (Dupont Circle)
Spencer Trinwith    Georgetown Cafe Waiter
Parker Damm    Commander Salamander Manager
Caroline Coleman    Shoplifter
Summer Snead    Shoplifter
Tori Beverly    Shoplifter
Raquel Merediz    Eager Saleswoman (Clothes)
Vince Eisenson    Guy Hailing Cab (Georgetown)
Asim Chaudhry    Roger (Co-Worker)
Danny Morgan    Co-Worker 2 (Spare Coffee)
Tessa Bonham Jones    Lucy (Co-Worker)
Philip Philmar    Janitor
Mensah Bediako    Leon
Russell Barnett    FBI Agent (Stagg’s Office)
Peter Brooke    FBI Agent (FBI Office)
Jarren Dalmeda    FBI Agent (Stagg’s Lobby)
Jasmine Clark    Black Gold Receptionist
Jonathan Ajayi    Black Gold Young Man - Emerson
Tomos Vaughan-Williams    Black Gold Young Man
Avi Rothman    Black Gold Hotshot Aide
Belinda Mayne    Stagg’s Secretary
Orlando James    Party Goer
Bruce MacKinnon    Party Goer
Ed Birch    White House Carl
Aykut Hilmi    Cab Driver (Egypt)
Zaydun Khalaf    Emir’s Aide
Nerea Palacios    Egyption Child 1
Altahay Ramos Martin    Egyption Child 2
Joanne Henry    White House Staffer
Patrick Lyster    CJCS (Oval Office)
Sam Sheridan    US Army Tech
Paul Boyd    US Army Tech
Vincent Jerome    US Army Tech
Akie Kotabe    Air Traffic Controller
Kenneth Jay    Air Traffic Controller
Jasmine Hyde    British News Reporter
Paul McQuaid    American Reporter
Gabriel Constantin    Silo Technician
Alex Delescu    Silo Technician
Mish Boyko    Silo Technician
Constantine Gregory    Russian General
Michael Poole    Old Russian Grandfather
Joe Palka    Neighbor/Cow Man
Jean H. Miller    Dog Walker
Mike Sengelow    Head Technician (Inner Chamber)
Paul Connaughton    Irishman (Tea Shop)
Wendy Albiston    Nasty Woman (Tea Shop)
Rhonda Overby    Passing Reporter
Lambro Demetriou    Max (8 Years Old)
Jonny Barry    Max (15 Years Old)
Luis Torrecilla    Max’s Father
Sarah Barlondo    Max’s Mother
Matt Costello    Max’s Driver
Evan Bittner    Photographer
Archie L. Harris, Jr.    Penn Avenue Watergate Cop
Stephanie Waters    Penn Avenue Mother
Thomas Clay Strickland    Wild Gunman
Chi-Lin Nim    Wang (Chinese Kitchen)
Michael Kaurene    Punk in Subway
Michael Gabel    Apocalyptic Preacher
Orlando Gonzalez    Convoy Driver
Dan De Luca    Convoy Driver
Ahmed Hussien    Convoy Driver
Tony Zarouel    Convoy Driver
Naithan Ariane    Convoy Driver
Joel Morris    Security Guard
Michael Salami    Security Guard
Kosha Engler    US National News Anchor
Asa Sheridan    Jace Valentine
Alma Varsano    Snowball Girl
Maya Varsano    Carousel Girl
Jaron Varsano    Carousel Father
Tilly Winford    Christmas Player
Victoria Broom    Grateful Parent
Hamza Siddique    Militant
Colin Stinton    Norad Colonel
Andy Cheung    Resident
Katharine Pickering    Amazon Athlete
Karis McCabe    Amazon Athlete
Saskia Neville    Amazon Athlete
Jenny Pacey    Amazon Athlete
Mikayla-Jade Barber    Amazon Athlete
Candice Carbine    Amazon Athlete
Donna Forbes    Amazon Athlete
Chantal Nell    Amazon Athlete

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Patty Jenkins    Director
Patty Jenkins    Screenwriter
Geoff Johns    Screenwriter
David Callaham    Screenwriter
Patty Jenkins    Story by
Geoff Johns    Story by
Patty Jenkins    Producer
Gal Gadot    Producer
Stephen Jones    Producer
Zack Snyder    Producer
Deborah Snyder    Producer
Charles Roven    Producer
Rebecca Steel Roven    Executive Producer
Richard Suckle    Executive Producer
Marianne Jenkins    Executive Producer
Geoff Johns    Executive Producer
Walter Hamada    Executive Producer
Chantal Nong    Executive Producer
Wesley Coller    Executive Producer
Aline Bonetto    Production Designer
Richard Pearson    Editor
Hans Zimmer    Composer
Matthew Jensen    Director of Photography
Lindy Hemming    Costume Designer
Lucinda Syson    Casting Director
Kristy Carlson    Casting Director
John Moffatt    Visual Effects Supervisor
Damian Anderson    Unit Production Manager
Marianne Jenkins    Unit Production Manager
Stephen Jones    Unit Production Manager
Toby Hefferman    First Assistant Director
Toby Hefferman    Associate Producer
Andy Madden    Key Second Assistant Director
Dan Bradley    Second Unit Director
Dominic Sidoli    Visual Effects Producer
Tim Grover    Post-Production Supervisor
Elise Iglesias    Associate Producer
Jason Crain    Associate Producer
Anna Obropta    Associate Producer
Peter Russell    Supervising Sound Editor
Rod McLean    Art Director
Simon Elsley    Art Director
Georgia Warner    Art Director
Richard Selway    Art Director
Mark Scruton    Art Director
Anita Gupta    Art Director
Gavin Fitch    Art Director
Arwel Evans    Art Director
Darren Tubby    Art Director
Peter J. Devlin    Sound Mixer
Laura Miles    Script Supervisor
Tom Harrison-Read    Additional Editor
Richard King    Supervising Sound Editor
Gary A. Rizzo    Re-recording Mixer
Kevin Penney    Sound Effects Editor
Rowan Watson    Sound Effects Editor
Jeff Sawyer    Sound Effects Editor
Iain Eyre    Dialogue Editor
Dan Grace    Costume Supervisor
Anna Lynch-Robinson    Set Decorator
David Zealey    Production Supervisor
Steve Mortimore    Supervising Location Manager
Lynsey Cosford    Location Manager
Mark Holt    Special Effects Supervisor
Russell Lodge    Production Manager
Sean Flanigan    Hairstylist
Gary English    Hairstylist

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

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January 17th, 2021

The Marksman

The Marksman will win the battle at the top of the box office chart this weekend, according to studio estimates released on Sunday. The action thriller is projected to earn $3.225 million over the three-day part of the weekend, and Open Road expects it to add another $480,000 tomorrow for a four-day opening of $3,705,000. Its debut is comfortably ahead of our Friday prediction, but a little behind Honest Thief, which earned $3.6 million over its three-day opening weekend back in October. The decline is most likely a reflection of the worsening pandemic conditions over the past few months, but Open Road shared some interesting demographic details that shed more light on how the market is evolving at the moment. More...

Weekend predictions: Marksman and Wonder Woman in head-to-head battle

January 15th, 2021

The Marksman

MLK Weekend could have a close race at the box office as new release The Marksman goes head-to-head with Wonder Woman 1984. Our model thinks Wonder Woman has the edge, but it’s likely to be a close-run thing. Liam Neeson has an impeccable pedigree when it comes to action thrillers—this isn’t even his first outing in such a film during the pandemic—and Honest Thief beat expectations with a $3.6-million opening weekend back in October. Here’s what the model thinks about Marksman

More...

Weekend estimates: Wonder Woman stays top, but continues to decline steeply

January 10th, 2021

Wonder Woman 1984

Wonder Woman 1984 will easily top the box office chart again this weekend, according to studio estimates released on Sunday morning, but it will fall 45% from last weekend. That’s a significantly larger decline than the rest of the films in the top 12, and The Croods: A New Age will overtake it in a couple of weeks if this trend continues. Wonder Woman’s total will stand at $32.6 million after today, compared to Croods’ $36.9 million, so there’s a strong probability that the two films will end up roughly tied at the domestic box office. More...

Weekend predictions: Wonder Woman stands atop desolate box office

January 8th, 2021

Wonder Woman 1984

The theatrical market has everything working against it this weekend: a pandemic at its peak, a national constitutional crisis, and no new wide releases. All happening on what’s traditionally one of the slower weekends of the year. We’re not quite going to return to the lowest ebb in business since theaters started to reopen, according to our model, but it looks as though we might come close.

Here’s what our latest analysis run says about likely business this weekend.

More...

Weekend estimates: Wonder Woman stays top over New Year’s Weekend

January 3rd, 2021

Wonder Woman 1984

Wonder Woman 1984 will remain top at the box office this weekend, according to studio estimates released on Sunday morning, but it’ll do so in spite of a sharp fall from its opening weekend. Warner Bros. projects a $5.5-million weekend for the super hero pic, down 67% from last weekend. That’s not a huge fall for a film like this by historical standards, but it is a surprisingly-sharp decline for the New Year weekend, and considerably worse than any other film reporting, many of which increased their box office from Christmas weekend. More...

Weekend predictions: Wonder Woman to dominate Christmas weekend on screen and at home

December 24th, 2020

Wonder Woman 1984

Wonder Woman will take us back to the 1980s, and possibly forward to the mid-2020s this weekend with an unprecedented release wide in theaters and simultaneously on the HBO Max streaming platform. What that means for its box office is, honestly, a mystery. While its performance will be very closely watched, there are so many additional confounding factors—the Christmas weekend, rising cases of COVID-19 around the country, theater closures and seating restrictions—that it would be unwise to draw too many conclusions from its performance. This week’s run of our box office model at least gives us a baseline to work from.

More...

Weekend estimates: Monster Hunter tops domestic chart, Wonder Woman rules the rest of the world

December 20th, 2020

Wonder Woman 1984

As expected, Monster Hunter will top the domestic chart this weekend, but the big news is Wonder Woman 1984’s global launch to $38.5 million from 30,221 screens in 32 markets. More...

December preview: Wonder Woman heralds the end of the theatrical window (for now?)

December 1st, 2020

Wonder Woman 1984

The worst year for the movie theatrical industry in a century will end with a series of releases that might define the business for the next decade. Only three of the major studios are daring to release films in theaters during what is shaping up to be the height of the COVID-19 pandemic. Sony Pictures is going the traditional route with Monster Hunter getting an exclusive theatrical release on Christmas Day. Universal’s deals with AMC and Cinemark to allow shortened theatrical windows in return for sharing PVOD revenue have prompted it and its specialty division Focus Features to release four films this holiday season. But all eyes (or many of them, anyway) will be on Warner Bros.’ release of Wonder Woman 1984 simultaneously in theaters and on HBO Max.

When the studio announced this release strategy back on November 18 there was speculation that, if it worked out well, they might do the same thing with some of their other upcoming films. Today they threw caution to the wind and announced that all of the studio’s 2021 films will be released in theaters and on HBO Max at the same time (in territories where HBO Max is available). While we’re still digesting the news, here are three quick takes on the rationale for Warner Bros. to make this bold leap. More...

Wonder Woman 1984 Trailer 2

August 25th, 2020

Superhero action movie starring opens October 2 ... Full Movie Details. More...

Wonder Woman 1984 Trailer

December 9th, 2019

Superhero action movie starring opens June 5 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing two all-new foes: Max Lord and The Cheetah.

Metrics

Opening Weekend:$16,701,957 (35.7% of total gross)
Legs:2.80 (domestic box office/biggest weekend)
Domestic Share:28.1% (domestic box office/worldwide)
Production Budget:$200,000,000 (worldwide box office is 0.8 times production budget)
Theater counts:2,151 opening theaters/2,218 max. theaters, 13.3 weeks average run per theater
Infl. Adj. Dom. BO $52,238,403

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 1,901-2,000) 1,989 $46,801,036
All Time International Box Office (Rank 901-1,000) 903 $119,559,196
All Time Worldwide Box Office (Rank 1,101-1,200) 1,132 $166,360,232
All Time Domestic Box Office for Super Hero Movies (Rank 101-200) 108 $46,801,036
All Time International Box Office for Super Hero Movies 83 $119,559,196
All Time Worldwide Box Office for Super Hero Movies 96 $166,360,232

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: December 25th, 2020 (Wide) by Warner Bros.
December 25th, 2020 (IMAX) by Warner Bros.
International Releases: December 16th, 2020 (Limited) (United Kingdom)
December 17th, 2020 (Wide) (China)
December 17th, 2020 (Wide), released as Mujer Maravilla 1984 (Mexico)
December 17th, 2020 (Wide), released as Mulher-Maravilha 1984 (Portugal)
December 18th, 2020 (Wide) (Brazil)
... Show all releases
Video Release: December 25th, 2020 by Max
MPAA Rating: PG-13 for sequences of action and violence.
(Rating bulletin 2626 (Cert #52443), 4/22/2020)
Running Time: 151 minutes
Franchise: Wonder Woman
DC Extended Universe
Comparisons: vs. Godzilla vs. Kong
Create your own comparison chart…
Keywords: 3-D, IMAX: DMR
Source:Based on Comic/Graphic Novel
Genre:Action
Production Method:Live Action
Creative Type:Super Hero
Production/Financing Companies: Atlas Entertainment, Stone Quarry, Warner Bros., DC Films
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Lowest No. 1 Domestic 31 $2,960,015 Jan 8, 2021 17
New Year's Day (All Movies, 3-Day) 264 $5,429,210 Jan 1, 2021 10
New Year's Day (All Movies, 3-Day, Inflation Adjusted) 408 $6,547,503 Jan 1, 2021 10
Christmas (All Movies, 3-Day) 71 $16,701,957 Dec 25, 2020 3
Christmas (All Movies, 3-Day, Inflation Adjusted) 153 $20,142,171 Dec 25, 2020 3
Christmas (Opening, 3-Day) 32 $16,701,957 Dec 25, 2020 3
Christmas (Opening, 3-Day, Inflation Adjusted) 52 $20,142,171 Dec 25, 2020 3
Top 2020 Theater Average 30 $7,765 Dec 25, 2020 3

Leading Cast

Gal Gadot    Diana Prince/Wonder Woman
Chris Pine    Steve Trevor
Kristen Wiig    Barbara Ann Miverva/Cheetah
Pedro Pascal    Maxwell Lord

Supporting Cast

Robin Wright    Antiope
Connie Nielsen    Queen Hippolyta
Lilly Aspell    Young Diana
Amr Waked    Emir Said Bin Abydos
Kristoffer Polaha    Handsome Man
Natasha Rothwell    Carol (Co-Worker)
Ravi Patel    Babajide
Oliver Cotton    Simon Stagg
Lucian Perez    Alistair
Gabriella Wilde    Raquel
Kelvin Yu    Jake
Stuart Milligan    POTUS
Shane Attwooll    Dangerous Drunk
David Al Fahmi    Mr. Khalaji
Kevin Wallace    Televangelist
Wai Wong    Lai Zhong
Doutzen Kroes    Venelia
Hari James    Herald (Trigona)
Betty Adewole    Amazon
Camilla Roholm    Amazon
Jessie Graff    Competitor
Bronte Lavine    Competitor
Briony Scarlett    Competitor
Jade Johnson    Competitor
Miranda Chambers    Competitor
Moe Sasegbon    Competitor
Gwendolyn Smith    Competitor
Hayley Warnes    Aella
Said Taghmaoui    Sameer (Photograph)
Ewen Bremner    Charlie (Photograph)
Eugene Brave Rock    Chief (Photograph)
Lucy Davis    Etta (Photograph)
Lyon Beckwith    Buzz Cut
Ryan Watson    Bad Skin
James C. Burke    Flat Top
Brandon Thane Wilson    Scowler
Oakley Bull    Kelly (Girl Hostage)
Andy Riddle    Donkey Kong Geek (Mall)
Rey Rey Terry    Courtney
Tina Edwards    Courtney’s Mom
Bill DeBrason    Mall Cop (Exterior)
Rick Kain    Mall Cop (Exterior)
Vickie Warehime    Mall Security Guard
Mike D. Anderson    Mall Security Guard
Christopher Crutchfield Walker    Mall Security Guard
Gina Grinkemeyer    Panicked Shopper
Cassandra Newman    Panicked Shopper
Valerie Leonard    Jewelry Sales Associate
Susan Smythe    Jewelry Sales Associate
Bob Cusack    News Reporter (Aftermath)
John Bucy    Camaro Driver
Patrick Gover    Camaro Passenger
Tracy Tobin    Jogger
Mitch Holson    Preppy Guy (Dupont Circle)
Ashley Gladden    Preppy Girl (Dupont Circle)
Spencer Trinwith    Georgetown Cafe Waiter
Parker Damm    Commander Salamander Manager
Caroline Coleman    Shoplifter
Summer Snead    Shoplifter
Tori Beverly    Shoplifter
Raquel Merediz    Eager Saleswoman (Clothes)
Vince Eisenson    Guy Hailing Cab (Georgetown)
Asim Chaudhry    Roger (Co-Worker)
Danny Morgan    Co-Worker 2 (Spare Coffee)
Tessa Bonham Jones    Lucy (Co-Worker)
Philip Philmar    Janitor
Mensah Bediako    Leon
Russell Barnett    FBI Agent (Stagg’s Office)
Peter Brooke    FBI Agent (FBI Office)
Jarren Dalmeda    FBI Agent (Stagg’s Lobby)
Jasmine Clark    Black Gold Receptionist
Jonathan Ajayi    Black Gold Young Man - Emerson
Tomos Vaughan-Williams    Black Gold Young Man
Avi Rothman    Black Gold Hotshot Aide
Belinda Mayne    Stagg’s Secretary
Orlando James    Party Goer
Bruce MacKinnon    Party Goer
Ed Birch    White House Carl
Aykut Hilmi    Cab Driver (Egypt)
Zaydun Khalaf    Emir’s Aide
Nerea Palacios    Egyption Child 1
Altahay Ramos Martin    Egyption Child 2
Joanne Henry    White House Staffer
Patrick Lyster    CJCS (Oval Office)
Sam Sheridan    US Army Tech
Paul Boyd    US Army Tech
Vincent Jerome    US Army Tech
Akie Kotabe    Air Traffic Controller
Kenneth Jay    Air Traffic Controller
Jasmine Hyde    British News Reporter
Paul McQuaid    American Reporter
Gabriel Constantin    Silo Technician
Alex Delescu    Silo Technician
Mish Boyko    Silo Technician
Constantine Gregory    Russian General
Michael Poole    Old Russian Grandfather
Joe Palka    Neighbor/Cow Man
Jean H. Miller    Dog Walker
Mike Sengelow    Head Technician (Inner Chamber)
Paul Connaughton    Irishman (Tea Shop)
Wendy Albiston    Nasty Woman (Tea Shop)
Rhonda Overby    Passing Reporter
Lambro Demetriou    Max (8 Years Old)
Jonny Barry    Max (15 Years Old)
Luis Torrecilla    Max’s Father
Sarah Barlondo    Max’s Mother
Matt Costello    Max’s Driver
Evan Bittner    Photographer
Archie L. Harris, Jr.    Penn Avenue Watergate Cop
Stephanie Waters    Penn Avenue Mother
Thomas Clay Strickland    Wild Gunman
Chi-Lin Nim    Wang (Chinese Kitchen)
Michael Kaurene    Punk in Subway
Michael Gabel    Apocalyptic Preacher
Orlando Gonzalez    Convoy Driver
Dan De Luca    Convoy Driver
Ahmed Hussien    Convoy Driver
Tony Zarouel    Convoy Driver
Naithan Ariane    Convoy Driver
Joel Morris    Security Guard
Michael Salami    Security Guard
Kosha Engler    US National News Anchor
Asa Sheridan    Jace Valentine
Alma Varsano    Snowball Girl
Maya Varsano    Carousel Girl
Jaron Varsano    Carousel Father
Tilly Winford    Christmas Player
Victoria Broom    Grateful Parent
Hamza Siddique    Militant
Colin Stinton    Norad Colonel
Andy Cheung    Resident
Katharine Pickering    Amazon Athlete
Karis McCabe    Amazon Athlete
Saskia Neville    Amazon Athlete
Jenny Pacey    Amazon Athlete
Mikayla-Jade Barber    Amazon Athlete
Candice Carbine    Amazon Athlete
Donna Forbes    Amazon Athlete
Chantal Nell    Amazon Athlete

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Patty Jenkins    Director
Patty Jenkins    Screenwriter
Geoff Johns    Screenwriter
David Callaham    Screenwriter
Patty Jenkins    Story by
Geoff Johns    Story by
Patty Jenkins    Producer
Gal Gadot    Producer
Stephen Jones    Producer
Zack Snyder    Producer
Deborah Snyder    Producer
Charles Roven    Producer
Rebecca Steel Roven    Executive Producer
Richard Suckle    Executive Producer
Marianne Jenkins    Executive Producer
Geoff Johns    Executive Producer
Walter Hamada    Executive Producer
Chantal Nong    Executive Producer
Wesley Coller    Executive Producer
Aline Bonetto    Production Designer
Richard Pearson    Editor
Hans Zimmer    Composer
Matthew Jensen    Director of Photography
Lindy Hemming    Costume Designer
Lucinda Syson    Casting Director
Kristy Carlson    Casting Director
John Moffatt    Visual Effects Supervisor
Damian Anderson    Unit Production Manager
Marianne Jenkins    Unit Production Manager
Stephen Jones    Unit Production Manager
Toby Hefferman    First Assistant Director
Toby Hefferman    Associate Producer
Andy Madden    Key Second Assistant Director
Dan Bradley    Second Unit Director
Dominic Sidoli    Visual Effects Producer
Tim Grover    Post-Production Supervisor
Elise Iglesias    Associate Producer
Jason Crain    Associate Producer
Anna Obropta    Associate Producer
Peter Russell    Supervising Sound Editor
Rod McLean    Art Director
Simon Elsley    Art Director
Georgia Warner    Art Director
Richard Selway    Art Director
Mark Scruton    Art Director
Anita Gupta    Art Director
Gavin Fitch    Art Director
Arwel Evans    Art Director
Darren Tubby    Art Director
Peter J. Devlin    Sound Mixer
Laura Miles    Script Supervisor
Tom Harrison-Read    Additional Editor
Richard King    Supervising Sound Editor
Gary A. Rizzo    Re-recording Mixer
Kevin Penney    Sound Effects Editor
Rowan Watson    Sound Effects Editor
Jeff Sawyer    Sound Effects Editor
Iain Eyre    Dialogue Editor
Dan Grace    Costume Supervisor
Anna Lynch-Robinson    Set Decorator
David Zealey    Production Supervisor
Steve Mortimore    Supervising Location Manager
Lynsey Cosford    Location Manager
Mark Holt    Special Effects Supervisor
Russell Lodge    Production Manager
Sean Flanigan    Hairstylist
Gary English    Hairstylist

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend predictions: Raya and the road to recovery

March 5th, 2021

Raya and the Last Dragon

After an excellent opening for Tom and Jerry last weekend, all eyes turn to Raya and the Last Dragon. With theaters reopening in New York and San Francisco, the movie’s Disney Animation pedigree and 95% score on Rotten Tomatoes, and a stronger market for family films than other fare during the pandemic, this seems like a film that could continue the process of rebuilding momentum at the box office. A simultaneous release on Disney+ could put the brakes on though, and our model isn’t convinced it’s set for box office glory.

More...

Weekend estimates: Tom and Jerry shows the strength of family movies with a $13.7-million debut

February 28th, 2021

Tom and Jerry

Tom and Jerry is enjoying the best weekend of 2021 so far, and the third-best of the pandemic era, according to Warner Bros.’ projections released on Sunday mornings. Its $13.71 million opening is a far cry from the $40 million to $50 million it might have earned before the pandemic, but it confirms something we’ve suspected since the stronger-than-expected openings of The War with Grandpa and The Croods: A New Age: family movies are performing much better during the pandemic than other types of film… More...

Weekend predictions: $6 million is the benchmark for Tom and Jerry

February 26th, 2021

Tom and Jerry

Warner Bros. wraps up January with what should be the biggest release of the year so far. Under normal circumstances, Tom and Jerry would be looking for an opening weekend somewhere close to the $58 million enjoyed by Sonic the Hedgehog this time last year. Our model says $46 million would be par for the course for a film like this. But, even though there are some signs of improvement in the theatrical market, pandemic-related restrictions and the reluctance of audiences to return to theaters means the movie won’t see anything close to that level of business this weekend.

More...

Weekend estimates: a 3-way tie for number one

February 14th, 2021

The Croods: A New Age

The combination of a long weekend and a very tight race means it’s hard to say who’s winning at the box office this weekend. Universal is claiming bragging rights, with a $2.04 million three-day estimates for The Croods: A New Age. It is set to earn around $2.66 million including Monday’s holiday gross. Warner Bros. is projecting $2.0 million over three days and $2.4 million for the long weekend for both its new release Judas and the Black Messiah and the returning The Little Things. (The studio didn’t originally announce a three-day number for The Little Things, but just confirmed that $2.0 million figure with us.)

Outside of this minor intrigue at the top of the chart, this week’s estimates contain some promising news… More...

Weekend predictions: The Little Things should easily win the weekend

January 29th, 2021

The Little Things

This weekend’s release of The Little Things continues Warner Bros.’ strategy of launching major films simultaneously in theaters and on HBO Max, following the Christmastime launch of Wonder Woman 1984. The studio can argue that its experiment has paid off so far, with Wonder Woman posting a decent opening, given the state of the pandemic, and also driving new subscribers to the service. Little Things will be more of test though, since it’s not a major franchise release and isn’t high on the list of most-anticipated movies of the year.

It does, however, come with an impeccable pedigree, and our model is quite enthusiastic about its chances.

More...

Weekend estimates: Marksman stays top

January 24th, 2021

The Marksman

The Marksman will remain at the top of the box office chart this weekend with a decent 35% decline from its opening according to Open Road’s Sunday morning projection. The Croods: A New Age will fall just 9% from last weekend to finish second. Wonder Woman 1984 (which our model forecast would regain top spot) is set to fall 38% this weekend to $1.6 million for a total of $37.7 million to date. More...

Weekend predictions: Marksman and Wonder Woman do battle for top spot

January 22nd, 2021

The Marksman

The box office race is overshadowed this weekend by a barrage of release date changes precipitated by the continued terrible situation with the pandemic across North America and a growing acceptance that movie theaters won’t all be open and operating under normal conditions for quite a while. The first domino to fall was No Time to Die, which has moved from April 2 to October 8. Our release schedule changes page has the gory details of all the changes announced by studios in the aftermath. The consensus seems to be that major releases definitely won’t be viable as theatrical-only releases until late April or early May, and the big guns are mostly settling in to the October through December timeframe. It might be a while before we see a tentpole come to theaters that isn’t also being quickly or simultaneously released for the home market, either on a streaming platform or as a PVOD release.

All that adds up to long theatrical runs by default for the films currently at the top of the box office chart. Here’s what our model thinks of them this weekend.

More...

Weekend estimates: Marksman topples Wonder Woman

January 17th, 2021

The Marksman

The Marksman will win the battle at the top of the box office chart this weekend, according to studio estimates released on Sunday. The action thriller is projected to earn $3.225 million over the three-day part of the weekend, and Open Road expects it to add another $480,000 tomorrow for a four-day opening of $3,705,000. Its debut is comfortably ahead of our Friday prediction, but a little behind Honest Thief, which earned $3.6 million over its three-day opening weekend back in October. The decline is most likely a reflection of the worsening pandemic conditions over the past few months, but Open Road shared some interesting demographic details that shed more light on how the market is evolving at the moment. More...

Weekend predictions: Marksman and Wonder Woman in head-to-head battle

January 15th, 2021

The Marksman

MLK Weekend could have a close race at the box office as new release The Marksman goes head-to-head with Wonder Woman 1984. Our model thinks Wonder Woman has the edge, but it’s likely to be a close-run thing. Liam Neeson has an impeccable pedigree when it comes to action thrillers—this isn’t even his first outing in such a film during the pandemic—and Honest Thief beat expectations with a $3.6-million opening weekend back in October. Here’s what the model thinks about Marksman

More...

Weekend estimates: Wonder Woman stays top, but continues to decline steeply

January 10th, 2021

Wonder Woman 1984

Wonder Woman 1984 will easily top the box office chart again this weekend, according to studio estimates released on Sunday morning, but it will fall 45% from last weekend. That’s a significantly larger decline than the rest of the films in the top 12, and The Croods: A New Age will overtake it in a couple of weeks if this trend continues. Wonder Woman’s total will stand at $32.6 million after today, compared to Croods’ $36.9 million, so there’s a strong probability that the two films will end up roughly tied at the domestic box office. More...

Weekend predictions: Wonder Woman stands atop desolate box office

January 8th, 2021

Wonder Woman 1984

The theatrical market has everything working against it this weekend: a pandemic at its peak, a national constitutional crisis, and no new wide releases. All happening on what’s traditionally one of the slower weekends of the year. We’re not quite going to return to the lowest ebb in business since theaters started to reopen, according to our model, but it looks as though we might come close.

Here’s what our latest analysis run says about likely business this weekend.

More...

Weekend estimates: Wonder Woman stays top over New Year’s Weekend

January 3rd, 2021

Wonder Woman 1984

Wonder Woman 1984 will remain top at the box office this weekend, according to studio estimates released on Sunday morning, but it’ll do so in spite of a sharp fall from its opening weekend. Warner Bros. projects a $5.5-million weekend for the super hero pic, down 67% from last weekend. That’s not a huge fall for a film like this by historical standards, but it is a surprisingly-sharp decline for the New Year weekend, and considerably worse than any other film reporting, many of which increased their box office from Christmas weekend. More...

Weekend predictions: Wonder Woman to dominate Christmas weekend on screen and at home

December 24th, 2020

Wonder Woman 1984

Wonder Woman will take us back to the 1980s, and possibly forward to the mid-2020s this weekend with an unprecedented release wide in theaters and simultaneously on the HBO Max streaming platform. What that means for its box office is, honestly, a mystery. While its performance will be very closely watched, there are so many additional confounding factors—the Christmas weekend, rising cases of COVID-19 around the country, theater closures and seating restrictions—that it would be unwise to draw too many conclusions from its performance. This week’s run of our box office model at least gives us a baseline to work from.

More...

Weekend estimates: Monster Hunter tops domestic chart, Wonder Woman rules the rest of the world

December 20th, 2020

Wonder Woman 1984

As expected, Monster Hunter will top the domestic chart this weekend, but the big news is Wonder Woman 1984’s global launch to $38.5 million from 30,221 screens in 32 markets. More...

December preview: Wonder Woman heralds the end of the theatrical window (for now?)

December 1st, 2020

Wonder Woman 1984

The worst year for the movie theatrical industry in a century will end with a series of releases that might define the business for the next decade. Only three of the major studios are daring to release films in theaters during what is shaping up to be the height of the COVID-19 pandemic. Sony Pictures is going the traditional route with Monster Hunter getting an exclusive theatrical release on Christmas Day. Universal’s deals with AMC and Cinemark to allow shortened theatrical windows in return for sharing PVOD revenue have prompted it and its specialty division Focus Features to release four films this holiday season. But all eyes (or many of them, anyway) will be on Warner Bros.’ release of Wonder Woman 1984 simultaneously in theaters and on HBO Max.

When the studio announced this release strategy back on November 18 there was speculation that, if it worked out well, they might do the same thing with some of their other upcoming films. Today they threw caution to the wind and announced that all of the studio’s 2021 films will be released in theaters and on HBO Max at the same time (in territories where HBO Max is available). While we’re still digesting the news, here are three quick takes on the rationale for Warner Bros. to make this bold leap. More...

Wonder Woman 1984 Trailer 2

August 25th, 2020

Superhero action movie starring opens October 2 ... Full Movie Details. More...

Wonder Woman 1984 Trailer

December 9th, 2019

Superhero action movie starring opens June 5 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 25, 2020 1 $16,701,957   2,151 $7,765   $16,701,957 1
Jan 1, 2021 1 $5,429,210 -67% 2,151 $2,524   $28,438,521 2
Jan 8, 2021 1 $2,960,015 -45% 2,218 $1,335   $32,561,233 3
Jan 15, 2021 2 $2,150,101 -27% 2,201 $977   $35,357,565 4
Jan 22, 2021 3 $1,571,074 -27% 2,013 $780   $37,614,054 5
Jan 29, 2021 3 $1,264,917 -19% 1,864 $679   $39,200,191 6
Feb 5, 2021 4 $918,278 -27% 1,864 $493   $40,350,654 7
Feb 12, 2021 4 $1,109,260 +21% 1,681 $660   $41,656,042 8
Feb 19, 2021 4 $800,641 -28% 1,644 $487   $42,729,029 9
Feb 26, 2021 5 $700,803 -12% 1,534 $457   $43,614,573 10
Mar 5, 2021 7 $500,091 -29% 1,534 $326   $44,435,419 11
Mar 12, 2021 10 $400,243 -20% 1,139 $351   $44,954,023 12
Mar 19, 2021 8 $401,020 n/c 1,158 $346   $45,501,088 13
Mar 26, 2021 10 $260,621 -35% 1,128 $231   $45,872,504 14
Apr 2, 2021 11 $173,672 -33% 1,011 $172   $46,145,740 15
Apr 9, 2021 - $93,532 -46% 972 $96   $46,258,641 16
Apr 16, 2021 - $93,742 n/c 952 $98   $46,370,364 17
Apr 23, 2021 - $50,294 -46% 952 $53   $46,436,755 18
Apr 30, 2021 - $44,134 -12% 952 $46   $46,542,819 19
May 7, 2021 - $31,366 -29% 351 $89   $46,582,298 20

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 15, 2021 - $200,000     1,681 $119   $41,887,000 53

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 25, 2020 1 $23,009,311   2,151 $10,697   $23,009,311 1
Jan 1, 2021 1 $6,591,907 -71% 2,151 $3,065   $29,601,218 2
Jan 8, 2021 1 $3,606,246 -45% 2,218 $1,626   $33,207,464 3
Jan 15, 2021 2 $2,835,516 -21% 2,201 $1,288   $36,042,980 4
Jan 22, 2021 3 $1,892,294 -33% 2,013 $940   $37,935,274 5
Jan 29, 2021 - $1,497,102 -21% 1,864 $803   $39,432,376 6
Feb 5, 2021 - $1,114,406 -26% 1,818 $613   $40,546,782 7
Feb 12, 2021 - $1,381,606 +24% 1,681 $822   $41,928,388 8
Feb 19, 2021 - $985,382 -29% 1,644 $599   $42,913,770 9
Feb 26, 2021 - $1,021,558 +4% 1,534 $666   $43,935,328 10
Mar 5, 2021 - $618,452 -39% 1,217 $508   $44,553,780 11
Mar 12, 2021 - $546,288 -12% 1,139 $480   $45,100,068 12
Mar 19, 2021 - $511,815 -6% 1,158 $442   $45,611,883 13
Mar 26, 2021 - $360,185 -30% 1,128 $319   $45,972,068 14
Apr 2, 2021 - $193,041 -46% 1,011 $191   $46,165,109 15
Apr 9, 2021 - $111,513 -42% 972 $115   $46,276,622 16
Apr 16, 2021 - $109,839 -2% 952 $115   $46,386,461 17
Apr 23, 2021 - $112,224 +2% 952 $118   $46,498,685 18
Apr 30, 2021 - $52,247 -53% 500 $104   $46,550,932 19
May 7, 2021 - $35,342 -32% 351 $101   $46,586,274 20

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 12/26/2020 $4,000,000 312 805 3,170 $19,204,043 10/20/2022
Brazil 12/18/2020 $1,700,000 1,881 1,881 6,394 $6,900,000 10/19/2022
China 12/17/2020 $18,400,000 107,970 107,970 115,899 $25,500,000 10/19/2022
Germany 12/23/2020 $0 0 0 0 $71,659 7/6/2021
Hong Kong 2/19/2021 $520,000 75 217 292 $877,000 10/19/2022
Italy 5/13/2021 $17,994 0 4 4 $38,160 10/20/2022
Japan 12/18/2020 $1,600,000 743 743 743 $5,300,000 10/19/2022
Lithuania 4/30/2021 $2,698 10 10 24 $6,314 10/20/2022
Mexico 12/17/2020 $1,381,292 0 0 0 $5,100,000 10/19/2022
Netherlands 3/5/2021 $0 0 1 3 $7,678 6/28/2021
New Zealand 12/26/2020 $631,196 111 114 818 $2,835,771 3/31/2021
Portugal 12/17/2020 $104,422 142 142 488 $437,292 5/12/2021
Russia (CIS) 1/8/2021 $0 0 1,709 5,172 $3,900,000 10/19/2022
Saudi Arabia 12/18/2020 $1,000,000 115 115 115 $3,400,000 10/19/2022
Singapore 12/18/2020 $1,400,000 132 132 132 $3,900,000 10/19/2022
Slovakia 12/18/2020 $30,458 57 57 57 $38,398 12/22/2020
South Korea 12/25/2020 $1,788,399 2,260 2,260 6,458 $4,500,000 10/19/2022
Spain 12/18/2020 $1,100,000 813 813 2,753 $4,319,800 4/8/2021
Taiwan 12/18/2020 $3,500,000 411 411 1,037 $8,900,000 10/19/2022
Thailand 12/18/2020 $2,000,000 605 605 605 $3,200,000 10/19/2022
United Arab Emirates 12/18/2020 $1,100,000 277 277 277 $3,000,000 1/19/2021
United Kingdom 12/25/2020 $1,142,442 214 214 256 $2,236,189 6/16/2021
Vietnam 12/18/2020 $830,000 787 787 787 $830,000 12/21/2020
 
Rest of World $15,056,892
 
International Total$119,559,196 10/20/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Apr 4, 20211245,602 245,602$5,943,568$5,943,56815
Apr 11, 20211109,662-55% 355,264$2,653,820$8,597,38816
Apr 18, 2021161,404-44% 416,668$1,485,977$10,083,36517
Apr 25, 2021142,994-30% 459,662$1,040,455$11,123,82018
May 2, 2021131,637-26% 491,299$765,615$11,889,43519
May 9, 2021233,013+4% 524,312$798,915$12,688,35020
May 16, 2021515,157-54% 539,469$366,799$13,055,14921
May 23, 2021157,696-49% 547,165$186,243$13,241,39222
May 30, 2021187,667n/c554,832$185,081$13,426,47323
Jun 6, 2021188,332+9% 563,164$201,134$13,627,60724
Jun 13, 20212010,675+28% 573,839$257,695$13,885,30225
Jun 20, 2021187,523-30% 581,362$181,605$14,066,90726
Nov 14, 20211915,407 637,919$358,367$15,314,77647
Nov 21, 20212011,568-25% 649,487$269,072$15,583,84848

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Apr 4, 20211342,127 342,127$8,279,473$8,279,47315
Apr 11, 20211150,368-56% 492,495$3,638,906$11,918,37916
Apr 18, 2021178,541-48% 571,036$1,900,692$13,819,07117
Apr 25, 2021152,187-34% 623,223$1,262,925$15,081,99618
May 2, 2021135,763-31% 658,986$865,465$15,947,46119
May 9, 2021233,640-6% 692,626$814,088$16,761,54920
May 16, 2021420,525-39% 713,151$496,705$17,258,25421
May 23, 202179,312-55% 722,463$225,350$17,483,60422
May 30, 2021710,267+10% 732,730$247,845$17,731,44923
Jun 6, 2021710,319+1% 743,049$249,101$17,980,55024
Jun 13, 202198,380-19% 751,429$202,293$18,182,84325
Jun 20, 2021222,972+174% 774,401$554,544$18,737,38726
Jun 27, 2021168,367-64% 782,768$201,979$18,939,36627
Jul 4, 2021206,874-18% 789,642$165,457$19,104,82328
Jul 18, 2021156,516 802,573$156,840$19,416,07230
Aug 8, 2021203,370 812,695$81,116$19,645,13833
Sep 19, 2021125,246 829,948$126,271$20,021,59439
Sep 26, 2021114,827-8% 834,775$111,697$20,133,29140
Oct 3, 2021164,036-16% 838,811$93,393$20,226,68441
Nov 7, 2021912,416 859,442$288,796$20,663,08946
Nov 14, 20211014,484+17% 873,926$336,898$20,999,98747
Nov 21, 20211217,717+22% 891,643$412,097$21,412,08448
Nov 28, 2021440,806+130% 932,449$949,148$22,361,23249

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.