Serbia and Montenegro Box Office for Zero Dark Thirty (2012)

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Zero Dark Thirty poster
Theatrical Performance (US$)
Serbia and Montenegro Box Office $7,444Details
Worldwide Box Office $134,612,435Details
Home Market Performance
North America DVD Sales $8,433,618 Details
North America Blu-ray Sales $6,527,008 Details
Total North America Video Sales $14,960,626
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

For a decade, an elite team of intelligence and military operatives, working in secret across the globe, devoted themselves to a single goal: to find and eliminate Osama bin Laden. A determined CIA agent follows her intuition to find him.

Metrics

Movie Details

Production Budget:$52,500,000
Serbia and Montenegro Releases: January 31st, 2013 (Wide)
Video Release: March 19th, 2013 by Sony Pictures Home Entertainment
MPAA Rating: R for strong violence including brutal disturbing images, and for language.
(Rating bulletin 2250, 11/21/2012)
Running Time: 137 minutes
Keywords: Secret Agent, 9/11, Terrorism, Afghanistan War, Special Ops, Tortured for Information, 2013 Oscars Best Picture Nominee
Source:Based on Real Life Events
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Columbia Pictures, Mark Boal, First Light, Annapurna Pictures
Production Countries: United States
Languages: English

Blu-ray Sales: March 24th, 2013: Hobbit Reaches its Expected Destination

May 9th, 2013

The Hobbit: An Unexpected Journey was one of three new releases to finish in the top three spots on the March 24th, 2013 edition of the Blu-ray sales chart. It sold 1.36 million units and generated $31.34 million for an opening week Blu-ray share of 56%. It wasn't that long ago that reaching the 50% mark would have been record-breaking, but here it was expected. More...

DVD Sales: March 24th, 2013: Hobbit Travels to the Top

May 9th, 2013

The Hobbit: An Unexpected Journey dominated the new releases and easily won first place on the March 24th edition of the DVD sales chart. The film sold 1.07 million units and generated $13.05 million in opening week sales, putting it in the top ten of the year after just one week of release. More...

DVD and Blu-ray Releases for March 19th, 2013

March 19th, 2013

It is a very healthy week on the home market, at least at the top, as there are a number of big hits and Awards Season contenders. The biggest of these is The Hobbit: An Unexpected Journey. The film didn't live up to expectations, but it is still worth picking up, especially if you've made the leap to 3D. There are also a couple of Awards Season contenders coming out this week, but I'm waiting for the screeners for both of them. Les Miserables has generated a lot of praise, but also some harsh criticisms. On the other hand, Zero Dark Thirty was one of the best movies of the year and even sight unseen, the Blu-ray Combo Pack is the Pick of the Week. More...

2013 Awards Season: Argo Unites a Divided Night at the Oscars

February 25th, 2013

Argo was the big winner at the Oscars last night, although arguably, there were no big winners, but a lot of films that shared in the glory. There were also some pretty interesting twists and a few events that stand out. Due to ongoing computer difficulties, I was unable to live-blog the Oscars this year. I will still be giving my reactions on a category by category basis, but not in the order they were handed out. More...

Weekend Estimates: Identity Thief Regains Top Spot

February 24th, 2013

The box office crown for Oscar weekend will be claimed by Identity Thief, according to studio estimates released on Sunday morning, even though the comedy will fall by a relatively large 41% from last weekend. So its win is in large part due to the low-key new releases: Snitch will be second with $13 million in a modest 2,511 theaters and Dark Skies is headed for 6th place with $8.85 million from 2,313 theaters. Neither new film has particularly low per theater averages ($5,177 and $3,826 respectively), so their so-so debuts are as much a factor of their smallish opening theater counts as lack of demand. More...

2013 Awards Season: Oscar Highlight: Best Picture

February 22nd, 2013

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try to figure out who the favorites are and which films should just feel honored to be nominated. We wrap up our look at the prestigious categories with the most prestigious of them all: Best Picture. Like last year, there are nine nominees. Unlike last year, none of them were completely out of left field. That's not to say they all have a legitimate shot at winning; there's definitely a favorite. However, politics could become an issue. I don't mean politics as in Democrat vs. Republican. I mean behind-the-scenes issues might play a bigger role than what is on the screen. Let's take a look at the nominees, and their chances to claiming the crown on Sunday. More...

2013 Awards Season: Oscar Highlight: Best Original Screenplay

February 21st, 2013

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we will look at the two writing categories, finishing with Best Original Screenplay. There are actually three films that could win that and it wouldn't be a total shock if they did. That said, there is still a favorite to contend with. More...

2013 Awards Season: Oscar Highlight: Best Lead Actress

February 21st, 2013

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. This week we will look at the four acting categories, finishing with Best Lead Actress. This race is easily the most competitive of the four acting categories this year. The person seen as the favorite has switched, more than once, and at the moment, I'm not sure who is going to win. More...

2013 Awards Season: Argo's Wins go From Zero to Thirty

February 19th, 2013

Argo continues its winning ways at the WGAs this weekend. It has become the defacto favorite for the Oscars, despite the high profile Oscar snub. More...

Weekend Wrap-Up: Warm Bodies is a Silver Lining for Slow Weekend

February 4th, 2013

There were a number of factors that hurt the box office over the weekend, not the least of which was the rather exciting Super Bowl game. (At least it sounds like it was exciting. I Googled the score a couple times, but I didn't watch the game.) Warm Bodies easily won the weekend race and finished on the high end of expectations, while Silver Linings Playbook remains on pace to reach $100 million. On the other hand, Bullet to the Head bombed. Overall, the box office fell 21% to just $89 million. Again, the Super Bowl had a lot to do with that. Compared to last year, the box office was down 23%. 2013 is still ahead of 2012 by 3.4% at $917 million to $887 million but that lead could be gone by the end of next weekend. More...

Weekend Wrap-Up: New Releases Become the Hunted

January 28th, 2013

January ended, and we should all be glad it did. Hansel and Gretel: Witch Hunters did beat modest expectations, but most of the rest failed that test with Movie 43 crashing worse than even my low expectations. The overall box office fell 20% from last weekend to $112 million. This was 11% less than the same weekend last year; fortunately, this was the first miss of 2013 and the year still has a lead of 10% over 2012 at $797 million to $721 million. More...

Weekend Predictions: Hunting the Competition

January 24th, 2013

There are three wide releases during the final weekend of January, but it looks like none of them will please critics. As I write this, the three films have a total of seven reviews on Rotten Tomatoes, none of them are positive. Hansel and Gretel: Witch Hunters should easily be the biggest hit of the three new films, but not everyone thinks it will come out on top, as Mama could remain potent. Parker and Movie 43 will likely struggle and getting to just $10 million over the weekend might be asking too much. Fortunately, the combination of new releases and holdovers is very similar to last year, so 2013 could win yet another weekend to start the year. More...

Weekend Wrap-Up: Mama Mia!

January 22nd, 2013

Mama easily won the box office race over the Martin Luther King, Jr. long weekend, with Zero Dark Thirty earning a solid second place. Unfortunately, the other two new releases, Broken City and The Last Stand, were weak and weaker. The overall box office was on par with last week, down less than 1% to $139 million, over the three-day weekend. This was 6% higher than the same weekend last year, over the same period. Adding on Monday, and the total weekend was $165 million, or about 1% higher than last year. It is still way too early to pay real attention to the year-to-date stats, but 2013 is ahead of 2012 by a 7.0% margin at $658 million to $615 million. More...

Weekend Estimates: Mama Wins MLK Weekend

January 20th, 2013

For all the Oscar hype, moviegoers are voting with their feet this MLK weekend for a more straightforward entertainment bang for their buck. Mama is set to win the weekend by a large margin, with Universal estimating a $28.1 million three-day weekend and about $33 million over four days. With the film playing in a relatively modest 2,647 theaters, that translates into a per theater average of $10,625, comfortably ahead of any other wide release. Jessica Chastain has dual reasons to celebrate, with Zero Dark Thirty set to finish second for the weekend with $17.6 million. Fellow Oscar-hopeful Silver Linings Playbook will be third with about $11.35 million over three days in its first weekend in wide release. More...

Weekend Predictions: Will Zero Remain Number One?

January 17th, 2013

There are a trio of new releases opening on Martin Luther King, Jr. weekend, but it looks like Zero Dark Thirty has a good chance to remain in first place. Mama is earning pretty good buzz, even if its reviews are only mixed. The Last Stand is the widest release of the week and the reviews are positive, but the buzz is mixed, to be kind. Finally, there's Broken City, which has the quietest buzz and the weakest reviews. Last year, Underworld: Awakening opened with just over $25 million and there's almost no chance that will happen again this year. Then again, we might have better depth. More...

Per Theater Chart: Singing a Love Song

January 15th, 2013

Quartet opened on top of the per theater chart with an average of $23,561 in two theaters. This is very impressive, especially for this time of year. Amour expanded from 3 to 15 theaters, but you couldn't tell from its per theater average, as it held very well down just 14% to $17,138. More...

Weekend Wrap-Up: Oscar Bounce Subdued

January 14th, 2013

Oscar nominations didn't produce a big box office bounce over the weekend, but Zero Dark Thirty still managed an easy win, despite missing my admittedly high expectations. The only film in the top five to be a pleasant surprise was A Haunted House, although "pleasant" is not a word most critics were using to describe it. The box office pulled in $141 million overall, which was 4.7% lower than last weekend. More importantly though, it was 6.3% higher than the same weekend last year, which means if A Haunted House bombed like I thought it would, 2013 would have lost in the year-over-year comparison. Fortunately, we had a second win in as many weeks and 2013 is off to an early 22% lead, at $441 million to $362 million. More...

2013 Awards Season: DGA Diverge From Oscars

January 14th, 2013

The Directors Guild of America handed out their nominations for Feature Films last week and Documentaries today. No, I have no idea why they split up their announcements. Usually, there's a lot of overlap between the DGAs and the Oscars, but that's not the case this year, so we again have some surprises. More...

2013 Awards Season: Les Mis Leads Ways as Surprises Dominate

January 14th, 2013

Hollywood Foreign Press Association handed out their awards last night, and the trend of surprises continues. Les Miserables led the way with three awards, only one of which I was truly expecting. Meanwhile, Argo won more awards than Lincoln. I don't think anyone was predicting that. More...

Weekend Predictions: Will Oscar Glory Shine a Light on Dark?

January 11th, 2013

With the Oscar nominations announced yesterday, most movie aficionados are focusing on that. This is great news for Zero Dark Thirty, which picked up five Oscars yesterday and should lead the box office this week. There are other films opening wide this week. This includes Gangster Squad, which should do acceptable business, even though its reviews are weak. Finally there's A Haunted House, which is an early contender for worst movie of the year. Last year, Contraband opened with just over $24 million and I think Zero Dark Thirty will top that. Overall, 2013 looks pretty good in comparison. More...

2013 Awards Season: Lincoln Oversees a Divided Group of Nominees

January 10th, 2013

The Oscar nominations were announced this morning, and there's certainly a lot to talk about. There are some nominations that should surprise no one. For instance, Lincoln led the way with twelve nominations, and it has been seen as the major contender for a long time. However, there were also a few surprise nominations and some major snubs. Here are the list of nominations, and some reactions. More...

Per Theater Chart: Zero Still Heroic on Per Theater Chart

January 8th, 2013

Zero Dark Thirty remained on the top of the per theater chart with an average of $44,933 in 60 theaters. To emphasize, the film saw its theater count leap from 5 to 60, but its per theater average only dropped 29% from $63,283 to $44,933. That's a lower drop-off than the average film in the top ten. At this point, expanding wide is a given, while the film has a solid shot at $100 million. 56 Up opened very strong with $22,088 in one theater. This should help it expand, but it is a documentary, so it is not going to expand wide. Amour remained in the $10,000 club with an average of $19,944. It is still playing in 3 theaters, but it should have room to expand significantly. More...

2013 Awards Season: WGAs Leaves Analysts In the Dark

January 7th, 2013

Surprises seems to be the word of the day, as the WGA nominations included a number of them. Granted, Zero Dark Thirty and a lot of the other films that have earned Awards Season success thus far were here, but there were almost as many surprises as there were obvious choices. More...

2013 Awards Season: PGA Produces a Few Surprises

January 6th, 2013

Producers Guild of America announced their nominations this week, including the three theatrical categories. There were a number of films on the list that have been mentioned time and time again this awards season, like Zero Dark Thirty, but there were also a few surprises. More...

Per Theater Chart: Zero to $1 million in Nine Days

January 3rd, 2013

Zero Dark Thirty shot up to the top of the per theater chart with averages of $83,430 during its opening weekend and $63,283 during its sophomore stint. Expanding truly wide is virtually guaranteed. Amour was well back with an average of $20,005 over the past weekend and $22,755 during its opening weekend. The Impossible rose 27% to $12,172 in 15 theaters. This is a great sign and while its reviews are too low to be a major contender during Awards Season, it should still do well enough to expand significantly, but probably not truly wide. The final film in the $10,000 club was Django Unchained, which opened with an average of $10,008. More...

2013 Preview: January

January 1st, 2013

December ended on a positive note with 2012 topping 2011 with a week to spare. Hopefully this will translate into strong box office numbers going forward. There are several January releases that actually look very interesting, but you always have to ask, if the films are as good as they look, why are they opening in January? The biggest hit on this list will likely not be a January release, but a limited release from December that is expanding wide in January. Zero Dark Thirty opened in limited release the Wednesday before Christmas and right away it got off to an incredible start. If it can turn some of its Awards Season nominations into wins, which seems very likely at this point, it should be the biggest hit of January. If it can earn some major Oscars, then it might crack $100 million. Unfortunately, no other film on this release list is likely to come close to the $100 million mark. Last January was unseasonably strong with three films opening with $20 million or more and four films finishing with $50 million or more. It is possible that none of the new releases will reach those relatively weak standards. More...

Limited Releases: Awards Season Contenders Shine Bright

December 20th, 2012

There are not a lot of limited releases on this week's list; however, there are three films that have already found some Awards Season success, plus a couple others that are earning great reviews. Of the Awards Season hopefuls, Zero Dark Thirty is poised to earn the best per theater average, but it likely won't be the only success story over the weekend. More...

Awards Season: Lincoln Shows a United Front at the Golden Globes

December 13th, 2012

The Hollywood Foreign Press Association announced their nominations and the same list of films that have been mentioned since the beginning of Awards Season were rewarded today. Lincoln led the way with seven nods, while Argo and Django Unchained were close behind with five. More...

2013 Awards Season: SAG Focuses a Searchlight on Silver Linings

December 12th, 2012

SAG nominations were announced and there were only a few surprises to deal with. Leading the way for total nominations was The Silver Linings Playbook, Lincoln, and Les Miserables, all of which earned nominations in four of the six categories. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2013/02/01 10 $1,102   8 $138   $6,675 1
2013/02/08 15 $82 -93% 8 $10   $7,444 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/31/2013 $160,477 41 41 99 $338,431 12/30/2018
Australia 1/31/2013 $1,165,770 208 214 840 $3,574,006 12/14/2015
Austria 2/1/2013 $71,018 37 41 124 $210,481 12/14/2015
Belgium 1/30/2013 $144,664 32 32 114 $388,000 12/14/2015
Bolivia 2/21/2013 $12,831 7 7 17 $30,624 12/30/2018
Brazil 2/15/2013 $414,138 114 114 340 $1,329,241 12/14/2015
Bulgaria 2/22/2013 $0 0 12 29 $34,764 12/30/2018
Chile 2/21/2013 $73,478 31 31 111 $240,864 12/30/2018
Colombia 2/22/2013 $47,111 28 28 58 $191,584 12/30/2018
Croatia 1/17/2013 $18,598 10 10 34 $39,285 12/30/2018
Czech Republic 2/21/2013 $30,222 42 42 87 $79,004 12/30/2018
Denmark 2/7/2013 $118,819 31 31 96 $358,379 12/14/2015
Egypt 1/23/2013 $10,503 4 4 17 $29,696 12/30/2018
Estonia 2/8/2013 $13,811 6 6 9 $22,275 12/14/2015
Finland 1/25/2013 $46,259 33 33 65 $116,162 12/14/2015
France 1/23/2013 $1,658,269 285 285 1015 $4,222,585 12/14/2015
Germany 1/31/2013 $778,477 296 296 966 $2,010,503 12/14/2015
Greece 2/21/2013 $0 0 46926 46926 $219,682 12/14/2015
Hong Kong 2/21/2013 $131,430 15 15 46 $368,068 12/14/2015
Hungary 2/21/2013 $40,572 12 12 36 $80,750 12/30/2018
Iceland 2/8/2013 $8,970 3 3 6 $15,659 12/30/2018
India 2/15/2013 $362,531 95 95 95 $362,531 12/14/2015
Italy 2/7/2013 $739,167 192 255 594 $1,941,213 12/14/2015
Japan 2/15/2013 $820,804 164 164 804 $3,931,506 12/14/2015
Latvia 2/8/2013 $5,180 3 3 7 $13,506 12/30/2018
Lebanon 1/24/2013 $31,403 11 11 20 $76,475 12/30/2018
Lithuania 2/1/2013 $5,391 3 3 6 $10,528 12/14/2015
Mexico 2/14/2013 $156,513 163 163 427 $479,882 12/14/2015
Netherlands 1/24/2013 $201,023 38 43 151 $662,623 12/14/2015
New Zealand 1/31/2013 $101,408 42 44 145 $278,078 12/14/2015
Nigeria 2/22/2013 $4,818 4 4 18 $16,260 12/30/2018
North America 12/19/2012 $417,150 5 2,946 19,039 $95,720,716 1/28/2015
Norway 2/8/2013 $120,239 86 86 190 $390,507 12/14/2015
Oman 1/24/2013 $0 0 4 4 $17,135 12/30/2018
Peru 2/21/2013 $47,350 25 25 68 $140,825 12/30/2018
Philippines 1/11/2013 $60,602 50 50 110 $317,035 12/30/2018
Poland 2/8/2013 $0 0 45 108 $386,448 12/30/2018
Portugal 1/17/2013 $126,723 28 30 127 $368,339 12/14/2015
Romania 2/22/2013 $30,403 27 27 84 $49,831 12/30/2018
Serbia and Montenegro 1/31/2013 $1,102 8 8 16 $7,444 12/30/2018
Singapore 1/24/2013 $190,670 22 22 63 $480,245 12/14/2015
Slovakia 2/21/2013 $6,265 14 14 14 $6,265 12/14/2015
Slovenia 1/17/2013 $5,358 8 8 16 $10,341 12/14/2015
South Africa 2/15/2013 $52,705 39 39 78 $109,119 12/14/2015
South Korea 3/7/2013 $414,168 258 258 258 $484,766 12/14/2015
Spain 1/4/2013 $1,343,482 236 251 1502 $5,027,289 12/14/2015
Sweden 2/1/2013 $165,471 70 70 205 $489,897 12/14/2015
Switzerland 1/23/2013 $94,473 19 31 83 $461,789 12/14/2015
Taiwan 1/11/2013 $224,663 43 43 132 $783,119 12/14/2015
Thailand 1/31/2013 $7,394 3 87 174 $336,266 12/14/2015
Turkey 2/8/2013 $73,495 46 46 103 $143,057 12/30/2018
United Arab Emirates 1/24/2013 $223,727 26 26 57 $488,746 12/30/2018
United Kingdom 1/25/2013 $1,710,768 434 439 1259 $5,745,075 12/14/2015
Uruguay 1/25/2013 $18,375 5 5 30 $95,295 12/30/2018
Vietnam 3/1/2013 $23,193 12 12 33 $70,121 12/30/2018
 
Rest of World $810,120
 
Worldwide Total$134,612,435 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Jessica Chastain    Maya

Supporting Cast

Jason Clarke    Dan
Joel Edgerton    Chris Pratt
Jennifer Ehle    Jessica
Mark Strong    George
Kyle Chandler    Joseph Bradley
Edgar Ramirez    Larry
James Gandolfini    Leon Panetta
Chris Pratt    Justin - DEVGRU
Callan Mulvey    Saber - DEVGRU
Fares Fares    Hakim
Reda Kateb    Ammar
Harold Perrineau    Jack
Stephen Dillane    National Security Advisor
Jeremy Strong    Thomas
J.J. Kandel    J.J.
Wahab Sheikh    Detainee on Monitor
Alexander Karim    Detainee on Monitor
Nabil Elouahabi    Detainee on Monitor
Aymen Hamdouchi    Detainee on Monitor
Simon Abkarian    Detainee on Monitor
Ali Marhyar    Interrogator on Monitor
Parker Sawyers    Interrogator on Monitor
Akin Gazi    Interrogator on Monitor
Derek Siow    Interrogator on Monitor
Mohammad K    Cargo Ship Detainee
Henry Garrett    Bagram Guard
Homayoun Ershadi    Hassan Ghul
Darshan Aulakh    Pakistani Detention Center Guard
Navdeep Singh    Pakistani Guard at Marriott
Yoav Levi    Abu Fara Sattari
Sukhdeep Singh    Pakistani Guard at Marriott
Musa Sattari    Humam Khalil al-Balawi
David Menkin    Case Officer
Scott Adkins    John
Eyad Zoubi    Zied
Julian Lewis Jones    Blackwater Guard
Christian Contreras    C.I.A. Security
Lauren Shaw    Lauren
Zachary Becker    Embassy Tech
John Antonini    Analyst at Embassy
Jessica Collins    Debbie
Fredric Lehne    The Wolf
Ashraf Telfah    Kuwati Businessman
Jonathan Olley    Tech from Ground Branch
Ben Lambert    N.S.A. Tech
Manraaj Singh    Rawal Caller
Tushaar Mehra    Abu Ahmed
Daniel Lapaine    Tim - Station Chief
Udayan Baijal    Guard at May's Apartment
Mark Duplass    Steve
John Schwab    Deputy National Securtity Advisor
Martin Delaney    Assistant to National Security Advisor
Nabil Koni    Pakistani Doctor
Anthony Edridge    General in Hanger
John Barrowman    Jeremy
Jeff Mash    Deputy Director of C.I.A.
Taylor Kinney    Jared - DEVGRU
Siaosi Fonua    Henry - DEVGRU
Phil Somerville    Phil - DEVGRU
Nash Edgerton    Nate - DVGRU EOD
Mike Colter    Mike - DEVGRU
Frank Grillo    Squadron Commanding Officer
Brett Praed    DEVGRU Operator
Aron Eastwood    DEVGRU Operator
Heemi Browstow    DEVGRU Operator
Chris Scarf    DEVGRU Operator
Barrie Rice    DEVGRU Operator
Rob Young    DEVGRU Operator
Spencer Coursen    DEBGRU Operator
Chris Perry    DEVGRU Operator
Alex Corbet Burcher    DEVGRU Operator
Robert G. Eastman    DEVGRU Operator
Tim Martin    DEVGRU Operator
Mitchell Hall    DEVGRU Operator
P. T.    DEVGRU Operator
Alan Pietruszewski    Pilot
Kevin La Rosa II    Pilot
Michael David Selig    Pilot
Ben Parillo    Pilot
Christopher Stanley    Admiral Bill McCraven
Hadeel Shqair    Abu Ahmed's Wife
Noureddine Haijoujou    Abrar
Nour Alkawaja    Abrar's Wife
Malika Sayed    UBL Wife
Rida Siham    UBL Wife
Moula Mounia    UBL Wife
Zalfa Seurat    UBL Wife
Tarik Haddouch    Khalid
Ricky Sekhon    OBL
Mark Valley    C-130 Pilot

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Kathryn Bigelow    Director
Mark Boal    Screenwriter
Mark Boal    Producer
Kathryn Bigelow    Producer
Megan Ellison    Producer
Colin Wilson    Executive Producer
Greg Shapiro    Executive Producer
Ted Schipper    Executive Producer
Jonathan Leven    Co-Producer
Matthew Budman    Co-Producer
Greig Fraser    Director of Photography
Dylan Tichenor    Editor
William Goldenberg    Editor
Alexandre Desplat    Composer
John Bissell    Music Supervisor
Jeremy Hindle    Production Designer
Rod McLean    Supervising Art Director
Ben Collins    Art Director
Lisa Chugg    Set Decorator
Onkar Knot    Set Decorator
George L. Little    Costume Designer
Ray Beckett    Sound Mixer
Paul N. J. Ottosson    Sound Designer
Paul N. J. Ottosson    Supervising Sound Editor
Paul N. J. Ottosson    Re-recording Mixer
Stuart Thorp    Stunt Coordinator
Richard Stutsman    Special Effects Supervisor
Chris Harvey    Visual Effects Supervisor
David A. Ticotin    Associate Producer
David A. Ticotin    Assistant Director
Mark Bennett    Casting Director
Richard Hicks    Casting Director
Gail Stevens    Casting Director
John Mahaffie    Second Unit Director
Colin Wilson    Unit Production Manager
Roderick McLean    Supervising Art Director
Simon Tindall    Second Unit Photography
Ryley Brown    Additional Photography
Duraid Munajim    Additional Photography
David Nowell    Aerial Photography
Darion Hing    Costume Supervisor
Jamie Hardt    Sound Effects Editor
Lee Gilmore    Sound Effects Editor
Robert Troy    Dialogue Editor
Richard Ford    Music Editor
Lesley Smith    Make-up and Hair Designer
Daniel Parker    Make-up and Hair Designer
Natasha Nikolic-Dumlop    Make-up and Hair Designer
Neil Corbould    Special Effects
Rhys Ifan    Assistant Art Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.