Berlin 1990—the wall has just crumbled and Katrine, raised in East Germany, now living in Norway for 20 years, is a war child: the result of a love relationship between a Norwegian woman and a German occupation soldier during World War II. Katrine enjoys a happy family life, but when a lawyer asks her and her mother to be witnesses in a trial against the Norwegian state on behalf of the war children, she resists. Gradually, a web of concealment and secrets is unveiled, until Katrine is finally stripped of everything, and her loved ones are forced to take a stand: What carries more weight, the life they have lived together, or the lie it is based on?
||February 28th, 2014 (Limited) by IFC Films, released as Two Lives|
||World War II, War Crimes, Adopted Family, Family Secrets, False Identity, Video-on-Demand Premiere, Secret Police|
|Production Method:||Live Action|
|Creative Type:||Historical Fiction|
||Zinnober Film, Dieter Zeppenfeld, Helgeland Film, Axel Helgeland, B&T Film, Rudi Teichmann|
There were three films in the $10,000 club this past weekend, two that were not a surprise, but one that was a huge surprise. Leading the way was The Lunchbox with an average of $14,847 in three theaters. This film earned 94% positive reviews. Likewise, Ernest & Celestine earned 100% positive reviews, so its start of $13,078 in one theater is also to be expected. In between those two films was The Bag Man, which earned an average of $14,616 in two theaters, but only managed 9% positive reviews.
It is Oscar weekend, so it should come as no surprise there are not a lot of limited releases with the usual target audience. Art house aficionados will be paying more attention to the Awards than to new releases. Ernest & Celestine is the lone exception, which is the only Oscar-nominated film on this week's list and the best reviewed as well. Most of the rest of the movies are earning reviews that range from mixed to outright terrible. The Lunchbox could be the break-out hit of the weekend, if there is a break-out hit.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at firstname.lastname@example.org.