The Numbers Weekly World Chart - 2004-03-25
| Rank | Prev. Rank | Movie | Weekly Gross | Change | Theaters | Per Theater | Cumulative Gross |
| 1 |
(1) |
The Passion of the Christ |
$49,800,838 |
+0.18% |
|
|
$340,058,804 |
| 2 |
|
Dawn of the Dead |
$33,545,000 |
|
2,745 |
$12,220 |
$33,545,000 |
| 3 |
(4) |
Starsky & Hutch |
$21,034,440 |
-7.71% |
|
|
$79,309,759 |
| 4 |
|
Taking Lives |
$15,159,679 |
|
2,705 |
$5,604 |
$15,159,679 |
| 5 |
(5) |
Hidalgo |
$14,961,167 |
-22.26% |
|
|
$58,091,163 |
| 6 |
(6) |
Along Came Polly |
$12,394,574 |
-26.53% |
|
|
$142,378,940 |
| 7 |
(10) |
Brother Bear |
$12,204,583 |
+53.49% |
|
|
$201,257,005 |
| 8 |
(2) |
Secret Window |
$11,745,702 |
-50.04% |
3,018 |
$3,892 |
$35,256,497 |
| 9 |
|
Eternal Sunshine of the Spotless Mind |
$11,294,841 |
|
1,353 |
$8,348 |
$11,294,841 |
| 10 |
(3) |
The Lord of the Rings: The Return of the King |
$10,731,128 |
-54.26% |
|
|
$1,082,739,937 |
| 11 |
(7) |
Agent Cody Banks 2: Destination London |
$8,005,295 |
-29.11% |
|
|
$19,298,508 |
| 12 |
(8) |
Something's Gotta Give |
$7,956,075 |
-29.44% |
|
|
$236,798,291 |
| 13 |
(23) |
Monster |
$6,478,187 |
+226.08% |
|
|
$39,191,811 |
| 14 |
(9) |
50 First Dates |
$6,069,603 |
-26.50% |
|
|
$116,363,328 |
| 15 |
(108) |
Torque |
$4,975,911 |
|
|
|
$40,642,755 |
| 16 |
|
The Chorus |
$4,638,698 |
|
326 |
$14,229 |
$4,638,698 |
| 17 |
(11) |
Cold Mountain |
$4,300,745 |
-13.39% |
|
|
$158,399,021 |
| 18 |
(18) |
Paycheck |
$3,772,155 |
+14.47% |
|
|
$93,105,466 |
| 19 |
(17) |
Lost in Translation |
$2,894,756 |
-12.33% |
|
|
$106,454,000 |
| 20 |
(115) |
Girl with a Pearl Earring |
$2,616,195 |
|
|
|
$24,011,556 |
| 21 |
(22) |
Cheaper by the Dozen |
$2,509,671 |
+0.72% |
|
|
$176,745,212 |
| 22 |
(13) |
The Last Samurai |
$2,443,454 |
-43.22% |
|
|
$450,578,837 |
| 23 |
|
Immortel (ad vitam) |
$2,333,747 |
|
|
|
$2,333,747 |
| 24 |
(28) |
21 Grams |
$2,269,548 |
+69.59% |
|
|
$51,122,209 |
| 25 |
(16) |
The Haunted Mansion |
$2,124,648 |
-38.70% |
|
|
$135,347,095 |
| 26 |
(15) |
Confessions of a Teenage Drama Queen |
$1,992,371 |
-44.05% |
1,281 |
$1,555 |
$28,023,609 |
| 27 |
(75) |
NASCAR: The IMAX Experience |
$1,822,794 |
|
|
|
$3,912,641 |
| 28 |
(14) |
Twisted |
$1,820,540 |
-57.02% |
|
|
$24,109,331 |
| 29 |
(12) |
Mystic River |
$1,788,424 |
-61.23% |
|
|
$151,783,430 |
| 30 |
(29) |
Peter Pan |
$1,361,120 |
+15.38% |
|
|
$96,455,485 |
| 31 |
(20) |
Master and Commander: The Far Side of the World |
$1,334,696 |
-51.60% |
|
|
$206,730,959 |
| 32 |
(119) |
The Butterfly Effect |
$1,288,313 |
|
|
|
$59,886,181 |
| 33 |
(104) |
Wilbur Wants to Kill Himself |
$1,271,820 |
|
|
|
$1,291,304 |
| 34 |
(77) |
Spartan |
$1,158,651 |
|
|
|
$3,937,367 |
| 35 |
(26) |
Kill Bill: Volume 1 |
$1,106,870 |
-20.28% |
|
|
$176,900,987 |
| 36 |
(25) |
The Miracle |
$994,827 |
-48.32% |
|
|
$63,366,835 |
| 37 |
(81) |
Club Dread |
$859,429 |
|
|
|
$5,809,375 |
| 38 |
(24) |
Havana Nights: Dirty Dancing 2 |
$726,713 |
-62.76% |
|
|
$13,664,106 |
| 39 |
(27) |
Barbershop 2: Back in Business |
$687,871 |
-49.09% |
|
|
$62,706,059 |
| 40 |
(31) |
Touching the Void |
$598,391 |
+8.07% |
|
|
$7,759,354 |
| 41 |
(45) |
The Barbarian Invasions |
$527,847 |
|
|
|
$19,081,300 |
| 42 |
(30) |
Calendar Girls |
$395,903 |
-29.73% |
|
|
$92,288,797 |
| 43 |
(32) |
Goodbye, Lenin! |
$360,543 |
+52.13% |
|
|
$74,723,063 |
| 44 |
(36) |
Eurotrip |
$327,625 |
|
|
|
$17,649,811 |
| 45 |
(96) |
Space Station |
$312,029 |
|
|
|
$68,747,446 |
| 46 |
(48) |
Bugs! |
$304,530 |
|
|
|
$9,743,461 |
| 47 |
(43) |
The Fog of War |
$298,708 |
|
|
|
$3,776,402 |
| 48 |
(34) |
Les Triplettes de Belleville |
$282,285 |
|
|
|
$12,704,691 |
| 49 |
(73) |
Monsieur Ibrahim |
$273,350 |
|
|
|
$5,540,368 |
| 50 |
(85) |
House of Sand and Fog |
$206,172 |
|
|
|
$16,249,619 |
Complete Chart
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The Numbers' weekly world chart tracks the combined international and US grosses of movies on a weekly
basis.
The weekly information is for the week from Friday-Thursday.
Since international numbers take some time to collect, we usually report the weekly global chart one
week after the time period has ended - for example the numbers for the week ending March 18 are reported
on the weekend of March 27.
The delay in collecting complete international numbers may also cause us to revise the chart as new
information is available.
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