This graph shows Lesley Manville’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
A widowed cleaning lady in 1950s London falls madly in love with a couture Dior dress, and decides that she must have one of her own. After she works, starves and gambles to raise the funds to pursue her dream, she embarks on an adventure to Paris which will change not only her own outlook, but also the future of the iconic fashion house.
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Another week, another blockbuster movie arriving to theaters. This week we see the debut of Thor: Love and Thunder. The film is the second of three planned Marvel Cinematic Universe films set for release in 2022 after Doctor Strange in the Multiverse of Madness, and before the November release of Black Panther: Wakanda Forever. Love and Thunder, which has already stirred up $15.7 million from 17 overseas territories starting Wednesday, opens in 4,375 theaters in North America (including IMAX locations) on Friday. The movie features a large ensemble cast, headlined by Chris Hemsworth.
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It’s a sad week for DVDs / Blu-rays as there are no top-notch first-run releases. Gretel and Hansel is the biggest and the best first-run release on this week’s list, but its DVD / Blu-ray don’t have enough extras to be a Pick of the Week contender. Likewise, The Lodge is amazing, but its DVD / Blu-ray have no extras… Is Elvira: Mistress of the Dark really the Pick of the Week? It came out last week, but the screener was late, so it is the best release on this week’s list.
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It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes.
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It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning.
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With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and who should just feel honored to be nominated. This week we look at the four acting categories, starting with Best Supporting Actress. In this category, there is an overwhelming favorite. And here’s a spoiler for the rest of the week, every single acting category has an overwhelming favorite.
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The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations.
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The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out.
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Maleficent opened this past summer earning mixed reviews, but was a massive hit at the box office earning just over $750 million worldwide. Was the film better than the reviews would indicate? Or was it just a really slow summer so there wasn't a lot of competition?
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