November 1st, 2018
October continued 2018’s phenomenal box office run, for the most part. There were a couple of films that missed expectations by $10 million or more, but on the other hand, Vemon and Halloween were smash hits and are now the first and second biggest October debuts of all time. Furthermore, 2018’s lead over 2017 is, as I’m writing this, just shy of $1 billion and if 2018 can maintain this lead, it will be one of the biggest year-over-year increases of all time. It won’t. The fun times end now. Why is that? Last November was amazing. There were only eight wide releases, but six of them earned more than $100 million. Three of those hit $200 million, including Thor: Ragnarok, which earned over $300 million. This year, there are a lot more movies opening in November, but it is a case of quantity over quality. No movie is expected to come close to $300 million and it would take a bit of luck just to have five $100 million hits. The film I’m looking forward to the most is Ralph Breaks the Internet, while it, Dr. Seuss’ The Grinch, and Fantastic Beasts: The Crimes of Grindelwald are all aiming for $200 million this month. Fortunately, even if 2018 is behind 2017’s pace by around $300 million, 2018 has built up such a large lead that it should still go into December with an insurmountable lead at the box office.
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December 28th, 2014
Tusk is the latest film from Kevin Smith, who has a mixed track record at the box office. He has made some amazing movies, like Clerks and Chasing Amy. However, he has also made some serious misses, like Cop Out. Is this one of his better films? Or is this another recent miss?
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November 1st, 2013
October ended on a winning note, but it was the only time the entire month that 2013 topped 2012 in the year-over-year comparison. This is quite shocking, as Gravity crushed expectations with more than $200 million and counting. Even with that surprise monster hit, the month still couldn't keep pace with last year. Compared to October, November looks a lot better with three films that could be monster hits: Frozen, Thor: The Dark World, and The Hunger Games: Catching Fire. On the other hand, those are the only three movies with a 50/50 chance or better to top $100 million compared, while there were seven films that reached that milestone last November. The Hunger Games: Catching Fire should make more than last year's number one film, Skyfall, but the depth last year could prove too much to deal with. 2013 might dip below last year's pace sometime during the month, but hopefully it won't stay there too long.
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All Acting Credits
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Supporting Roles
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Latest Ranking on All Acting Box Office Record Lists
| Record | Rank | Amount |
|---|
| Top 100 Stars in Supporting Roles at the Domestic Box Office (Rank 1,201-1,300) |
1,226 |
$713,274,195 |
| Top Live Action Stars at the Domestic Box Office (Rank 14,801-14,900) |
14,839 |
$118,584,559 |
| Top Below the Line Stars at the Domestic Box Office (Rank 601-700) |
626 |
$713,274,195 |
| Top Stars at the Domestic Box Office (Rank 1,801-1,900) |
1,894 |
$713,289,099 |
| Top 100 Stars in Supporting Roles at the International Box Office (Rank 1,701-1,800) |
1,749 |
$842,790,585 |
| Top Live Action Stars at the International Box Office (Rank 23,301-23,400) |
23,326 |
$71,637,049 |
| Top Below the Line Stars at the International Box Office (Rank 1,101-1,200) |
1,125 |
$842,790,585 |
| Top Stars at the International Box Office (Rank 2,201-2,300) |
2,266 |
$842,790,585 |
| Top 100 Stars in Supporting Roles at the Worldwide Box Office (Rank 1,401-1,500) |
1,434 |
$1,556,064,780 |
| Top Live Action Stars at the Worldwide Box Office (Rank 19,201-19,300) |
19,260 |
$190,221,608 |
| Top Below the Line Stars at the Worldwide Box Office (Rank 701-800) |
798 |
$1,556,064,780 |
| Top Stars at the Worldwide Box Office (Rank 1,901-2,000) |
1,995 |
$1,556,079,684 |
All Technical Credits
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Director Credits
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Producer Credits
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Writer Credits
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Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|
| Top Grossing Director at the Domestic Box Office (Rank 301-400) |
334 |
$272,699,130 |
| Top Grossing Editor at the Domestic Box Office (Rank 501-600) |
565 |
$85,976,937 |
| Top Grossing Producer at the Domestic Box Office (Rank 701-800) |
748 |
$190,500,929 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 1,701-1,800) |
1,753 |
$55,750,480 |
| Top Grossing Director at the International Box Office (Rank 401-500) |
414 |
$242,174,617 |
| Top Grossing Editor at the International Box Office (Rank 801-900) |
818 |
$28,800,457 |
| Top Grossing Producer at the International Box Office (Rank 1,301-1,400) |
1,348 |
$92,804,802 |
| Top Grossing Screenwriter at the International Box Office (Rank 1,601-1,700) |
1,697 |
$54,636,592 |
| Top Grossing Director at the Worldwide Box Office (Rank 301-400) |
364 |
$514,873,747 |
| Top Grossing Editor at the Worldwide Box Office (Rank 601-700) |
674 |
$114,777,394 |
| Top Grossing Producer at the Worldwide Box Office (Rank 901-1,000) |
981 |
$283,305,731 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,701-1,800) |
1,734 |
$110,387,072 |
