January 1st, 2020
-(2020)-1-News.jpg)
It’s the year 2020, the year where we find out how many times you can say, “Well, hindsight is 20/20.” before you get punched. On the positive side, while December wasn’t a great month, it was good enough to help 2019 end on a positive note, a positive note that should continue into January. There are no real potential monster hits coming out this month, but there are three films that have a real shot at $100 million domestically. These are, in alphabetical order, 1917, which will rely on Awards Season to get to the century mark. Bad Boys for Life will have a much, much easier time getting to $100 million, assuming people still care about the franchise 17 years later. Finally, Dolittle is looking like a disaster with a really troubled production; however, a $100 million run isn’t out of the question and if it can get there, it will at least save face. As for last January, Glass was the biggest hit of the month in terms of raw dollars, but The Upside was more impressive, as it is one the biggest hits in STX Entertainment’s history. We need two of the three potential $100 million hits to reach that mark to keep pace with last year, but we also have one more weekend to get there.
More...
March 1st, 2017
-2-News.jpg)
February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there.
More...
All Technical Credits
Register with The Numbers for free to customize this chart.
Writer Credits
Register with The Numbers for free to customize this chart.
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|
| Top Grossing Screenwriter at the Domestic Box Office (Rank 301-400) |
372 |
$336,712,864 |
| Top Grossing Story Creator at the Domestic Box Office (Rank 2,701-2,800) |
2,746 |
$1,508,593 |
| Top Grossing Screenwriter at the International Box Office (Rank 601-700) |
601 |
$266,441,573 |
| Top Grossing Story Creator at the International Box Office (Rank 2,801-2,900) |
2,859 |
$84,580 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 401-500) |
489 |
$603,154,437 |
| Top Grossing Story Creator at the Worldwide Box Office (Rank 3,001-3,100) |
3,084 |
$1,593,173 |
