|In Technical Roles||Screenwriter||2||$42,537,110||$24,990,283||$67,527,393|
|Best known as a Screenwriter based on credits in that role in 2 films, with $67,527,393 worldwide aggregate box office (rank #1,514)|
|Best-Known Technical Roles: How to Be a Latin Lover (Screenwriter), The Perfect Score (Screenwriter), The Perfect Score (Story Creator)|
|Most productive collaborators: Erika Christensen, Brian Robbins, Chris Evans, Mark Schwahn, Scarlett Johansson|
April 1st, 2017
March was a month of extremes, led by two strong performances: Beauty and the Beast breaking records and Logan cracking $200 million with ease. There were also two other $100 million hits and another potential $100 million hit that we don’t have significant box office numbers for yet. This is fantastic. On the opposite end, there were three films on last month’s list that didn’t even open truly wide. This month won’t be as lucrative at the top, as The Fate of the Furious is the only film expected to top $100 million. Fortunately, it is expected to open with over $100 million. On the other extreme, there are many, many films on this list that I’m not sure will open wide. Fortunately, last April wasn’t any better. The Jungle Book made nearly $1 billion worldwide, but the other nine films combined made less than half of that. To emphasize: the other nine films that opened last April averaged less than $50 million worldwide each. If The Fate of the Furious can just come close to the previous installment of the franchise, then 2017 has a solid shot at topping 2016.
|4/28/2017||How to Be a Latin Lover||Screenwriter||$32,149,404||$24,990,283||$57,139,687|
|1/30/2004||The Perfect Score||Story by,|