Mark Burnell

Best known as an Executive Producer based on a credit in that role in 1 film, with $5,983,043 worldwide aggregate box office (rank #5,396)
Best-known technical roles: The Rhythm Section (Screenwriter), The Rhythm Section (Story Creator), The Rhythm Section (Executive Producer)
Most productive collaborators: Blake Lively, Reed Morano, Jude Law, Sterling K. Brown, Raza Jaffrey
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office		International
Box Office		Worldwide
Box Office
In Technical RolesExecutive Producer1$5,437,971$545,072$5,983,043
Story Creator1$5,437,971$545,072$5,983,043
Screenwriter1$5,437,971$545,072$5,983,043

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Executive Producer at the Domestic Box Office (Rank 4,501-4,600) 4,530 $5,437,971
Top Grossing Screenwriter at the Domestic Box Office (Rank 4,501-4,600) 4,514 $5,437,971
Top Grossing Story Creator at the Domestic Box Office (Rank 2,301-2,400) 2,361 $5,437,971
Top Grossing Executive Producer at the International Box Office (Rank 6,501-6,600) 6,557 $545,072
Top Grossing Screenwriter at the International Box Office (Rank 5,301-5,400) 5,338 $545,072
Top Grossing Story Creator at the International Box Office (Rank 2,501-2,600) 2,525 $545,072
Top Grossing Executive Producer at the Worldwide Box Office (Rank 5,301-5,400) 5,396 $5,983,043
Top Grossing Screenwriter at the Worldwide Box Office (Rank 5,401-5,500) 5,493 $5,983,043
Top Grossing Story Creator at the Worldwide Box Office (Rank 2,601-2,700) 2,634 $5,983,043

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


2020 Preview: January

January 1st, 2020

Bad Boys for Life

It’s the year 2020, the year where we find out how many times you can say, “Well, hindsight is 20/20.” before you get punched. On the positive side, while December wasn’t a great month, it was good enough to help 2019 end on a positive note, a positive note that should continue into January. There are no real potential monster hits coming out this month, but there are three films that have a real shot at $100 million domestically. These are, in alphabetical order, 1917, which will rely on Awards Season to get to the century mark. Bad Boys for Life will have a much, much easier time getting to $100 million, assuming people still care about the franchise 17 years later. Finally, Dolittle is looking like a disaster with a really troubled production; however, a $100 million run isn’t out of the question and if it can get there, it will at least save face. As for last January, Glass was the biggest hit of the month in terms of raw dollars, but The Upside was more impressive, as it is one the biggest hits in STX Entertainment’s history. We need two of the three potential $100 million hits to reach that mark to keep pace with last year, but we also have one more weekend to get there. More...

All Acting Credits



All Technical Credits



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Release
Date		TitleRoleDomestic
Box Office		International
Box Office		Worldwide
Box Office
Jan 31, 2020The Rhythm Section Story by
Screenwriter
Executive Producer		 $5,437,971$545,072$5,983,043
 
Averages $5,437,971$545,072$5,983,043
Totals 1 $5,437,971$545,072$5,983,043

Latest Ranking on All Technical Box Office Record Lists


RecordRankAmount
Top Grossing Executive Producer at the Domestic Box Office (Rank 4,501-4,600) 4,530 $5,437,971
Top Grossing Screenwriter at the Domestic Box Office (Rank 4,501-4,600) 4,514 $5,437,971
Top Grossing Story Creator at the Domestic Box Office (Rank 2,301-2,400) 2,361 $5,437,971
Top Grossing Executive Producer at the International Box Office (Rank 6,501-6,600) 6,557 $545,072
Top Grossing Screenwriter at the International Box Office (Rank 5,301-5,400) 5,338 $545,072
Top Grossing Story Creator at the International Box Office (Rank 2,501-2,600) 2,525 $545,072
Top Grossing Executive Producer at the Worldwide Box Office (Rank 5,301-5,400) 5,396 $5,983,043
Top Grossing Screenwriter at the Worldwide Box Office (Rank 5,401-5,500) 5,493 $5,983,043
Top Grossing Story Creator at the Worldwide Box Office (Rank 2,601-2,700) 2,634 $5,983,043