Jeff Buhler

Best known as a Screenwriter based on credits in that role in 7 films, with $138,820,079 worldwide aggregate box office (rank #1,533)
Best-known technical roles: Pet Sematary (Screenwriter), The Grudge (Story Creator), The Prodigy (Screenwriter), The Prodigy (Executive Producer), Studio 666 (Screenwriter)
Most productive collaborators: Jason Clarke, Dennis Widmyer, John Lithgow, Kevin Kolsch, Amy Seimetz
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesScreenwriter7$72,168,498$66,651,581$138,820,079
Story Creator1$21,216,148$28,286,969$49,503,117
Executive Producer1$14,856,291$7,556,854$22,413,145

Latest Ranking on Selected Box Office Record Lists


2020 Preview: January

January 1st, 2020

Bad Boys for Life

It’s the year 2020, the year where we find out how many times you can say, “Well, hindsight is 20/20.” before you get punched. On the positive side, while December wasn’t a great month, it was good enough to help 2019 end on a positive note, a positive note that should continue into January. There are no real potential monster hits coming out this month, but there are three films that have a real shot at $100 million domestically. These are, in alphabetical order, 1917, which will rely on Awards Season to get to the century mark. Bad Boys for Life will have a much, much easier time getting to $100 million, assuming people still care about the franchise 17 years later. Finally, Dolittle is looking like a disaster with a really troubled production; however, a $100 million run isn’t out of the question and if it can get there, it will at least save face. As for last January, Glass was the biggest hit of the month in terms of raw dollars, but The Upside was more impressive, as it is one the biggest hits in STX Entertainment’s history. We need two of the three potential $100 million hits to reach that mark to keep pace with last year, but we also have one more weekend to get there. More...

All Acting Credits



All Technical Credits



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Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
Oct 6, 2023Pet Sematary Bloodlines Screenwriter
Feb 25, 2022Studio 666 Screenwriter $2,513,963$492,993$3,006,956
Jan 3, 2020The Grudge Story by $21,216,148$28,286,969$49,503,117
Aug 23, 2019Jacob’s Ladder Screenwriter
Apr 5, 2019Pet Sematary Screenwriter $54,724,696$57,085,036$111,809,732
Feb 8, 2019The Prodigy Screenwriter
Executive Producer
$14,856,291$7,556,854$22,413,145
Aug 1, 2008Midnight Meat Train Screenwriter $73,548$1,516,698$1,590,246
 
Averages $18,676,929$18,987,710$37,664,639
Totals 7 $93,384,646$94,938,550$188,323,196


Writer Credits


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Release
Date
TitleOpening
Weekend
Maximum
Theaters
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
Oct 6, 2023Pet Sematary Bloodlines
Feb 25, 2022Studio 666 $1,540,5432,306$2,513,963$3,006,95683.6%
Jan 3, 2020The Grudge $11,404,1132,642$21,216,148$49,503,11742.9%
Aug 23, 2019Jacob’s Ladder
Apr 5, 2019Pet Sematary $24,502,7753,585$54,724,696$111,809,73248.9%
Feb 8, 2019The Prodigy $5,853,0612,530$14,856,291$22,413,14566.3%
Aug 1, 2008Midnight Meat Train $34,394102$73,548$1,590,2464.6%
 
Averages $8,666,9772,233$18,676,929$37,664,63949.3%
Totals 7 $93,384,646$188,323,196