| Best known as a Screenwriter based on credits in that role in 4 films, with $642,279,557 worldwide aggregate box office (rank #452) |
| Best-known technical roles: We’re the Millers (Screenwriter), We’re the Millers (Story Creator), Wedding Crashers (Screenwriter), Overboard (Screenwriter), Overboard (Producer) |
| Most productive collaborators: Jennifer Aniston, Sean Anders, Jason Sudeikis, Steve Faber, Will Poulter |
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Screenwriter | 4 | $409,928,610 | $232,350,947 | $642,279,557 |
| Producer | 2 | $50,316,123 | $40,928,790 | $91,244,913 | |
| Story Creator | 1 | $150,394,119 | $117,422,157 | $267,816,276 | |
| Stunt Coordinator | 1 | $3,614,896 | $1,005,503 | $4,620,399 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
May 1st, 2018
April was all about Avengers: Infinity War, which earned about as much during its opening weekend as the next two biggest films, A Quiet Place and Rampage, will earn in total. However, moving Infinity War to April has left a big gap for the first two weeks of May. It isn’t until Deadpool 2 debuts that we have a potential $100 million movie, while the week after Solo: A Star Wars Story closes the month on a strong note. Fortunately, both of those films are expected to earn more than $100 million during their opening weekends alone and combined could earn over $700 million domestically. Last May, Guardians of the Galaxy Vol 2 helped the month get off to a fast start, but it was the only monster hit of the month. Infinity War opening a week early will mean the month will start slower, in terms of new releases, but Infinity War’s record-breaking debut should help 2018 come out ahead in the end.
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August 1st, 2013
July was hit and miss at the box office, mostly miss. In fact, only two films really topped expectations, Despicable Me 2 and The Conjuring. That said, 2013 has nearly closed the gap with 2012 and it won't take much to pull ahead. Looking forward to August, we find that it is a very busy month with 16 or so films opening wide over five weeks. Of course, the closer you get to September, the more likely these films will struggle to find an audience, and more often than not, there are simply too many films opening wide to suspect they will all find an audience. On the high end, 2 Guns could be the biggest hit of the month with just over $100 million. The Smurfs 2 and Elysium could pull in $100 million. All three of those films are opening in the first two weeks of the month. After that, most of the new releases will be lucky if they reach $50 million during their theatrical runs. By comparison, last August was not as busy with 14 wide releases. Of those, only one film, The Bourne Legacy, topped $100 million, although a couple came reasonably close. Hopefully we will have more $100 million hits this time around and 2013 will be able to complete the comeback.
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| May 20, 2022 | The Valet | Screenwriter | |||
| May 4, 2018 | Overboard | Screenwriter Producer |
$50,316,123 | $40,928,790 | $91,244,913 |
| Jun 2, 2017 | The Incomparable Rose Hartman | Producer | |||
| Mar 3, 2017 | Table 19 | Stunt Coordinator | $3,614,896 | $1,005,503 | $4,620,399 |
| Aug 7, 2013 | We’re the Millers | Screenwriter Story Creator |
$150,394,119 | $117,422,157 | $267,816,276 |
| Jul 15, 2005 | Wedding Crashers | Screenwriter | $209,218,368 | $74,000,000 | $283,218,368 |
| Averages | $103,385,877 | $58,339,113 | $161,724,989 | ||
| Totals | 6 | $413,543,506 | $233,356,450 | $646,899,956 | |
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| May 4, 2018 | Overboard | $14,711,101 | 2,006 | $50,316,123 | $91,244,913 | 55.1% |
| Jun 2, 2017 | The Incomparable Rose … | |||||
| Averages | $14,711,101 | 2,006 | $50,316,123 | $91,244,913 | 55.1% | |
| Totals | 2 | $50,316,123 | $91,244,913 | |||
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| May 20, 2022 | The Valet | |||||
| May 4, 2018 | Overboard | $14,711,101 | 2,006 | $50,316,123 | $91,244,913 | 55.1% |
| Aug 7, 2013 | We’re the Millers | $26,419,396 | 3,445 | $150,394,119 | $267,816,276 | 56.2% |
| Jul 15, 2005 | Wedding Crashers | $33,900,720 | 3,131 | $209,218,368 | $283,218,368 | 73.9% |
| Averages | $25,010,406 | 2,861 | $136,642,870 | $214,093,186 | 61.7% | |
| Totals | 4 | $409,928,610 | $642,279,557 | |||
