|In Technical Roles||Screenwriter||2||$11,389,841||$8,687,301||$20,077,142|
|Best known as a Screenwriter based on credits in that role in 2 films, with $20,077,142 worldwide aggregate box office (rank #2,194)|
|Best-Known Technical Roles: 20th Century Women (Director), 20th Century Women (Screenwriter), Beginners (Screenwriter), Beginners (Director)|
|Most productive collaborators: Ewan McGregor, Christopher Plummer, Annette Bening, Mélanie Laurent, Leslie Urdang|
February 26th, 2017
February 26th, 2017
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between.
February 22nd, 2017
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two Screenwriting Categories, starting with Best Original Screenplay. At one time, La La Land looked to be the favorite, but that no longer seems to be the case.
January 24th, 2017
The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record.
November 23rd, 2016
The Independent Spirit Awards nominations were announced last night and thus the 2016 Awards Season begins. There were a few surprises and some snubs to discuss, but for the most part, there’s not a lot nominations that broke the established narrative. It’s because there isn’t really an established narrative. This means films that earn nominations here have a much better chance of doing well going forward and Moonlight looks like it could rise up as a result.
|12/25/2016||20th Century Women||Screenwriter,|