July 1st, 2018
June was amazing, with two absolute monster hits and a solid $100 million hit. By the end of the month, 2018’s lead over 2017 will be well over $500 million, or close to 10%. Even if 2018 only managed to maintain this lead in terms of raw numbers for the rest of the year, it will be a massive jump at the box office. As for July, there are a couple of potential monster hits, Ant-Man and the Wasp and Mission: Impossible—Fallout, plus four potential $100 million hits. Last July, there was only one monster hit, Spider-Man: Homecoming, and three $100 million hits. I don’t think 2018 will match 2017 at the top, but 2018 appears to have more depth and that should put it a little ahead over the full month.
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January 10th, 2016
Hotel Transylvania came out a few years ago. It cost $85 million to make, which is a lot of money by nearly every definition, but relatively cheap for a digitally animated film. The reviews were mixed, but it was a big financial hit. It came as no surprise that there was a sequel. Hotel Transylvania 2 did better than its predecessor in nearly every way, but it is still a second-tier digitally animated film. For a second-tier film like this to succeed, all it needs to do is entertain the kids while not making the parents want to flee the room right away. That's not a particularly high bar to set. Does this film manage to get above that bar?
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September 1st, 2015
As September begins, the box office is in a slump. August was terrible and only Straight Outta Compton escaped with its dignity intact. Fortunately, we expected August to be terrible, so the box office isn't any lower than anticipated. As for September, there are two wide releases expected to earn more than $100 million, which is better than most years. Those two films are Maze Runner: The Scorch Trials and Hotel Transylvania 2, both sequels. There are four other films that could become midlevel hits, so we have good depth as well. By comparison, last September there were also two $100 million hits, The Maze Runner and The Equalizer. However, there were only two midlevel hits, so it appears this year has better depth. Frankly, 2015 has such a large lead over 2014 that all it needs to do is maintain pace for the rest of the year to be considered a success. If September can help 2015 grow its lead, then the overall industry should be very happy.
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All Acting Credits
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Latest Ranking on All Acting Box Office Record Lists
| Record | Rank | Amount |
|---|
| Top 100 Stars in Supporting Roles at the Domestic Box Office (Rank 10,501-10,600) |
10,582 |
$167,500,092 |
| Top Below the Line Stars at the Domestic Box Office (Rank 9,101-9,200) |
9,154 |
$167,500,092 |
| Top Stars at the Domestic Box Office (Rank 11,701-11,800) |
11,725 |
$167,500,092 |
| Top 100 Stars in Supporting Roles at the International Box Office (Rank 6,001-6,100) |
6,069 |
$360,999,908 |
| Top Below the Line Stars at the International Box Office (Rank 4,901-5,000) |
4,955 |
$360,999,908 |
| Top Stars at the International Box Office (Rank 6,701-6,800) |
6,746 |
$360,999,908 |
| Top 100 Stars in Supporting Roles at the Worldwide Box Office (Rank 7,201-7,300) |
7,224 |
$528,500,000 |
| Top Below the Line Stars at the Worldwide Box Office (Rank 5,801-5,900) |
5,870 |
$528,500,000 |
| Top Stars at the Worldwide Box Office (Rank 8,001-8,100) |
8,067 |
$528,500,000 |
All Technical Credits
Announced (Undated)
Fixed
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Director Credits
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Writer Credits
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Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|
| Top Grossing Director at the Domestic Box Office (Rank 101-200) |
181 |
$485,513,250 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 701-800) |
777 |
$167,500,092 |
| Top Grossing Director at the International Box Office (Rank 101-200) |
122 |
$896,592,948 |
| Top Grossing Executive Producer at the International Box Office (Rank 3,201-3,300) |
3,248 |
$18,480,000 |
| Top Grossing Screenwriter at the International Box Office (Rank 401-500) |
449 |
$379,479,908 |
| Top Grossing Story Creator at the International Box Office (Rank 1,601-1,700) |
1,613 |
$18,480,000 |
| Top Grossing Director at the Worldwide Box Office (Rank 101-200) |
136 |
$1,382,106,198 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 4,201-4,300) |
4,248 |
$18,480,000 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 501-600) |
533 |
$546,980,000 |
| Top Grossing Story Creator at the Worldwide Box Office (Rank 2,101-2,200) |
2,142 |
$18,480,000 |
