Harry Cohen

Sound Designer in 5 films, with $1,066,863,306 worldwide aggregate box office (rank #32)
Best-Known Technical Roles: Kill Bill: Volume 2 (Supervising Sound Editor), Everest (Sound Editor), Basic (Sound Effects Editor), High Crimes (Sound Effects Editor), Blade (Supervising Sound Editor)
Most productive collaborators: Seth Rogen, Christoph Waltz, Neal H. Moritz, Wylie Stateman, Quentin Tarantino

  1. Summary
  2. Acting Credits
  3. Technical Credits
  MoviesDomestic Box OfficeInternational Box OfficeWorldwide Box Office
In Technical RolesSound Designer5$437,205,875$629,657,431$1,066,863,306
Supervising Sound Editor3$235,129,838$274,998,920$510,128,758
Sound Effects Editor3$210,072,455$163,507,143$373,579,598
Sound Editor1$87,178,599$40,811,529$127,990,128
Release
Date
TitleRoleOpening
Weekend
Domestic
Box Office
Worldwide
Box Office
Production
Budget
1/14/2011 The Green Hornet Supervising Sound Editor $33,526,876 $98,780,042 $227,983,150 $110,000,000
8/20/2009 Inglourious Basterds Sound Designer $38,054,676 $120,831,050 $316,971,720 $70,000,000
4/3/2009 Fast & Furious Sound Designer $70,950,500 $155,064,265 $363,064,265 $85,000,000
8/18/2006 Snakes on a Plane Sound Designer $15,206,301 $34,020,814 $62,020,814 $33,000,000
8/9/2006 World Trade Center Sound Designer $18,730,762 $70,278,893 $163,295,654 $65,000,000
12/9/2005 Memoirs of a Geisha Sound Designer $682,504 $57,010,853 $161,510,853 $85,000,000
4/16/2004 Kill Bill: Volume 2 Supervising Sound Editor $25,104,949 $66,207,920 $150,907,920 $55,000,000
3/28/2003 Basic Sound Effects Editor $11,511,960 $26,599,248 $42,598,498 $50,000,000
8/9/2002 xXx Sound Effects Editor $44,506,103 $141,930,000 $267,200,000 $70,000,000
4/5/2002 High Crimes Sound Effects Editor $14,005,550 $41,543,207 $63,781,100 $42,000,000
8/21/1998 Blade Supervising Sound Editor $17,073,856 $70,141,876 $131,237,688 $45,000,000
3/6/1998 Everest Sound Editor $364,244 $87,178,599 $127,990,128