Amy Jump

Best known as an Editor based on credits in that role in 5 films, with $12,501,103 worldwide aggregate box office (rank #1,292)
Best-known technical roles: Free Fire (Screenwriter), Free Fire (Editor), High-Rise (Screenwriter), High-Rise (Editor), The Duke of Burgundy (Executive Producer)
Most productive collaborators: Ben Wheatley, Tom Hiddleston, Jeremy Irons, Jeremy Thomas, Brie Larson
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office		International
Box Office		Worldwide
Box Office
In Technical RolesEditor5$2,248,742$10,252,361$12,501,103
Screenwriter4$2,207,703$7,557,960$9,765,663
Executive Producer1$56,657$121,802$178,459

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Editor at the Domestic Box Office (Rank 1,301-1,400) 1,353 $2,248,742
Top Grossing Executive Producer at the Domestic Box Office (Rank 8,301-8,400) 8,305 $56,657
Top Grossing Screenwriter at the Domestic Box Office (Rank 5,301-5,400) 5,380 $2,207,703
Top Grossing Editor at the International Box Office (Rank 1,001-1,100) 1,095 $10,252,361
Top Grossing Executive Producer at the International Box Office (Rank 7,801-7,900) 7,846 $121,802
Top Grossing Screenwriter at the International Box Office (Rank 3,301-3,400) 3,365 $7,557,960
Top Grossing Editor at the Worldwide Box Office (Rank 1,201-1,300) 1,292 $12,501,103
Top Grossing Executive Producer at the Worldwide Box Office (Rank 9,001-9,100) 9,037 $178,459
Top Grossing Screenwriter at the Worldwide Box Office (Rank 4,801-4,900) 4,802 $9,765,663

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


2017 Preview: April

April 1st, 2017

The Fate of the Furious

March was a month of extremes, led by two strong performances: Beauty and the Beast breaking records and Logan cracking $200 million with ease. There were also two other $100 million hits and another potential $100 million hit that we don’t have significant box office numbers for yet. This is fantastic. On the opposite end, there were three films on last month’s list that didn’t even open truly wide. This month won’t be as lucrative at the top, as The Fate of the Furious is the only film expected to top $100 million. Fortunately, it is expected to open with over $100 million. On the other extreme, there are many, many films on this list that I’m not sure will open wide. Fortunately, last April wasn’t any better. The Jungle Book made nearly $1 billion worldwide, but the other nine films combined made less than half of that. To emphasize: the other nine films that opened last April averaged less than $50 million worldwide each. If The Fate of the Furious can just come close to the previous installment of the franchise, then 2017 has a solid shot at topping 2016. More...

All Acting Credits



All Technical Credits



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Release
Date		TitleRoleDomestic
Box Office		International
Box Office		Worldwide
Box Office
Apr 21, 2017Free Fire Screenwriter
Editor		 $1,799,322$1,994,417$3,793,739
Apr 28, 2016High-Rise Screenwriter
Editor		 $346,472$5,033,599$5,380,071
Jan 23, 2015The Duke of Burgundy Executive Producer $56,657$121,802$178,459
Feb 7, 2014A Field in England Screenwriter
Editor		 $32,846$96,801$129,647
May 10, 2013Sightseers Editor $41,039$2,694,401$2,735,440
Feb 3, 2012Kill List Screenwriter
Editor		 $29,063$433,143$462,206
 
Averages $384,233$1,729,027$2,113,260
Totals 6 $2,305,399$10,374,163$12,679,562


Writer Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
Apr 21, 2017Free Fire $994,4301,070$1,799,322$3,793,73947.4%
Apr 28, 2016High-Rise $79,88741$346,472$5,380,0716.4%
Feb 7, 2014A Field in England $9,49813$32,846$129,64725.3%
Feb 3, 2012Kill List $9,83810$29,063$462,2066.3%
 
Averages $273,413284$551,926$2,441,41621.4%
Totals 4 $2,207,703$9,765,663

Latest Ranking on All Technical Box Office Record Lists


RecordRankAmount
Top Grossing Editor at the Domestic Box Office (Rank 1,301-1,400) 1,353 $2,248,742
Top Grossing Executive Producer at the Domestic Box Office (Rank 8,301-8,400) 8,305 $56,657
Top Grossing Screenwriter at the Domestic Box Office (Rank 5,301-5,400) 5,380 $2,207,703
Top Grossing Editor at the International Box Office (Rank 1,001-1,100) 1,095 $10,252,361
Top Grossing Executive Producer at the International Box Office (Rank 7,801-7,900) 7,846 $121,802
Top Grossing Screenwriter at the International Box Office (Rank 3,301-3,400) 3,365 $7,557,960
Top Grossing Editor at the Worldwide Box Office (Rank 1,201-1,300) 1,292 $12,501,103
Top Grossing Executive Producer at the Worldwide Box Office (Rank 9,001-9,100) 9,037 $178,459
Top Grossing Screenwriter at the Worldwide Box Office (Rank 4,801-4,900) 4,802 $9,765,663