Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Special Effects Coordinator | 2 | $73,683,011 | $67,486,802 | $141,169,813 |
Special Effects Supervisor | 1 | $20,275,446 | $11,117,755 | $31,393,201 |
Best known as a Special Effects Coordinator based on credits in that role in 2 films, with $141,169,813 worldwide aggregate box office (rank #156) |
Best-known technical roles: How to be Single (Special Effects Coordinator), Ricki and the Flash (Special Effects Coordinator), Premium Rush (Special Effects Supervisor) |
Most productive collaborators: Dakota Johnson, Christian Ditter, Rebel Wilson, Abby Kohn, Alison Brie |
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Special Effects Coordinator | 2 | $73,683,011 | $67,486,802 | $141,169,813 |
Special Effects Supervisor | 1 | $20,275,446 | $11,117,755 | $31,393,201 |
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Feb 12, 2016 | How to be Single | Special Effects Coordinator | $46,843,513 | $53,160,267 | $100,003,780 |
Aug 7, 2015 | Ricki and the Flash | Special Effects Coordinator | $26,839,498 | $14,326,535 | $41,166,033 |
Aug 24, 2012 | Premium Rush | Special Effects Supervisor | $20,275,446 | $11,117,755 | $31,393,201 |
Averages | $31,319,486 | $26,201,519 | $57,521,005 | ||
Totals | 3 | $93,958,457 | $78,604,557 | $172,563,014 |