| Best known as a Supervising Sound Editor based on credits in that role in 3 films, with $390,758,354 worldwide aggregate box office (rank #203) |
| Best-known technical roles: Road to Perdition (Supervising Sound Editor), The Interpreter (Supervising Sound Editor), Meet Joe Black (Supervising Sound Editor), Fandango (Sound Effects Editor) |
| Most productive collaborators: Tom Hanks, Sam Mendes, David Self, Jude Law, Max Allan Collins |
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Supervising Sound Editor | 3 | $221,412,678 | $169,345,676 | $390,758,354 |
| Sound Effects Editor | 1 | $86,134 | $0 | $86,134 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Apr 22, 2005 | The Interpreter | Supervising Sound Editor | $72,708,161 | $90,045,676 | $162,753,837 |
| Jul 12, 2002 | Road to Perdition | Supervising Sound Editor | $104,054,514 | $79,300,000 | $183,354,514 |
| Nov 13, 1998 | Meet Joe Black | Supervising Sound Editor | $44,650,003 | $44,650,003 | |
| Jan 25, 1985 | Fandango | Sound Effects Editor | $86,134 | $86,134 | |
| Averages | $55,374,703 | $84,672,838 | $97,711,122 | ||
| Totals | 4 | $221,498,812 | $169,345,676 | $390,844,488 | |
