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Kenneth Hall

Best known as a Music Editor based on credits in that role in 11 films, with $1,621,989,967 worldwide aggregate box office (rank #24)
Best-Known Technical Roles: ET: The Extra-Terrestrial (Music Editor), Gremlins (Music Editor), Rambo: First Blood Part II (Music Editor), L.A. Confidential (Music Editor), Poltergeist (Music Editor)
Most productive collaborators: Steven Spielberg, Kathleen Kennedy, Frank Marshall, Dee Wallace-Stone, Peter Coyote

  1. Summary
  2. Acting Credits
  3. Technical Credits
  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesMusic Editor11$1,005,550,627$616,439,340$1,621,989,967
Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
9/19/1997 L.A. Confidential Music Editor $64,604,977 $61,600,000 $126,204,977
12/8/1993 Six Degrees of Separation Music Editor $6,284,090 $0 $6,284,090
6/15/1990 Gremlins 2: The New Batch Music Editor $41,476,097 $0 $41,476,097
2/17/1989 The `Burbs Music Editor $35,382,246 $0 $35,382,246
7/3/1987 Innerspace Music Editor $19,816,619 $0 $19,816,619
5/22/1985 Rambo: First Blood Part II Music Editor $150,415,432 $149,984,568 $300,400,000
1/25/1985 Fandango Music Editor $86,134 $0 $86,134
6/8/1984 Gremlins Music Editor $148,168,459 $0 $148,168,459
6/24/1983 Twilight Zone: The Movie Music Editor $29,500,000 $0 $29,500,000
6/11/1982 ET: The Extra-Terrestrial Music Editor $435,110,554 $357,854,772 $792,965,326
6/4/1982 Poltergeist Music Editor $74,706,019 $47,000,000 $121,706,019
Movies: 11Totals:$1,005,550,627$616,439,340$1,621,989,967
  Averages:$91,413,693$56,039,940$147,453,633