|As an Actor||Supporting||1||$151,101,803||$281,779,102||$432,880,905|
|In Technical Roles||Screenwriter||4||$600,698,950||$1,196,640,269||$1,797,339,219|
|Best known as a Screenwriter based on credits in that role in 4 films, with $1,797,339,219 worldwide aggregate box office (rank #60)|
|Best-Known Technical Roles: Wonder Woman (Screenwriter), Wonder Woman (Story Creator), Ice Age: Continental Drift (Screenwriter), Pan (Screenwriter)|
|Best-Known Acting Roles: Carlo (La La Land), (Jane Austen's Mafia), Paperboy (Isn't She Great)|
|Most productive collaborators: John Legend, Ryan Gosling, Damien Chazelle, Marius de Vries, Emma Stone|
June 1st, 2017
May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead.
October 1st, 2015
September ended on a record note with the debut of Hotel Transylvania 2. Additionally, there was great depth and 2015's lead over 2014 grew to nearly $500 million. How do things look going forward? The month starts out with The Martian, which should have no trouble becoming the biggest hit of the month and might even top $200 million. On the other hand, no other film is expected to get to $100 million. There's only one or two that will even come close. Fortunately, last October was very similar with one $100 million hit, Gone Girl, while two other films came close, Annabelle and Fury. It looks like it will be up to the depth films from both years to determine which year comes out on top.
|12/9/2016||La La Land||Carlo||$151,101,803||$281,779,102||$432,880,905|
|1/28/2000||Isn't She Great||Paperboy||$2,954,405||$0||$2,954,405|
|7/24/1998||Jane Austen's Mafia||$19,843,795||$10,300,000||$30,143,795|
|12/31/2017||Break My Heart 1,000 Times||Screenwriter,|
|7/13/2012||Ice Age: Continental Drift||Screenwriter||$161,321,843||$718,443,294||$879,765,137|