| Best known as a Supervising Sound Editor based on credits in that role in 3 films, with $100,031,891 worldwide aggregate box office (rank #375) |
| Best-known technical roles: Ronin (Supervising Sound Editor), Ronin (Sound Designer), Reindeer Games (Supervising Sound Editor), The Terminator (Sound Effects Editor), 1969 (Supervising Sound Editor) |
| Most productive collaborators: Robert De Niro, Tony Gibbs, Jean Reno, J.D. Zeik, Natascha McElhone |
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Supervising Sound Editor | 3 | $70,950,674 | $29,081,217 | $100,031,891 |
| Sound Effects Editor | 1 | $38,019,031 | $40,000,000 | $78,019,031 | |
| Sound Designer | 1 | $41,610,884 | $29,081,217 | $70,692,101 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Feb 25, 2000 | Reindeer Games | Supervising Sound Editor | $23,360,779 | $23,360,779 | |
| Sep 25, 1998 | Ronin | Supervising Sound Ed… Sound Designer |
$41,610,884 | $29,081,217 | $70,692,101 |
| Nov 18, 1988 | 1969 | Supervising Sound Editor | $5,979,011 | $5,979,011 | |
| Oct 26, 1984 | The Terminator | Sound Effects Editor | $38,019,031 | $40,000,000 | $78,019,031 |
| Averages | $27,242,426 | $34,540,609 | $44,512,731 | ||
| Totals | 4 | $108,969,705 | $69,081,217 | $178,050,922 | |
