| Best known as a Sound Effects Editor based on credits in that role in 2 films, with $518,635,393 worldwide aggregate box office (rank #227) |
| Best-known technical roles: The Fugitive (Sound Effects Editor), Miami Vice (Sound Effects Editor), The Basketball Diaries (Supervising Sound Editor) |
| Most productive collaborators: Colin Farrell, Michael Mann, Jamie Foxx, Gong Li, Anthony Yerkovich |
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Sound Effects Editor | 2 | $247,354,598 | $271,280,795 | $518,635,393 |
| Supervising Sound Editor | 1 | $2,381,087 | $41,929 | $2,423,016 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Jul 28, 2006 | Miami Vice | Sound Effects Editor | $63,478,838 | $101,441,238 | $164,920,076 |
| Apr 21, 1995 | The Basketball Diaries | Supervising Sound Editor | $2,381,087 | $41,929 | $2,423,016 |
| Aug 6, 1993 | The Fugitive | Sound Effects Editor | $183,875,760 | $169,839,557 | $353,715,317 |
| Averages | $83,245,228 | $90,440,908 | $173,686,136 | ||
| Totals | 3 | $249,735,685 | $271,322,724 | $521,058,409 | |
