|In Technical Roles||Screenwriter||3||$18,589,856||$2,125,006||$20,714,862|
|Best known as a Screenwriter based on credits in that role in 3 films, with $20,714,862 worldwide aggregate box office (rank #2,240)|
|Best-Known Technical Roles: The Case for Christ (Screenwriter), The Case for Christ (Producer), The Case for Christ (Co-Producer), Captive (Screenwriter), Captive (Executive Producer)|
|Most productive collaborators: Mike Vogel, Jon Gunn, Erika Christensen, Frankie Faison, Lee Strobel|
April 1st, 2017
March was a month of extremes, led by two strong performances: Beauty and the Beast breaking records and Logan cracking $200 million with ease. There were also two other $100 million hits and another potential $100 million hit that we don’t have significant box office numbers for yet. This is fantastic. On the opposite end, there were three films on last month’s list that didn’t even open truly wide. This month won’t be as lucrative at the top, as The Fate of the Furious is the only film expected to top $100 million. Fortunately, it is expected to open with over $100 million. On the other extreme, there are many, many films on this list that I’m not sure will open wide. Fortunately, last April wasn’t any better. The Jungle Book made nearly $1 billion worldwide, but the other nine films combined made less than half of that. To emphasize: the other nine films that opened last April averaged less than $50 million worldwide each. If The Fate of the Furious can just come close to the previous installment of the franchise, then 2017 has a solid shot at topping 2016.
September 1st, 2015
As September begins, the box office is in a slump. August was terrible and only Straight Outta Compton escaped with its dignity intact. Fortunately, we expected August to be terrible, so the box office isn't any lower than anticipated. As for September, there are two wide releases expected to earn more than $100 million, which is better than most years. Those two films are Maze Runner: The Scorch Trials and Hotel Transylvania 2, both sequels. There are four other films that could become midlevel hits, so we have good depth as well. By comparison, last September there were also two $100 million hits, The Maze Runner and The Equalizer. However, there were only two midlevel hits, so it appears this year has better depth. Frankly, 2015 has such a large lead over 2014 that all it needs to do is maintain pace for the rest of the year to be considered a success. If September can help 2015 grow its lead, then the overall industry should be very happy.
|4/7/2017||The Case for Christ||Screenwriter,|
|9/6/2013||The Ultimate Life||Screenwriter||$1,327,841||$0||$1,327,841|