Mark Heslop

Best known as a Sound Effects Editor based on credits in that role in 5 films, with $713,078,515 worldwide aggregate box office (rank #168)
Best-known technical roles: Brooklyn (Sound Effects Editor), Love Actually (Sound Effects Editor), Bridget Jones’s Baby (Sound Effects Editor), The Invention of Lying (Sound Effects Editor), Johnny English Reborn (Sound Effects Editor)
Most productive collaborators: Tim Bevan, Eric Fellner, Glenn Freemantle, Colin Firth, Emma Thompson
                                    

  1. Summary
  2. Acting Credits
  3. Technical Credits

Career Summary


  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesSound Effects Editor5$149,425,061$563,653,454$713,078,515

Latest Ranking on Selected Box Office Record Lists


All Acting Credits



All Technical Credits



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Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
Sep 16, 2016Bridget Jones’s Baby Sound Effects Editor $24,139,805$183,158,578$207,298,383
Nov 4, 2015Brooklyn Sound Effects Editor $38,322,743$23,753,398$62,076,141
Oct 21, 2011Johnny English Reborn Sound Effects Editor $8,406,711$156,233,690$164,640,401
Oct 2, 2009The Invention of Lying Sound Effects Editor $18,451,251$14,263,567$32,714,818
Nov 7, 2003Love Actually Sound Effects Editor $60,104,551$186,244,221$246,348,772
 
Averages $29,885,012$112,730,691$142,615,703
Totals 5 $149,425,061$563,653,454$713,078,515