|In Technical Roles||Story Creator||1||$80,101,125||$329,213,876||$409,315,001|
|Best known as a Story Creator based on a credit in that role in 1 film, with $409,315,001 worldwide aggregate box office (rank #256)|
|Best-Known Technical Roles: The Mummy (Story Creator), Rachel Getting Married (Screenwriter)|
|Most productive collaborators: Tom Cruise, Alex Kurtzman, Dylan Kussman, Annabelle Wallis, David Koepp|
June 1st, 2017
May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead.
|6/9/2017||The Mummy||Screen Story by||$80,101,125||$329,213,876||$409,315,001|
|10/3/2008||Rachel Getting Married||Screenwriter||$12,796,861||$4,678,614||$17,475,475|