Box Office Star Records > Domestic > Lifetime Specific Technical Role > Top Domestic Unit Production Managers

Top Grossing Unit Production Manager at the Domestic Box OfficeBETA


See also: Top Domestic Art Directors - Top Domestic Assistant Directors - Top Domestic Assistant Editors - Top Domestic Associate Producers - Top Domestic Casting Directors - Top Domestic Cinematographers - Top Domestic Co-Producers - Top Domestic Composers - Top Domestic Costume Designers - Top Domestic Costume Supervisors - Top Domestic Dialogue Editors - Top Domestic Directors - Top Domestic Editors - Top Domestic Executive Producers - Top Domestic Make-up and Hair Designers - Top Domestic Music Editors - Top Domestic Music Supervisors - Top Domestic Producers - Top Domestic Production Designers - Top Domestic Re-recording Mixers - Top Domestic Screenwriters - Top Domestic Second Unit Directors - Top Domestic Set Decorators - Top Domestic Set Designers - Top Domestic Sound Designers - Top Domestic Sound Editors - Top Domestic Sound Effects Editors - Top Domestic Sound Mixers - Top Domestic Story Creators - Top Domestic Stunt Coordinators - Top Domestic Supervising Sound Editors - Top Domestic Visual Effects Supervisors - Top International Unit Production Managers - Top Worldwide Unit Production Managers

This list shows the highest grossing Unit Production Managers based on the domestic box office of the movies they worked on.

Since we are still actively researching technical roles, we consider this chart to be in beta mode. The table includes data for movies in The Numbers database. While we make every effort to collect all available data, there are inevitably omissions and errors. Please help us by sending corrections to corrections@the-numbers.com.

  1
Tim Lewis
Best known as an Unit Production Manager based on credits in that role in 9 films.
Top films contributed to this record: Harry Potter and the Deathly Hallows: Part II ($381,193,157 in 2011), Harry Potter and the Deathly Hallows: Part I ($296,837,581 in 2010), Harry Potter and the Goblet of Fire ($290,201,752 in 2005), Harry Potter and the Prisoner of Azkaban ($249,757,726 in 2004), Fantastic Beasts and Where to Find Them ($234,037,575 in 2016), Fantastic Beasts: The Crimes of Grindelwald ($159,555,901 in 2018), Edge of Tomorrow ($100,206,256 in 2014), Fantastic Beasts: The Secrets of Dumbledore ($95,850,844 in 2022), Pan ($35,088,320 in 2015)

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  2
Patrick Crowley
Best known as a Producer based on credits in that role in 12 films.
Top films contributed to this record: Jurassic World ($652,306,625 in 2015), Jurassic World: Fallen Kingdom ($417,719,760 in 2018), The Bourne Supremacy ($176,087,450 in 2004), Sleepless in Seattle ($126,680,884 in 1993), The Bourne Legacy ($113,203,870 in 2012), Eight Below ($81,612,565 in 2006)

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  3
Eric McLeod
Best known as an Executive Producer based on credits in that role in 13 films.
Top films contributed to this record: Pirates of the Caribbean: Dead Man’s Chest ($423,315,812 in 2006), Austin Powers in Goldmember ($213,117,789 in 2002), Austin Powers: The Spy Who Shagged Me ($206,040,085 in 1999), Black Adam ($168,283,344 in 2022), Kong: Skull Island ($168,052,812 in 2017), The Cell ($61,280,963 in 2000), Austin Powers: International Man of Mystery ($53,883,989 in 1997), Wag the Dog ($43,057,470 in 1997), 47 Ronin ($38,362,475 in 2013)

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Complete List

Rank Name Domestic
Box Office
Movies Average
1 Tim Lewis $1,842,729,112 9 $204,747,679
2 Patrick Crowley $1,567,611,154 6 $261,268,526
3 Eric McLeod $1,375,394,739 9 $152,821,638
4 Michael Fottrell $1,337,456,309 8 $167,182,039
5 Michael Sharp $1,075,934,514 6 $179,322,419
6 Patricia Whitcher $1,058,011,193 8 $132,251,399
7 Marty P. Ewing $1,019,679,465 9 $113,297,718
8 Tim Moore $996,598,264 13 $76,661,405
9 Louise Rosner $966,404,131 4 $241,601,033
10 Nikolas Korda $903,299,172 5 $180,659,834
11 Patrick McCormick $887,839,548 11 $80,712,686
12 Jim Rowe $876,269,305 5 $175,253,861
13 Joan Schneider $840,614,668 5 $168,122,934
14 Barbara Kelly $818,545,851 8 $102,318,231
15 David Householter $787,808,016 7 $112,544,002
16 Simon Emanuel $782,505,901 3 $260,835,300
17 David Valdes $781,417,571 3 $260,472,524
18 Philip Steuer $751,403,204 4 $187,850,801
19 David Witz $742,252,897 6 $123,708,816
20 Mark Mostyn $730,960,169 4 $182,740,042
21 Callum McDougall $696,278,550 5 $139,255,710
22 Thomas Hayslip $689,816,272 4 $172,454,068
23 Anne Bruning $685,783,024 4 $171,445,756
24 Dana Robin $684,600,134 7 $97,800,019
25 Gregor Wilson $682,408,014 3 $227,469,338
26 Doug Merrifield $651,867,883 5 $130,373,577
27 Leigh Shanta $648,676,429 9 $72,075,159
28 Susan McNamara $629,106,953 5 $125,821,391
29 Clayton Townsend $619,697,441 4 $154,924,360
30 David Siegel $606,450,880 5 $121,290,176
31 Denis L. Stewart $593,355,447 4 $148,338,862
32 Elena Zokas $589,160,774 3 $196,386,925
33 Barry Waldman $588,342,682 5 $117,668,536
34 Daniel Lupi $584,908,642 10 $58,490,864
35 Thomas M. Hammel $579,579,060 3 $193,193,020
36 Garrett Grant $576,879,290 8 $72,109,911
37 Rick A. Osako $573,222,682 7 $81,888,955
38 Brigitte Yorke $553,924,867 3 $184,641,622
39 Lyn Lucibello-Brancatella $553,106,661 7 $79,015,237
40 Zane Weiner $548,701,804 4 $137,175,451
41 Mark Kamine $542,888,208 7 $77,555,458
42 Stewart Bethune $542,748,478 3 $180,916,159
43 Robert J. Dohrmann $526,641,168 8 $65,830,146
44 Michele Imperato Stabile $519,554,315 5 $103,910,863
45 Marcus Viscidi $509,134,613 6 $84,855,769
46 Simone Goodridge $506,730,041 6 $84,455,007
47 Gerald R. Molen $502,126,260 5 $100,425,252
48 Angus More Gordon $488,874,913 5 $97,774,983
49 Steven Harding $485,638,095 4 $121,409,524
50 Jan Foster $484,754,374 5 $96,950,875
51 Brent O’Connor $480,431,381 7 $68,633,054
52 Margaret Hilliard $479,988,734 6 $79,998,122
53 Sarah Bradshaw $477,453,536 6 $79,575,589
54 Ross Fanger $474,772,631 3 $158,257,544
55 Joseph M. Caracciolo $473,572,315 2 $236,786,158
56 Joseph E. Iberti $451,088,629 6 $75,181,438
57 JoAnn Perritano $446,274,032 4 $111,568,508
58 Paddy Cullen $438,516,779 2 $219,258,390
59 Joan Bradshaw $437,789,145 6 $72,964,858
60 Tim Coddington $433,332,447 2 $216,666,224
61 Carl Clifford $407,820,027 4 $101,955,007
62 John J. Kelly $396,159,698 3 $132,053,233
63 Jason Clark $395,162,338 3 $131,720,779
64 Adam Merims $392,257,936 4 $98,064,484
65 Stuart Besser $389,736,478 10 $38,973,648
66 David J. Grant $373,524,485 1 $373,524,485
67 Bernard Bellew $373,436,361 3 $124,478,787
68 Samantha White $369,345,583 1 $369,345,583
69 Nadia Paine $369,017,602 2 $184,508,801
70 Bill Badalato $362,716,288 6 $60,452,715
71 Marcei A. Brown $358,517,935 5 $71,703,587
72 Herbert W. Gains $357,015,585 7 $51,002,226
73 Carla Raij $356,315,357 3 $118,771,786
74 Michael Tadross $355,995,385 6 $59,332,564
75 Michael Beugg $355,547,520 5 $71,109,504
76 Charles Newirth $351,603,220 2 $175,801,610
77 Barbara A. Hall $350,759,411 9 $38,973,268
78 Bill Scott $350,646,562 6 $58,441,094
79 Lloyd Phillips $348,186,977 2 $174,093,489
80 David Cain $346,962,880 2 $173,481,440
81 Lenny Vullo $346,258,992 3 $115,419,664
82 Paul Deason $345,091,913 4 $86,272,978
83 Hermione Ninnim $344,715,384 2 $172,357,692
84 Bill Johnson $338,696,932 4 $84,674,233
85 Kathleen McGill $335,407,101 6 $55,901,184
86 Robin M. Reelis $332,329,479 2 $166,164,740
87 Raymond Quinlan $329,317,394 6 $54,886,232
88 Wilson Colin $325,100,054 1 $325,100,054
89 Mika Saito $316,831,246 1 $316,831,246
90 Miki Herman $316,465,003 1 $316,465,003
91 Sean Gowrie $315,448,030 3 $105,149,343
92 Grant Hill $313,202,611 6 $52,200,435
93 Mack Bing $310,772,982 2 $155,386,491
94 Christopher V. Bromley $307,943,195 4 $76,985,799
95 George Manasse $307,922,120 3 $102,640,707
96 D. Scott Easton $306,480,498 3 $102,160,166
97 Sam Breckman $306,298,266 2 $153,149,133
98 Stratton Leopold $305,761,981 3 $101,920,660
99 Robert Graf $300,680,969 8 $37,585,121
100 LeeAnn Stonebreaker $298,324,125 3 $99,441,375

The Domestic Market is defined as the North American movie territory (consisting of the United States, Canada, Puerto Rico and Guam).

This table is updated daily to reflect the latest studio reports.

Note: This chart is not adjusted for inflation.