Netherlands Box Office for 13 Hours: The Secret Soldiers of Benghazi (2016)

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13 Hours: The Secret Soldiers of Benghazi poster
Theatrical Performance (US$)
Netherlands Box Office $232,818Details
Worldwide Box Office $69,411,370Details
Home Market Performance
North America DVD Sales $9,203,681 Details
North America Blu-ray Sales $13,156,166 Details
Total North America Video Sales $22,359,847
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

13 Hours: The Secret Soldiers of Benghazi tells the story of the attack of the CIA Annex in Benghazi, Libya, on September 11, 2012, which killed four Americans. After the invasion, an American Special Ops team is sent to the Annex to protect the lives of those still alive who were caught within the compound.

Metrics

Movie Details

Production Budget:$50,000,000
Netherlands Releases: February 4th, 2016 (Wide)
Video Release: May 24th, 2016 by Paramount Home Video
MPAA Rating: R for strong combat violence throughout, bloody images, and language.
(Rating bulletin 2404 (Cert #50183), 12/16/2015)
Running Time: 144 minutes
Keywords: Set in Libya, 2010s, Terrorism, Action Thriller
Source:Based on Factual Book/Article
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Paramount Pictures, 3 Arts Entertainment, Bay Films
Production Countries: United States
Languages: English

Home Market Releases for June 7th, 2016

June 8th, 2016

Zootopia

The list of new home market releases isn't particularly long, but it includes Zootopia the best movie of the year, so it feels like an amazing week. It isn't the only contender for Pick of the Week this week, as Anomalisa, Star Trek II: The Wrath of Khan: Director's Cut, and others are also worth considering. The Martian: Extended Edition is also a must have, if you don't own it yet. More...

Home Market Releases for May 24th, 2016

May 24th, 2016

Mustang

There are not a lot of first-run releases on this week's list and none that are contenders for Pick of the Week. That's not to say there are no contenders, but they come from catalog releases, TV on DVD, etc. Buster Keaton: The Shorts Collection 1917-1923 on Blu-ray tops that list. However, I'm going with Mustang on DVD or Blu-ray Combo Pack as the Pick of the Week. The screener arrived late, but it was worth it. More...

Thursday Night Previews: Gods off to a Mortal Start

February 26th, 2016

Gods of Egypt

Gods of Egypt had the best showing among new releases from its Thursday previews; however, best is being used as a relative term, as it only managed $800,000. By comparison, 13 Hours pulled in $900,000 earlier this year. If the film’s reviews hurt its word of mouth, and I can’t imagine they won’t, then we are looking at a domestic total of about $40 million on a $140 million production budget. In fact, it will likely make less during its opening weekend than the $15.3 million reportedly spend on TV ads leading up to its release. More...

Weekend Wrap-Up: Ride Along Rides the Wave to the Top with $41.01 Million

January 20th, 2016

Ride Along 2

As anticipated, Ride Along 2 earned first place over the long weekend earning more than it cost to make in just four days. The other two wide releases were less successful. Despite costing more to make, 13 Hours earned less than half Ride Along 2 opened with, while the less said about Norm of the North, the better. Star Wars: The Force Awakens was pushed into third place over the three-day weekend, but it rose to first place on the daily chart on Monday. It is not done yet. The overall, the three-day weekend was up 4.2% from last weekend; however, it was down 18% from last year. This is not surprising, as this weekend last year, American Sniper set the record for biggest January weekend. Year-to-date, 2016 has pulled in $693 million, giving 2016 an early lead over 2015. That lead was cut to 5.9% or $39 million and will likely be cut further next weekend. Hopefully it won't be entirely gone. More...

Friday Estimates: Riding High...ish

January 16th, 2016

Ride Along 2

As expected, Ride Along 2 earned first place on Friday, but it was a little softer than anticipated. The film earned $12 million during its first day of release, which is 17% less than Ride Along opened with back in 2014. Because this film is a sequel and the reviews are so weak, it will likely have a smaller internal multiplier. Additionally, Ride Along 2 cost more than the first film cost to make. That said, it still only cost $40 million and it looks like it will earn close to that much during its four-day weekend. There will be a part three of the franchise. They are just too profitable not to make another. More...

Thursday Night Previews: Riding High - Updated

January 15th, 2016

Ride Along 2

Ride Along 2 started its box office run with $1.26 million in Thursday night previews. This is better than the $1.06 million in previews Ride Along managed and that's a good sign for its weekend total. Maybe it will top the original with $50 million over four days. Or maybe the reviews will kill its legs. We will know more tomorrow when Friday's estimates come in. More...

Weekend Predictions: Along for the Ride

January 14th, 2016

Ride Along 2

Star Wars: The Force Awakens will finally relinquish its hold on the weekend box office and there are three new releases looking to grab as much of the box office share as they can. Ride Along 2 is the film with the best shot at first place, assuming its reviews don't kill it. The Revenant should have one of the best week-to-week declines, thanks in part to its Awards Season success. 13 Hours looks like a solid top-five film, but not a major hit, while Norm of the North is just hoping not to embarrass itself. This weekend last year, American Sniper expanded wide and set the record for biggest January weekend. That record fell earlier this year, but that's not a lot of comfort for this weekend, as all three new releases combined won't match American Sniper's haul. 2016's winning streak will end at two weeks. Hopefully the upcoming losing streak won't be much longer than that. More...

Contest: Free Ride

January 7th, 2016

Ride Along 2

It is a busier weekend next week with three wide releases. However, Ride Along 2 will likely earn more than 13 Hours and Norm of the North will earn combined. As such, it is the clear choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Ride Along 2.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of two DVDs. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of two DVDs. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of two DVDs.

Next weekend is a long weekend, but remember, we only are concerned with the three-day, Friday through Sunday box office number.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: January

January 1st, 2016

Kung Fu Panda 3

2016 will begin the same way 2015 ended, with Star Wars: The Force Awakens on top. In fact, three of the five films that have the best shot at box office success in January are The Force Awakens, The Hateful Eight, and The Revenant, all of which opened in December. There are two true January releases that could also do really well, for this time of year: Ride Along 2 and Kung Fu Panda 3. The rest of the releases are just hoping to become midlevel hits. Last January, American Sniper dominated earning more than $300 million. Its success could prevent 2016 from being ahead in the year-over-year comparison by the end of the month, but this year does have better depth. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/02/05 15 $80,255   35 $2,293   $80,255 1
2016/02/12 19 $66,430 -17% 34 $1,954   $180,022 2
2016/02/19 23 $35,899 -46% 39 $920   $232,818 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/25/2016 $57,780 60 60 74 $78,017 12/31/2018
Australia 2/26/2016 $12,323 45 170 530 $955,093 6/9/2016
Austria 3/3/2016 $44,424 24 24 63 $90,639 6/9/2016
Bolivia 2/18/2016 $5,778 6 6 11 $12,031 12/31/2018
Brazil 2/18/2016 $173,291 128 128 207 $0 2/23/2016
Cambodia 2/8/2016 $1,516 8 8 8 $6,846 12/31/2018
Central America 3/3/2016 $0 0 1 1 $138,802 3/22/2016
Chile 3/3/2016 $26,005 32 32 35 $0 3/8/2016
Colombia 3/3/2016 $46,744 77 77 77 $46,744 12/31/2018
Czech Republic 2/5/2016 $34,907 80 80 121 $64,277 12/31/2018
Ecuador 3/18/2016 $23,035 20 20 55 $57,431 12/31/2018
France 3/30/2016 $392,233 141 141 193 $681,210 10/25/2018
Germany 3/3/2016 $309,816 244 244 567 $515,942 10/27/2018
Hong Kong 2/18/2016 $375,809 33 33 86 $762,505 11/15/2018
Iceland 2/5/2016 $0 0 1 1 $30,008 12/31/2018
Indonesia 3/30/2016 $565,802 200 200 314 $1,049,559 12/31/2018
Iraq 3/3/2016 $6,005 3 3 8 $0 3/8/2016
Italy 3/31/2016 $155,033 85 85 121 $233,704 6/9/2016
Lebanon 3/3/2016 $28,295 11 11 22 $96,404 12/31/2018
Malaysia 3/17/2016 $256,097 81 81 260 $592,862 6/9/2016
Mexico 3/4/2016 $181,726 0 4 4 $186,790 6/9/2016
Netherlands 2/4/2016 $80,255 35 39 108 $232,818 6/9/2016
New Zealand 2/26/2016 $46,542 44 45 121 $111,720 6/9/2016
North America 1/15/2016 $16,194,738 2,389 2,917 12,523 $52,853,219
Oman 3/3/2016 $12,862 6 6 7 $27,957 12/31/2018
Peru 2/25/2016 $0 0 1 1 $0
Philippines 1/27/2016 $0 0 3 3 $419,697 12/31/2018
Portugal 1/28/2016 $37,493 33 33 95 $126,984 6/9/2016
Russia (CIS) 1/29/2016 $169,628 620 620 620 $295,988 12/31/2018
Singapore 2/18/2016 $168,959 22 25 73 $406,077 6/9/2016
Slovakia 2/4/2016 $17,453 40 40 40 $17,453 6/9/2016
South Korea 3/3/2016 $573,073 380 380 594 $975,041 6/9/2016
Spain 2/26/2016 $268,745 201 201 509 $581,820 4/12/2016
Sweden 2/17/2016 $38,112 64 64 99 $89,165 6/9/2016
Switzerland 3/3/2016 $68,898 32 32 32 $68,898 6/9/2016
Taiwan 1/29/2016 $352,364 80 80 244 $1,385,274 6/9/2016
Thailand 1/28/2016 $300,892 140 140 268 $652,000 6/9/2016
Ukraine 1/28/2016 $18,171 95 95 189 $0 2/2/2016
United Arab Emirates 3/3/2016 $201,120 34 34 66 $483,293 12/31/2018
United Kingdom 1/29/2016 $337,916 306 306 337 $673,264 6/9/2016
Uruguay 3/17/2016 $2,391 33 33 35 $0 3/22/2016
Venezuela 3/11/2016 $0 0 15 60 $53,324 6/9/2016
Vietnam 2/12/2016 $73,293 46 46 46 $73,293 12/31/2018
 
Rest of World $4,285,221
 
Worldwide Total$69,411,370 12/31/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

John Krasinski    Jack
James Badge Dale    Rone
Max Martini    Oz

Supporting Cast

Pablo Schreiber    Tanto
Dominic Fumusa    Tig
Toby Stephens    Glen 'Bub' Doherty
David Giuntoli    Scott Wickland
David Costabile    The Chief
Elektra Anastasi    CIA Agent
Alexia Barlier    Sona Jillani
Demetrius Grosse    DS Agent Dave Ubben
David Denman    Boon
Freddie Stroma    Brit Vaynor

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Michael Bay    Director
Chuck Hogan    Screenwriter
Mitchell Zuckoff    Based on the book by
Erwin Stoff    Producer
Michael Bay    Producer
Scott Gardenhour    Executive Producer
Richard Abate    Executive Producer
Matthew Cohan    Executive Producer
Dion Beebe    Director of Photography
Jeffrey Beecroft    Production Designer
Pietro Scalia    Editor
Michael McCusker    Editor
Calvin Wimmer    Editor
Deborah L. Scott    Costume Designer
Hans Zimmer    Executive Music Producer
Lorne Balfe    Composer
Jasmina Torbati    Unit Production Manager
Simon Warnock    Assistant Director
Christian McWilliams    Location Manager
Denise Chamian    Casting Director
Beth Day    Additional Casting-Casting Associate
Liz Ludwitzke    Additional Casting-Casting Associate
Ken Bates    Stunt Coordinator
Terry Glass    Special Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.