Portugal Box Office for The 33 (2015)

← Go to main The 33 page

The 33 poster
Theatrical Performance (US$)
Portugal Box Office $35,984Details
Worldwide Box Office $28,287,489Details
Home Market Performance
North America DVD Sales $2,710,243 Details
North America Blu-ray Sales $899,199 Details
Total North America Video Sales $3,609,442
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

In 2010, the eyes of the world turned to Chile, where 33 miners had been buried alive by the catastrophic explosion and collapse of a 100-year-old gold and copper mine. Over the next 69 days, an international team worked night and day in a desperate attempt to rescue the trapped men as their families and friends, as well as millions of people globally, waited and watched anxiously for any sign of hope. But 200 stories beneath the surface, in the suffocating heat and with tensions rising, provisions-and time-were quickly running out.

Metrics

Movie Details

Production Budget:$25,000,000
Portugal Releases: April 14th, 2016 (Wide)
Video Release: February 2nd, 2016 by Warner Home Video
MPAA Rating: PG-13 for a disaster sequence and some language.
(Rating bulletin 2388, 8/26/2015)
Running Time: 120 minutes
Keywords: Underground, Disaster, Set in Chile, Rescue, Media Circus, Archive Footage, Survival Drama
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Phoenix Pictures, Alcon Entertainment
Production Countries: Chile, United States
Languages: English, Spanish

Home Market Releases for February 16th, 2016

February 15th, 2016

The Kid

There's no major release this week. I was tempted to give Spectre the Pick of the Week honor, but the screener arrived too late to get the review done over the weekend. None of the big releases are worth the Pick of the Week title. There are a number of smaller releases that are worth considering for Pick of the Week, including The Kid, which tops the list.

On a side note, this week's list is a little shorter than I would have liked, because the people who run Amazon are morons. They've changed the New Releases page, again, making it even harder to find a list of new releases for the week. Additionally, there are some films, like Black Mass, that weren't on the list of releases for this week before the changes were made. I understand why physical stores reorganize every once and a while, because if people have to walk to the store to find something, they are more likely to buy something else on a whim. However, these people physically walked to the store, so if they don't buy what they came for, it will be a wasted effort. On the other hand, people go to Amazon by clicking a button. Making it harder to find new releases for that week won't make it more likely they will buy something else. It means they are more likely to not buy anything at all. More...

Weekend Wrap-Up: Moviegoers Satisfied with Final Course of Hunger Games

November 24th, 2015

The Hunger Games: Mockingjay, Part 2

The Curse of the High Expectations strikes again. The Hunger Games: Mockingjay, Part 2 became the fifth film of the year to open with more than $100 million. This should be a reason to celebrate, but it marks a very steep decline from previous films in the Hunger Games franchise. The other two wide releases, The Night Before and Secret in Their Eyes, both failed to meet expectations, leaving the overall box office softer than anticipated. Granted, it still grew 60% from last weekend to $173 million, but this is 10% lower than the same weekend last year. Year-to-date, 2015 is still ahead of 2014 by a comfortable margin of 3.6% or $320 million. It would take a sizable collapse for 2015 to not come out on top in terms of raw box office dollars. On the other hand, it wouldn't take too much for it to slip below ticket price inflation, which is about 2% this year. More...

Weekend Wrap-Up: New Releases feel Unloved

November 17th, 2015

Love the Coopers

There's not much in the way of good news to talk about, which is something that is becoming sadly common. Two of the three new releases missed expectations and expectations were low to begin with. Love the Coopers led the new releases, but it is hardly what you would call a box office hit. Even calling it a middling hit is overstating things. The 33 barely managed a spot in the top five and will quickly leave theaters. My All-American missed the Mendoza Line* by a mile and missed the top ten in the process. This meant Spectre and The Peanuts Movie remained on top of the charts, but they could only help the box office avoid becoming a disaster. As it is, the overall box office fell 33% from last weekend to just $108 million. This was 23% less than the same weekend last year. Year-to-date, 2015's lead over 2015 took a real hit and its down to 3.9% at $9.06 billion to $8.72 billion. However, as we've seen recently, the overall box office is weaker than the these numbers look, as we've seen few major hits and many, many bombs. More...

Weekend Estimates: Spectre Set to Be Number Two Bond

November 15th, 2015

Spectre

Sony are predicting a decline of just 50% for Spectre in its second weekend in theaters, putting James Bond’s latest incarnation on track for a final domestic box office in the neighborhood of $200 million. While well short of Skyfall’s $304 million, it welcome news for a film that’s probably right on the bubble as far as profitability is concerned. More...

Friday Estimates: Openers Fall Well Short of Spectre and Peanuts

November 14th, 2015

Spectre

Three new wide releases are all, as expected, struggling to make much headway against Spectre and The Peanuts Movie this weekend, with the two returning films sitting comfortably at the top of the chart. Spectre picked up an estimated $10.2 million on Friday for a total to date of $105.5 million, while Peanuts earned another $5.6 million, for $63.9 million so far. More...

Weekend Predictions: Will the New Releases get any Love?

November 11th, 2015

Love the Coopers

Last week the box office bounced back in an impressive fashion. However, this week it will very likely slump back down again. There are only two truly wide releases coming out this week, The 33 and Love the Coopers, neither of which are expected to be hits. In fact, there's a good chance neither of them will top $10 million over the weekend. This will leave Spectre and The Peanuts Movie on top of the charts once again, while we will have a one or two other holdovers in the top five, depending on how well the new wide releases match low expectations. This weekend last year Dumb and Dumber To opened with $36.11 million. This is more than either new release will earn this weekend, or in total. This might be more than both new releases will finish with combined. Unless the holdovers hold on really well, 2015 will lose in the year-over-year comparison, but it should be close. More...

Contest: Procrastoween

November 6th, 2015

Love the Coopers

It is a bit of a messed up week as far as the contest is concerned. I ended the Halloween trick or treat contests a week early, because I got the release date of Mr. Holmes wrong. I had already set aside the two sets of horror or the one set of bad movies, so I might as well give them away this week. Also, the contest is a mess, because the wide releases next week are a mess. By the Sea was dropped to limited release, while My All-American is opening semi-wide, so that's a reversal of expectations. This leaves The 33 and Love the Coopers as the only true wide releases, neither of which is expected to be a even a midlevel hit. Combined they are not expected to be a midlevel hit. Worse for me, neither is expected to be a significantly bigger hit than the other making it harder to choose which film will be the target film. I'm literally going to have to flip a coin. Love the Coopers is the target film for this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Love the Coopers.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. There is a difference this time. Two people will earn Frankenprizes consisting of two horror movies. The other winner will earn a Frankprize consisting of two "horror" movies, that is to say movies so bad that it will fill you with horror. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2015 Preview: November

November 1st, 2015

The Hunger Games: Mockingjay - Part 2

October has come to an end and everyone should be happy about that. Except for The Martian, there were no serious hits that opened last month. There were more outright bombs than even midlevel hits. Fortunately, October of last year wasn't spectacular either, so 2015 maintains a healthy lead over 2014. Even more fortunately, November looks fantastic. There are four films that have the potential to earn $200 million or more. The biggest of these is the final Hunger Games movie, which should reach $400 million. Spectre has a real shot at $300 million and could be the biggest hit in the franchise. Meanwhile, nearly every November there's an animated kids movie that becomes a monster hit. This year, The Peanuts Movie and The Good Dinosaur are both aiming for that box office milestone. The last time we didn't have a family film that earned at least $100 million in November was 2011 and that's because there were four family films that opened in the final two weeks of the month and that much competition meant they cannibalized each other. Both of these has a shot at $200 million and if neither of them reached $200 million, I would be shocked. Meanwhile, last November was a good month at the top with three monster hits: The Hunger Games: Mockingjay, Part 1, Big Hero 6, and Interstellar. However, after those three films, there were not much positive to talk about. It really looks like 2015 will match 2014 at the top, plus it could have better depth. I might be a little too optimistic, but I think November is going to be a great month at the box office. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/04/15 12 $16,345   15 $1,090   $16,345 1
2016/04/22 13 $8,941 -45% 13 $688   $29,463 2
2016/05/27 34 $861   1 $861   $35,984 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 8/27/2015 $0 0 8 14 $21,417 11/17/2015
Bolivia 9/3/2015 $28,097 24 24 46 $65,754 12/30/2018
Brazil 10/29/2015 $0 0 9 9 $268,931 11/17/2015
Central America 8/20/2015 $0 0 26 31 $320,698 9/18/2015
Chile 8/6/2015 $0 0 159 439 $4,937,597 12/30/2018
China 3/4/2016 $2,030,000 18820 18820 18820 $3,449,490 10/2/2018
Colombia 8/20/2015 $221,123 197 197 440 $558,614 12/30/2018
Ecuador 9/4/2015 $0 0 33 40 $500,794 12/30/2018
Germany 2/11/2016 $10,214 40 40 40 $10,214 6/9/2016
Hong Kong 1/7/2016 $85,696 18 18 38 $190,699 11/15/2018
India 1/15/2016 $11,743 14 14 14 $11,743 6/9/2016
Iraq 11/12/2015 $990 2 2 3 $4,464 12/30/2018
Lebanon 11/12/2015 $4,309 1 1 2 $6,836 12/30/2018
Malaysia 12/31/2015 $140,797 83 83 212 $280,994 6/9/2016
Mexico 8/28/2015 $1,124,408 0 0 0 $3,074,691 9/7/2018
North America 11/13/2015 $5,787,266 2,452 2,452 6,535 $12,227,722 11/4/2016
Peru 9/3/2015 $76,921 18 38 56 $132,085 12/21/2018
Philippines 12/9/2015 $24,336 45 45 45 $24,336 12/30/2018
Portugal 4/14/2016 $16,345 15 15 29 $35,984 6/9/2016
Singapore 11/19/2015 $38,083 8 10 28 $87,633 12/16/2015
South Korea 4/7/2016 $20,183 0 320 336 $274,207 9/10/2018
Taiwan 12/11/2015 $53,670 19 19 43 $117,449 6/9/2016
Thailand 11/12/2015 $71,587 59 59 129 $148,808 12/1/2015
United Arab Emirates 11/12/2015 $120,332 14 14 35 $327,065 12/30/2018
United Kingdom 1/29/2016 $37,174 102 102 114 $86,597 6/9/2016
Uruguay 8/27/2015 $0 0 7 9 $16,847 12/30/2018
Venezuela 10/9/2015 $0 0 23 50 $1,105,820 12/16/2015
 
Worldwide Total$28,287,489 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Antonio Banderas    Mario Sepulveda
Rodrigo Santoro    Laurence Golborne
Juliette Binoche    Maria Segovia
Mario Casas    Alex Vega

Supporting Cast

Cote de Pablo    Jessica Salgado
Gabriel Byrne    Andre Sougarret
James Brolin    Jeff Hart
Bob Gunton    President Pinera
Lou Diamond Phillips    Luis Urzua
Adriana Barraza    Marta
Jacob Vargas    Edison Pena
Juan Pablo Raba    Dario Segovia
Oscar Nuñez    Yonni Barrios
Tenoch Huerta    Carlos Mamani
Marco Trevino    Jose Henriquez
Elizabeth De Razzo    Susana Valenzuela
Naomi Scott    Escarlette
Gustavo Angarita    Mario Gomez
Alejandro Goic    Lobos
Raoul Pinno    Don Jose
Mario Zaragoza    Carlos Castillo
Paulina Garcia    Isabel Pereira
Cristian Campos    Hurtado
Jorge Diaz    Igor Proestakis
Juan Pablo Auger    Drill Worker
Leonardo Farkas    Leonardo Farkas
Francisca Concha    Local Newscaster
Diego Noguera    Man in Suit
Sebastian Apiolaza    Pablo Rojas
Jorge Godoy    Rodrigo
Marcelo Gutierrez    Armed Mine Guard 1
Carlos Talamilla    Armed Mine Guard 2
Trinidad Gonzalez    Mrs. Sougarret
Fernanda Ramirez    Ivy Sougarret
Orlando Alfaro    Mine Worker
Felipe Alvarez    TV Reporter
Ignacio De Vries    Communications Technician
Luis Chaparro    Mine Worker
Henry Bravo    Miner 1
Jaime Correa    Miner 2
Juan Carlos Solarte    Miner 3
William Winston    Miner 4
Santiago Carreno    Miner 5
Miguel Ariel Sierra    Miner 6
Nicolas Troya    Miner 7
Fernando Monge    Miner 8
Fredy Yate    Miner
Pedro Calvo    Miner 10
Jonatan Gomez    Miner 11
Edgardo Petliuk    Miner 12
Elbert Galeano    Miner 13
Juan Saldarriaga    Miner 14
Luis Hernando Rodriguez    Miner 15
Daniel Ospina    Miner 16
Hedras Urrego    Miner 20
David Quintero    Miner 21
Franklin Gutierrez    Miner 22
Fernando Rojas    Miner 23
Henry Ortiz    Skinny Miner 1
Erik Rodriguez    Skinny Miner 2
Edwar Silva    Skinny Miner 3
Fernando Esterilla    Skinny Miner 4
Karolina Gonzalez    Waitress 1
Angela Garcia    Waitress 2
Daian Parra    Waitress 3
Sojana Ortiz    Waitress 4
Lorena Garcia    Waitress 5
Rosa Garavito De Vargas    Yonni's Mother
Montserrat Alvarez    News Reporter
Alexis Catepanopolus    Cameraman
Timothy Willcox    BBC Reporter
Michel Floquet    French TF1 Reporter
Salma Al Jamal    Al Jazeera Anchor
Habib Ghribi    Al Jazeera Anchor

Cameos

Anderson Cooper    CNN Anchor
Mario Kreutzberger    Don Francisco

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Patricia Riggen    Director
Mikko Alanne    Screenwriter
Craig Borten    Screenwriter
Michael Thomas    Screenwriter
Jose Rivera    Screen Story by
Hector Tobar    Based on the Book "Deep Down Dark" by
Mike Medavoy    Producer
Robert Katz    Producer
Edward McGurn    Producer
Carlos Eugenio Lavin    Executive Producer
Leopoldo Enriquez    Executive Producer
Alan Zhang    Executive Producer
Jose Luis Escolar    Executive Producer
Marco Niro    Production Designer
Michael Tronick    Editor
James Horner    Composer
Checco Varese    Director of Photography
Alex Henning    Visual Effects Supervisor
Paco Delgado    Costume Designer
Lynn Fainchtein    Music Supervisor
Carla Hool    Casting Director
Jose Luis Escolar    Unit Production Manager
Javier Chinchilla    First Assistant Director
Giselle Gurza    Second Assistant Director
Robert Greenhut    Co-Executive Producer
Aida Rodriguez    Set Decorator
Hector Rivera    Art Director
Nuria Casanueva    Art Director
Santiago Nunez    Sound Mixer
Daniel Cordero    Special Effects Supervisor
Jordi Casares    Stunt Coordinator
Lee Michael Sheward*    Second Unit Director
Checco Varese    Second Unit Director
David Gaines    Post-Production Supervisor
Frank Salvino    Post-Production Supervisor
Sandy Pereira    Additional Editor
Pablo Prietto    Assistant Editor
Magdalena Wolf    Visual Effects Producer
Jeff Campbell    Visual Effects Supervisor
Neishaw Ali    Visual Effects Executive Producer
Greg Behrendt    Visual Effects Producer
Peter Giliberti    Animation Supervisor
Mark P. Stoeckinger    Supervising Sound Editor
Mike Prestwood Smith    Re-recording Mixer
Martyn Zub    Re-recording Mixer
Alan Rankin    Sound Designer
Tim Walston    Sound Editor
Paul Hackner    Sound Editor
Gregory Hedgepath    Sound Editor
Julie Feiner    Dialogue Editor
Charles Ritter    Dialogue Editor
Paul Carden    Dialogue Editor
Joe E. Rand    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.