Thailand Box Office for The Act of Killing (2013)

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The Act of Killing poster
Theatrical Performance (US$)
Thailand Box Office $3,610Details
Worldwide Box Office $1,227,316Details
Home Market Performance
North America DVD Sales $1,074,084 Details
North America Blu-ray Sales $334,239 Details
Total North America Video Sales $1,408,323
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

This chilling and inventive documentary examines a country where death squad leaders are celebrated as heroes, challenging them to reenact their real-life mass-killings in the style of the American movies they love. When the Indonesian government was overthrown in 1965, small-time gangster Anwar Congo and his friends went from selling movie tickets on the black market to leading anti-communist death squads in the mass murder of over a million people. Anwar boasts of killing hundreds with his own hands, but he's lived in his country with impunity ever since. When approached to make a film about their role in the genocide, Anwar and his friends eagerly comply-but their idea of being in a movie is not to provide reflective testimony, but to dance their way through musical numbers, twist arms in film noir gangster scenes, and gallop across the prairies as yodeling cowboys. A cinematic fever dream, The Act of Killing presents a gripping conflict between moral imagination and moral catastrophe.

Metrics

Movie Details

Production Budget:$1,000,000
Thailand Releases: February 11th, 2016 (Wide)
Video Release: January 7th, 2014 by New Video Group
MPAA Rating: Not Rated
Running Time: 115 minutes
Franchise: The Act of Killing
Keywords: Government Corruption, Genocide, War Crimes, Cross-Dressing, Political, Performing Arts
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Final Cut For Real, Spring Films LTD, Media Programme of the European Union
Production Countries: Denmark, Norway, United Kingdom
Languages: English

2014 Awards Season: Oscar Ceremony Live Blog - And the Oscar goes to... 12 Years a Slave

March 2nd, 2014

The Oscars are being handed out this evening and as usual, we will be live-blogging the event. Here's the last look at the nominations with those chosen by our contest entrants as the likely winners in Bold. If I disagree with the consensus, they are in italics, and sharp-eyed readers will note there are no categories where that's true. Finally, if I am rooting for an underdog, they are underlined. There are only two categories where that is true. I want Chiwetel Ejiofor to win Best Lead Actor for his performance in 12 Years a Slave. I also want Jackass Presents: Bad Grandpa to win for Best Hair and Make-up, because Dallas Buyers Club had a hair and make-up budget of $250. Yes it was effective, but the special effects make-up used in Bad Grandpa was just more difficult to pull off, even if the movie wasn't Oscar-bait. Regardless, I don't expect there to be many surprises at this year's awards. More...

2014 - Awards Season: Slave Top Winners at Spirit Awards

March 2nd, 2014

12 Years a Slave poster

Independent Spirit Award handed out the hardware last night and the big winner was 12 Years a Slave, which picked up five of the seven awards it was nominated for. More...

2014 Awards Season: Oscar Highlight: Best Feature-Length Documentary

February 15th, 2014

The Act of Killing poster

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Feature-Length Documentary, which is probably the hardest category to predict, because some of the previous winners of major awards were not even nominated for an Oscar. When the nominations were this unpredictable, the winner could be any of the five films. More...

2014 Awards Season: DGA: Gravity adds Weight to its Oscar Chances

January 26th, 2014

Gravity poster

The Directors Guild of America handed out the awards over the weekend, including two for theatrical releases. There were no true upsets, but it didn't go exactly as I anticipated it would go. More...

2014 Awards Season: PGA Buries the Lead

January 19th, 2014

12 Years a Slave poster

Producers Guild of America announce the winners tonight, but it seems I forgot to upload the story when they announced their nominations. In my defense, they announced them on January 2nd. You don't make an announcement on January 2nd, not unless you are trying to bury a story. As for the actual nominations, there are very few differences between this group and others, except when it comes to documentaries. Then again, that's been the norm this year. No one seems to agree on what the best documentaries were. More...

2014 Awards Season: Oscars Understand the Gravity of the Situation

January 16th, 2014

Gravity poster

The Oscar nominations were announced this morning and there are some surprises mixed in with the predictable results. Gravity and American Hustle led the way with ten nominations each while 12 Years a Slave was right behind with nine. The fact that 12 Years a Slave wasn't the leader is the first of the surprises. More...

2014 Awards Season: DGA: Telling Stories about Documentaries

January 14th, 2014

Stories We Tell poster

The Directors Guild of America finished its theatrical nominations yesterday with the Documentary category. I'm of two minds with the list of nominees. On the one hand, I feel like I should be surprised, because a number of documentaries thought to be Oscar favorites were left off the list. On the other hand, they've been left off the list a number of times. I think it is time to rethink who is and is not an Oscar favorite. More...

DVD and Blu-ray Releases for January 7th, 2014

January 5th, 2014

It is a relatively slow week this week. That's not to say there are no releases worth picking up, in fact, there's a close race for Pick of the Week. It's just none of the releases were monster hits at the theaters. This includes a couple of documentaries, The Act of Killing and Inequality for All, as well as a couple of TV on DVD releases, Archer: Season Four and Being Human: Complete Third Season. However, in the end, I went with We Are What We Are on DVD or Blu-ray for Pick of the Week. Meanwhile, Being Human: Complete Third Season on DVD or Blu-ray earns Puck of the Week, for the best Canadian release. More...

2014 Awards Season: WGA: Nominees Have Stories to Tell

January 5th, 2014

Stories We Tell poster

WGAs announced their nominations this weekend and there were a couple of surprises to talk about. The top of that list is 12 Years a Slave, which was deemed ineligible because it wasn't written under WGA jurisdiction. This makes using the WGAs as an Oscar guide less reliable. On the other hand, several Oscar favorites showed up as well, including American Hustle, Nebraska, and others that have picked up major nominations this year. More...

2014 - Awards Season: Slave Earns Independence

November 28th, 2013

12 Years a Slave poster

Independent Spirit Award started the Awards Season this week, handing out its nominations. 12 Years a Slave led the way with seven nominations, but it wasn't the only film to pick up multiple nominations. More...

Per Theater Chart: Blue Cheers Up the Box Office

August 1st, 2013

Blue Jasmine earned top spot on the per theater chart, not just for the week, but for the year. Its per theater average was $102,011 in six theaters, topping the previous yearly best by Spring Breakers. Spring-Breakers finished its theatrical run with just over $14 million, which is a figure Blue Jasmine should top. The Act of Killing remained potent in second place with an average of $13,890 in three theaters. The overall box office leader, The Wolverine, was the final film in the $10,000 club with an average of $13,536. More...

Weekend Estimates: Wolverine Growls, Doesn't Howl at Top of Chart

July 28th, 2013

The Wolverine will have a very solid, but far from spectacular debut this weekend, according to studio estimates released on Sunday. Its $55 million total will give it the tenth-biggest weekend of the year, and the best for Fox, but it is falling well behind comparable films like World War Z (which opened with $66 million) and Star Trek Into Darkness ($70 million). Good reviews and lessened competition as the Summer season comes to a close will help it a bit, but it looks like $100 million and out for the franchise, unless its $86.1 million international debut turns into a $400 million global run. More...

Per Theater Chart: Getting in the Act

July 23rd, 2013

The Act of Killing had the best result on the per theater chart earning $27,450 in its lone theater. Fruitvale Station saw its theater count rise from 7 to 34, but its per theater average remained strong at $21,750. It has already cracked its first major milestone, and with room to expand, it will reach more. Blackfish debuted in five theaters with a per theater average of $15,192. That's very strong for a documentary. The overall box office leader, The Conjuring, was right behind with an average of $14,418. More...

Weekend Estimates: Conjuring Humbles R.I.P.D.

July 21st, 2013

This is a Summer packed with big-budget proto-franchise films, which makes it a risky season for the studios. Predictably enough, we've had some success stories among them, like Man of Steel and World War Z, and some disasters (with The Lone Ranger and Pacific Rim standing out). Overall, the batting average for these films is running around 50%, which makes it a particularly dicey proposition to have two of them opening in the same weekend. More...

Limited Releases Grab Your Attention

July 19th, 2013

Every week we try and find a limited release with potential to expand significantly. This week there are two such films that appeared to be contenders: Girl Most Likely and Only God Forgives. Then the reviews came in and the chances of limited release success became a lot more limited. There are a few films earning stunning reviews: The Act of Killing, Blackfish, and Ways to Live Forever. I'm not sure any will expand significantly. Grabbers' reviews are not quite as strong, but it is the film I'm looking forward to seeing the most. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/02/12 11 $2,107   2 $1,054   $2,107 1
2016/02/19 16 $568 -73% 1 $568   $3,610 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
France 4/10/2013 $10,320 3 3 3 $10,320 12/14/2015
Germany 11/14/2013 $0 0 1 2 $440 10/20/2015
North America 7/19/2013 $27,450 1 29 217 $486,919 2/27/2019
South Korea 11/20/2014 $0 0 1 1 $54,826 8/2/2023
Thailand 2/11/2016 $2,107 2 2 3 $3,610 6/9/2016
 
Rest of World $671,201
 
Worldwide Total$1,227,316 8/2/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Anwar Congo    Himself
Herman Koto    Himself
Ibrahim Sinik    Himself
Sakhyan Asmara    Himself
Adi Zulkadry    Himself
Safit Pardede    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Joshua Oppenheimer    Director
Signe Byrge Sorensen    Producer
Jorem ten Brink    Producer
Anne Kohncke    Producer
Michael Uwemedimo    Producer
Joshua Oppenheimer    Producer
Christine Cynn    Producer
Werner Herzog    Executive Producer
Errol Morris    Executive Producer
Niels Pagh Andersen    Editor
Janus Billeskov Jansen    Editor
Mariko Montpetit    Editor
Charlotte Munch Bengtsen    Editor
Ariadna Fatjo-Vilas Mestre    Editor
Elin Oyen Vister    Composer
Carlos Mariano Arango de Montis    Director of Photography