Slovenia Box Office for All is Lost (2013)

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All is Lost poster
Theatrical Performance (US$)
Slovenia Box Office $19,394Details
Worldwide Box Office $10,386,814Details
Home Market Performance
North America DVD Sales $3,847,742 Details
North America Blu-ray Sales $1,185,975 Details
Total North America Video Sales $5,033,717
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Deep into a solo voyage in the Indian Ocean, an unnamed man wakes to find his 39-foot yacht taking on water after a collision with a shipping container left floating on the high seas. With his navigation equipment and radio disabled, the man sails unknowingly into the path of a violent storm. Despite his success in patching the breached hull, his mariner's intuition, and a strength that belies his age, the man barely survives the tempest. Using only a sextant and nautical maps to chart his progress, he is forced to rely on ocean currents to carry him into a shipping lane in hopes of hailing a passing vessel. But with the sun unrelenting, sharks circling and his meager supplies dwindling, the ever-resourceful sailor soon finds himself staring his mortality in the face.

Metrics

Movie Details

Production Budget:$8,500,000
Slovenia Releases: December 19th, 2013 (Wide)
Video Release: February 11th, 2014 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for brief strong language.
(Rating bulletin 2275, 6/5/2013)
Running Time: 107 minutes
Keywords: Unnamed Character, On a Boat, Extreme Weather, Disaster, Marooned, Limited Dialogue, Voiceover/Narration, One-Actor Show, Survival Thriller, Lost At Sea
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Lionsgate, Roadside Attractions, Black Bear, TreeHouse Pictures, FilmNation Entertainment, Sudden Storm Entertainment, Before The Door, Washington Square Films
Production Countries: United States
Languages: English

DVD and Blu-ray Releases for February 11th, 2014

February 11th, 2014

It's a strange week on the home market. If you look at the top ten selling new releases on Amazon.com, there are a couple of first run releases, a catalog title, TV on DVD release, and some limited releases. That's basically every category there is. The biggest release is Ender's Game, a film that failed to find an audience in theaters. It barely earned overall positive reviews and it isn't a contender for Pick of the Week. Some of the other best-selling releases are contenders, like The Jungle Book: Blu-ray Diamond Edition or Sherlock: Season Three on DVD or Blu-ray. There are also a few of the smaller releases that were in consideration, including Doctor Who: Story 33: The Moonbase and G.B.F. on DVD. But in the end, I went with Wadjda on Blu-ray Combo Pack for Pick of the Week. One last note, Dry Spell is coming out on Video on Demand. It's a good chance to support ultra-low-budget filmmaking and the reviews I've read have been positive. More...

2014 Awards Season: Oscars Understand the Gravity of the Situation

January 16th, 2014

Gravity poster

The Oscar nominations were announced this morning and there are some surprises mixed in with the predictable results. Gravity and American Hustle led the way with ten nominations each while 12 Years a Slave was right behind with nine. The fact that 12 Years a Slave wasn't the leader is the first of the surprises. More...

2014 Awards Season: Golden Globes: All American Night

January 13th, 2014

American Hustle poster

Hollywood Foreign Press Association handed out the Golden Globe awards last night, and there were a few surprises in the mix. American Hustle led the way with three wins, which isn't a real surprise, but I think many thought another film would lead with three or more wins. The only other film to earn more than one award was Dallas Buyers Club at just two. That might give you a hint at what the big surprise was. More...

2014 Awards Season: Slave Hustles to the Top

December 14th, 2013

12 Years a Slave poster

Hollywood Foreign Press Association announced their Golden Globe nominations this week, and a clear picture is forming. 12 Years a Slave was again the recipient of the most nominations, but this time it was a tie, as it and American Hustle both grabbed seven nominations. If you look down the list of other multi-nominated films, you will find a number of familiar faces. More...

2014 Awards Season: SAG a Slave to Slave

December 14th, 2013

12 Years a Slave poster

SAG handed out nominations over the week, and like with the Independent Spirit Awards, 12 Years a Slave led the way and earned four nominations. It wasn't the only film that was singled out. More...

Per Theater Chart: Mandela Sprints to the Top

December 4th, 2013

Mandela: Long Walk to Freedom poster

Mandela Long Walk to Freedom earned first place on the per theater chart with an average of $21,071 in four theaters. However, its reviews are only good, not great, and it likely won't have great legs. Frozen and The Hunger Games: Catching Fire were neck and neck with averages of $18,009 and $17,819 respectively. More...

2014 - Awards Season: Slave Earns Independence

November 28th, 2013

12 Years a Slave poster

Independent Spirit Award started the Awards Season this week, handing out its nominations. 12 Years a Slave led the way with seven nominations, but it wasn't the only film to pick up multiple nominations. More...

Per Theater Chart: Everyone Takes a Trip to Nebraska

November 20th, 2013

Nebraska poster

Nebraska led the way on the per theater average with an average of $35,100 in four theaters. This is not as strong as Alexander Payne's previous release, especially if you take into account the difference in the theater count between the two films. The Great Beauty was next with $23,442 in its lone theater. The Best Man Holiday was the only wide release to crack the $10,000 club earning an average of $14,875 during its opening weekend. The Book Thief and The Christmas Candle were right behind with averages of $14,501 and $14,140 respectively. More...

(Updated) Weekend Projections: Thor Almost Bested By Best Man Holiday

November 17th, 2013

The Best Man Holiday

Although it's still the calm before the storm that will be Catching Fire next weekend, this weekend has a healthy look to it thanks to a stronger-than-expected debut for The Best Man Holiday, which will post about $30.5 million according to Universal's Sunday projection, more than three times the debut figure for the previous film in the franchise. That won't be enough to unseat Thor at the top of the chart though. The Marvel superhero will post about $38 million, down a reasonable 55% from its opening frame. Most other returning films are enjoying good holds too. More...

Per Theater Chart: Thief Steals Top Spot

November 12th, 2013

The Book Thief poster

The Book Thief was a surprise top spot with an average of $26,251 in four theaters. It was seen by some as a possible Awards Season contender, but its reviews suggest otherwise. Thor: The Dark World was first on the overall box office and second on the per theater chart with $22,322. Dallas Buyers Club fell from first to third on the per theater chart, but with a still strong average of $18,249 in 35 theaters. More...

Weekend Estimates: Thor Starts the Holidays with a Powerful Opening

November 10th, 2013

Thor: The Dark World poster

Thor: The Dark World gets the holiday season off to a start this weekend with a powerful display at the box office. Disney is pegging its opening weekend at $86.8 million, which will be a healthy 30% boost from the debut of the first film in the franchise and also one of the ten biggest weekends in November. It's the first film in the Avengers über-franchise to open outside of the May-July Summer season, but that certainly doesn't seemed to have harmed it at the box office, and it won't have much competition until Catching Fire opens in a couple of weeks' time. All said, it looks a virtual certainty to top the box office performance of the original. More...

Per Theater Chart: Buyers Market

November 7th, 2013

Dallas Buyers Club took top spot on the per theater chart with an average of $28,985 in nine theaters. Add in its reviews and this is a great start. 12 Years a Slave was finally pushed out of top spot, but it still has a very strong showing with an average of $11,688 in more than 400 theaters. More...

Per Theater Chart: Slave Showered with Riches

October 22nd, 2013

12 Years a Slave opened with a stellar average of $48,617 in 19 theaters. With a planned expansion, this is a great start. All is Lost was well back with an average of $15,597 in six theaters. This isn't a bad start and its reviews suggest long legs, but it might get overshadowed by 12 Years a Slave. The final film in the $10,000 club was Kill Your Darlings, which was right behind with an average of $14,750 in four theaters. More...

Weekend Estimates: Gravity Floats to Third Weekend Win

October 20th, 2013

Gravity will become the first film in 2013 to win three straight three-day weekends, according to studio estimates released on Sunday. With $31 million expected, the film is down just 28% from last weekend and has reached a formidable $170.5 million. That puts in in the top 10 for the year, with plenty more to come. Fellow Oscar-hopefuls 12 Years a Slave, All is Lost and Kill Your Darlins are the other films making waves this weekend (literally in one case). More...

Limited Releases: All is Not Lost for Limited Releases

October 18th, 2013

It is not a busy week when it comes to limited releases on this week's list, but at least we have a couple that are earning stellar reviews and could expand wide. All is Lost has the reviews to become a big hit and an Awards Season player, but it doesn't have the buzz. 12 Years a Slave has the buzz, as well as the reviews. While opening in limited release is always a risky maneuver, 12 Years a Slave has a better shot at opening in the top ten than it does of bombing outright. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2013/12/20 9 $4,142   8 $518   $11,733 1
2013/12/27 13 $3,454 -17% 8 $432   $19,394 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Czech Republic 12/12/2013 $9,721 27 27 27 $9,721 12/30/2018
France 12/11/2013 $653,383 199 199 199 $653,383 12/13/2015
Greece 11/7/2013 $0 0 13 24 $225,798 12/13/2015
Jordan 11/14/2013 $0 0 2 2 $14,321 12/30/2018
Lebanon 11/14/2013 $0 0 4 5 $33,037 12/30/2018
North America 10/18/2013 $93,583 6 483 2,438 $6,263,670 1/18/2017
Slovakia 12/12/2013 $5,207 20 20 20 $5,207 12/13/2015
Slovenia 12/19/2013 $4,142 8 8 16 $19,394 12/13/2015
Turkey 11/15/2013 $0 0 18 23 $131,841 12/30/2018
United Arab Emirates 11/14/2013 $0 0 1 1 $80,904 12/30/2018
United Kingdom 12/26/2013 $381,738 89 89 89 $381,738 12/13/2015
 
Rest of World $2,567,800
 
Worldwide Total$10,386,814 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Robert Redford    Our Man

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

J.C. Chandor    Director
J.C. Chandor    Screenwriter
Neal Dodson    Producer
Anna Gerb    Producer
Justin Nappi    Producer
Teddy Schwartzman    Producer
Cassian Elwes    Executive Producer
Laura Rister    Executive Producer
Glen Basner    Executive Producer
Joshua Blum    Executive Producer
Zachary Quinto    Executive Producer
Corey Moosa    Executive Producer
Howard Cowen    Executive Producer
Eric D'Arbeloff    Executive Producer
Kevin Turen    Executive Producer
Robert Ogden Barnun    Executive Producer
Frank G. DeMarco    Director of Photography
Peter Zuccarini    Underwater Director of Photography
John P. Goldsmith    Production Designer
Pete Beaudreau    Editor
Alex Ebert    Composer
Robert Munroe    Visual Effects Supervisor
Steve Boeddeker    Sound Editor
Richard Hymns    Sound Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.