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South Korea Box Office for Annabelle (2014)

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Annabelle poster
Theatrical Performance (US$)
South Korea Box Office $6,206,054Details
Worldwide Box Office $256,862,920Details
Home Market Performance
North America DVD Sales $6,342,129 Details
North America Blu-ray Sales $4,058,351 Details
Total North America Video Sales $10,400,480
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

John Gordon has found the perfect gift for both his pregnant wife Mia and their unborn child—Annabelle, a beautiful and rare vintage doll in a pure white wedding dress. Unfortunately, the family's delight with the doll is short-lived. On one horrific night, their home is invaded by members of a satanic cult, who violently attack John and Mia. Spilled blood and terror are not all they leave behind. The cultists have conjured an entity, which is so malevolent that nothing they did will compare to the sinister conduit to the damned that is now Annabelle.

Metrics

Movie Details

Production Budget:$6,500,000
South Korea Releases: August 13th, 2017 (Wide)
Video Release: January 20th, 2015 by Warner Home Video
MPAA Rating: R for intense sequences of disturbing violence and terror.
(Rating bulletin 2339, 9/10/2014)
Running Time: 98 minutes
Franchise: The Conjuring, Annabelle
Keywords: Cults, Demons, New Parents, Troubled Pregnancy or Miscarriage, Prequel, Living Toys, Supernatural
Source:Spin-Off
Genre:Horror
Production Method:Live Action
Creative Type:Fantasy
Production Companies: Atomic Monster, The Safran Company, RatPac Entertainment, Dune Entertainment
Production Countries: United States

Cast

Annabelle Wallis    Mia
Ward Horton    John
Alfre Woodard    Evelyn
Tony Amendola    Father Perez
Kerry O'Malley    Sharon Higgins
Brian Howe    Pete Higgins
Eric Ladin    Detective Clarkin
Ivar Brogger    Dr. Burgher
Geoff Wehner    Neighbor
Gabriel Bateman    Little Boy
Shiloh Nelson    Little Girl
Sasha Sheldon    Nurse
Camden Singer    Clerk
Robin Pearson Rose    Mother
Keira Daniels    Young Annabelle Higgins

Production and Technical Credits

Director    John R. Leonetti
Producer    Peter Safran
Producer    James Wan
Screenwriter    Gary Dauberman
Executive Producer    Richard Brener
Executive Producer    Walter Hamada
Executive Producer    Dave Neustradter
Executive Producer    Hans Ritter
Director of Photography    James Kniest
Production Designer    Bob Ziembicki
Editor    Tom Elkins
Composer    Joseph Bishara
Executive Producer    Steven Mnuchin
Costume Designer    Janet Ingram
Casting Director    Lauren Bass
Casting Director    Jordan Bass
Unit Production Manager    Jenny Hinkey
First Assistant Director    Milos Milicevic
Second Assistant Director    Ivan Kraljevic
Co-Producer    Jenny Hinkey
Co-Producer    Carey Hayes
Co-Producer    Chad Hayes
Special Make up Effects-Demon Design and Special Make-Up Effects    Gregory Nicotero
Art Director    Doug Cumming
Set Decorator    Kris Fuller
Post-Production Supervisor    J.M. Logan
Assistant Editor    Nikko Tsiotsias
Sound Designer    Joe Zuban
Re-recording Mixer    Joe Zuban
Re-recording Mixer    Jim Bolt
Sound Effects Editor    William R. Dean
Dialogue Editor    Justin Dzuban
Sound Editor-Assistant Sound Editor    Pernell L. Salinas
Foley Mixer    Ron Mellegers
Foley Mixer    Ryan Lukasik
Foley Mixer    Kevin Schultz
Music Editor    Julie Pearce
Music Editor    Skye Lewin
Score Recordist    Chris Spilfogel
Score Mixer    Chris Spilfogel
Script Supervisor    Sherie Giehtbrock
Costume Supervisor    Michele Dunn
Make up    Hedvig Kacser
Hairstylist    Richard De Alba
Hairstylist    Bryn Leetch
Special Effects Coordinator    Ron Trost
Special Effects    Jay Bartus
Additional Photography-Still Photographer    Gregory Smith
Additional Casting-Extras Casting    Vanessa Portillo Walsh
Visual Effects Supervisor    Art Codron
Visual Effects Producer    Tiffany A. Smith

International Box Office: Dunkirk Invades China with $30.27 million

September 7th, 2017

Dunkirk

Dunkirk returned to the international top five for the first time in nearly a month with $36.5 million in 60 markets for totals of $280.0 million international and $459.0 million worldwide. Nearly all of this came from its first place opening in China, where it pulled in $29.80 million over the weekend for a four-day opening of $30.27 million. The film also opened in Italy, but had to settle for second place with $3.6 million on 606 screens. Dunkirk wraps up its international run in Japan this weekend and will finish with north of $500 million worldwide. Unless it cost an obscene amount to advertise, this will be enough to ensure profitability by its initial push into the home market. More...

Home Market Numbers: Blu-ray and DVD Headed in Different Directions

February 9th, 2015

New releases helped the overall Blu-ray sales grow this past weekend. Lucy, The Boxtrolls, and Annabelle were the big trio and they helped the overall Blu-ray numbers grow to 1.11 million units / $23.82 million. This was week-to-week growth of 40% in terms units and 41% in terms of revenue, which is excellent for one weeks growth. Compared to last year, Blu-ray sold 41% more units and generated 35% more revenue. This helped the overall Blu-ray share grow to 44%. More...

DVD Sales: New Releases all but Gone

February 9th, 2015

New releases scored four of the top five spots on the DVD sales chart this week. This includes Lucy, which opened with 367,000 units / $5.39 million. More...

Blu-ray Sales: Lucy has Diamond Debut on Blu

February 9th, 2015

New releases dominated the Blu-ray Sales Chart earning the top three spots. This includes Lucy, which opened in first place with 425,000 units / $8.71 million for an opening week Blu-ray share of 54%. Action films tend to do really well on Blu-ray, so this result isn't too much of a surprise. More...

DVD and Blu-ray Releases for January 20th, 2015

January 21st, 2015

It is another very shallow week on the home market with only a few releases that are really worth considering. The biggest release is Lucy, which is absolutely worth picking up the Blu-ray Combo Pack, assuming you are willing to ignore the bad science. Likewise, The Boxtrolls the second biggest hit and the 3D Blu-ray Combo Pack is worth picking up, if you like stop-motion animation. As for Pick of the Week Contenders, there are a trio of such films: Coherence on DVD, The Drop on DVD or Blu-ray, and The Mule on DVD or Blu-ray. In the end it was a coin toss and Coherence won. More...

Weekend Wrap-Up: Fury et al are a Little Calmer than Expected

October 21st, 2014

Fury poster

The weekend box office was a little softer than expected, with Fury earning first place, but with much less than some were expecting. I was a little more conservative and I was still off by close to $10 million. The rest of the top five, on the whole, were also not quite as strong as expected, so the overall box office fell 11% from last weekend. However, it was 26% higher than the same weekend last year, which is the much more important figure. 2014 is still behind 2013 by more than $300 million, or 3.6%, at $8.05 billion to $8.36 billion, but if we can close the gap a little bit each week, we can at least make it a respectable race in the end. More...

Weekend Wrap-Up: Untold Nearly Undoes the Competition, But Gone Remains

October 14th, 2014

Gone Girl poster

There were four new releases in the top ten, plus another that just missed that mark. Despite the competition, Gone Girl remained in first place and it earned a little more than expected. The biggest surprise was Dracula Untold, which earned first place on Friday and nearly took first place over the weekend. Alexander and the Terrible, Horrible, No Good, Very Bad Day grabbed third place, while there were other reasons to celebrate lower on the chart as well. Overall, the box office was on par with last weekend at $147 million. It was technically higher, but by 0.2%. Compared to last year, the box office was 26% higher, which was much better than anticipated. 2014 is still well behind 2013 by more than $300 million at $7.87 billion to $8.18 million, but every little bit helps. At this point, we are more concerned about limiting the losses than we are worried about completing the comeback. More...

Friday Estimates: Dracula Wins Friday, Gone Girl Will Win Weekend

October 11th, 2014

Dracula Untold poster

Dracula Untold enjoyed a better-than-expected opening day, and will top the chart for Friday. Saturday morning reports have it doing $8.9 million, well ahead of Gone Girl, which will land on $8.15 million. Dracula looks set for a weekend between $20 million and $25 million, which won’t be enough for an overall win. Gone Girl should end up between $25 million and $27 million for the weekend, down just 30% from its opening frame, and will be close to $80 million by Monday morning. More...

Weekend Predictions: Are the New Releases Terrible, Horrible, No Good, and Very Bad?

October 9th, 2014

Alexander and the Terrible, Horrible, No Good, Very Bad Day poster

This weekend there are four new wide releases; however, none of them are expected to be big hits. In fact, Gone Girl is widely expected to repeat in first place, while Annabelle might have a shot at second place. Three of the new releases will likely finish in the midteens with Alexander and the Terrible, Horrible, No Good, Very Bad Day currently on track to become the best of the bad bunch of new films. The Judge has taken a huge tumble as far as analysts are concerned. Dracula Untold is in the mix and might earn second place, but it might also earn fifth. Regardless, it won't do well enough for a film that cost $100 million to make. Then there's Addicted, a movie whose buzz is so quiet I forgot it was opening this week. This weekend last year, Gravity again led the way with $43.19 million, while Captain Phillips opened in second place with $25.72 million. There's no chance any film will match Gravity. In fact, the top film this week will very likely be behind Captain Phillips. On the other hand, last year only one other film earned more than $4 million, so the depth was terrible. I think the depth this week should be enough to eke out a win. More...

Per Theater Chart: Wide Releases are Keepin' On

October 7th, 2014

Keep On Keepin' On poster

Keep On Keepin' On had the best weekend of its run earning an average of $13,291 in two theaters. Gone Girl earned an average of $12,446 in just over 3,000 theaters. Annabelle was very close behind with an average of $11,659 in close to 3,200 theaters. More...

Weekend Wrap-Up: Gone Girl Arrives and Annabelle Scares the Competition

October 7th, 2014

Gone Girl poster

As expected, Gone Girl won the race for top spot on the box office chart this weekend. However, while it earned more than expected, Annabelle still managed to make it a really close race. These two films, as well as the rest of the top five, all beat predictions and this lead to the overall box office growing 38% to $147 million. More impressively, this was 16% better than the same weekend last year. I was not expected 2014 to come out ahead on the year-over-year comparison, which makes this win so much more spectacular. Year-to-date, 2014 is still behind 2013 by a substantial margin of $370 million or 4.6% at $8.05 billion to $7.68 billion. More...

Weekend Predictions: Are the Box Office Chances Going, Going, Gone?

October 2nd, 2014

Gone Girl poster

The first weekend in October promises to be better than the average weekend in September was, but then again, it would practically have to. Gone Girl is aiming for first place and most analysts think it will get there. On the other, Annabelle has an outside shot at top spot over the weekend. That seems unlikely, but thanks to its genre, it has a better shot at earning first place on Friday's daily chart. The final wide release of the week is Left Behind, which as it turns out isn't opening truly wide. The buzz is so bad that some expect the film to open below the Mendoza Line. This weekend last year, Gravity opened in first place with $55.79 million. No film is going to open with that much money. In fact, all three wide releases combined might not make that much. 2014 is going to lose in the year-over-year comparison, but frankly we should all be used to that by now. More...

Contest: Get These Prizes Before They are Gone

September 25th, 2014

October finally begins next week and Gone Girl should have no trouble leading the way at the box office. (Annabelle should be a midlevel hit, while Left Behind will be left behind at the box office.) Since Gone Girl could open with more than the other two films combined, it is the clear choice for the target film for this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Gone Girl.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Decoding Annie Parker on DVD. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Decoding Annie Parker on DVD. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/08/11 - $298   1 $298   $6,206,054 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 10/3/2014 $1,655,583 166 170 878 $5,145,312 10/11/2017
North America 10/3/2014 $37,134,255 3185 3215 15066 $84,273,813 6/4/2016
South Korea 8/13/2017 $298 1 1 1 $6,206,054 8/18/2017
 
Rest of World $161,237,741
 
Worldwide Total$256,862,920 10/11/2017

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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