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Spain Box Office for La Seducción (2017)

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The Beguiled
Theatrical Performance (US$)
Spain Box Office $2,288,691Details
Worldwide Box Office $27,789,674Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

During the Civil War, the sheltered young women at a Southern girls’ boarding school take in an injured enemy soldier. As they provide refuge and tend to his wounds, the house is taken over with sexual tension and dangerous rivalries, and taboos are broken in an unexpected turn of events.

Metrics

Movie Details

Spain Releases: August 18th, 2017 (Wide), released as La Seducción
Video Release: September 26th, 2017 by Focus Features
MPAA Rating: R for some sexuality.
(Rating bulletin 2475 (Cert #51006), 5/10/2017)
Running Time: 94 minutes
Keywords: The Civil War, Faked Romance, Love Triangle, Boarding School, Trapped, Revenge, Remake
Source:Remake
Genre:Western
Production Method:Live Action
Creative Type:Historical Fiction
Production Companies: Focus Features, American Zoetrope
Production Countries: United States

Cast

Colin Farrell    John McBurney
Nicole Kidman    Martha Farnsworth
Kirsten Dunst    Edwina Dabney
Elle Fanning    Alicia
Oona Laurence    Amy
Angourie Rice    Jane
Emma Howard    Emily
Addison Riecke    Marie
Wayne Pére    Captain
Matt Story    Confederate Soldier

Production and Technical Credits

Director    Sofia Coppola
Screenwriter    Sofia Coppola
Producer    Youree Henley
Producer    Sofia Coppola
Executive Producer    Fred Roos
Executive Producer    Anne Ross
Executive Producer    Roman Coppola
Executive Producer    Robert Ortiz
Director of Photography    Philippe Le Sourd
Production Designer    Anne Ross
Editor    Sarah Flack
Costume Designer    Stacey Battat
Composer    Thomas Mars
Composer    Deck d’Arcy
Composer    Laurent Brancowitz
Composer    Christian Mazzalai

Home Market Releases for October 10th, 2017

October 10th, 2017

Maudie

It’s a good week for the home market with top notch releases in nearly every category. Baby Driver is the biggest first run release of the week and one of the best releases. The Lure is a foreign-language film and one of two Criterion Collection releases in competition for Pick of the Week. Maudie is a Canadian limited release that did surprisingly well in theaters. Finally there’s Othello, which first came out more than 60 years ago. The only thing we are missing is a TV on DVD title. As for the winner, I’m giving Pick of the Week to, Othello, while Maudie wins Puck of the Week for Best Canadian Release. More...

Home Market Releases for September 26th, 2017

September 27th, 2017

HYOUKA: Part Two

Transformers: The Last Knight is the biggest release of the week and it has scared away a lot of the competition, but it’s garbage and should be avoided. There are no big releases that are pick of the week contenders, but some smaller ones fit the bill, including David Lynch: The Art Life: The Criterion Collection, HYOUKA: Part Two, and Shameless: The Complete Seventh Season. All are amazing and worth checking out, but none have many extras, so it is up to the role of the dice to determine the Pick of the Week. ... And it’s HYOUKA. More...

Theater Averages: Ingrid Westward Trip nets $45,100

August 16th, 2017

Ingrid Goes West

Ingrid Goes West opened in first place on the theater average chart with an average of $45,100 in three theaters. This is the third best average of the year behind The Big Sick (average of $84,315 in five) and The Beguiled ($57,323 in four). A24 had another success with Good Time earning an average of $31,275 in four theaters. The Trip to Spain opened with an average of $15,102 in three theaters, which is in the middle of the franchise average so far. Finally there’s Wind River, which was the only holdover in the $10,000 club. It managed an average of $13,615 in 45 theaters and already has nearly $1 million in limited release. More...

Theater Averages: River Runs Away with $40,390

August 9th, 2017

Wind River

The Weinstein Co. is breathing a huge sign of relief as Wind River had the best theater average of the weekend with $40,390 in four theaters. This is the fourth best average of the year behind The Big Sick (average of $84,315 in five); The Beguiled ($57,323 in four); and Beauty and the Beast ($41,508 in just over 4,200). Wolf Warriors 2 saw its theater average grow to $15,843. The final film in the $10,000 club was Columbus, which earned an average of $13,410 in two theaters. More...

Theater Averages: Dunkirk Lands On Top with $13,579

July 26th, 2017

Dunkirk

The number one film on the overall weekend box office chart, Dunkirk, was also the number one film on the theater average chart earning an average of $13,579. The best limited release was Landline with an average of $13,139 in four theaters. Its reviews suggest it won’t maintain that average as it tries to expand. The final film in the $10,000 club was Girls Trip, which earned an average of $12,042. The film could have earned half that and it still would have been an okay opening for its production budget. More...

Theater Averages: Apes Overtake MacBeth $13,989 to $12,907

July 18th, 2017

War for the Planet of the Apes

War for the Planet of the Apes earned first place on the weekend box office chart and the theater average chart with $13,989. The only other new release to come close to that was Lady Macbeth with an average of $12,907 in five theaters. Last week’s winner, Spider-Man: Homecoming, slipped to third place this weekend with an average of $10,167. It is still quite rare for a wide release to stay in the $10,000 club two weeks in a row, so this is a reason to celebrate. More...

Theater Averages: Spider-Man has Storybook $26,915 Opening

July 11th, 2017

Spider-Man: Homecoming

There was a really close race on the theater chart this week with Spider-Man: Homecoming topping A Ghost Story $26,915 to $26,008. The only other film to top $10,000 was The Big Sick, which earned an average of $10,971 in 326 theaters. More...

Theater Averages: Little Hours has Large $30,780 Opening

July 6th, 2017

The Little Hours

The Little Hours led the way on the theater average chart with an average of $30,780 in two theaters. This is Gunpowder and Sky’s first release, which makes its first place finish even more impressive. Last week’s winner, The Big Sick, held on well in second place with an average of $23,267 in 71 theaters. The only other film in the $10,000 club was the overall first place film, Despicable Me 3, which earned an average of $15,993. More...

Weekend Estimates: Despicable Me’s Solid $75 Million Starts July 4 Holiday Week

July 2nd, 2017

Despicable Me 3

With July 4 falling on a Tuesday this year, this is less a holiday weekend, and more the beginning of a holiday week, and it’s bookended by new releases from two of the industry’s most reliable franchises. Despicable Me 3 starts off festivities this weekend with a solid-but-unspectacular $75.4 million from a record-setting 4,529 theaters. Breaking The Twilight Saga: Eclipse’s record for widest opening weekend of all time is no small feat for Universal, but it’s an ominous sign for the franchise that the only film to open in close to this number of theaters and pull in similar numbers at the box office was Shrek Forever After, which opened with $70.8 million in 4,359 theaters back in 2010. That was the last Shrek movie, and this might be a good time for Gru to call it a day. More...

Theater Averages: Big Sick has a Very Healthy $84,315 Opening

June 28th, 2017

The Big Sick

Two limited releases that came out this past weekend topped the previous theater average record for 2017. The Big Sick earned an average of $84,315 in five theaters, which bodes well for its planned wide expansion in a couple of weeks. The Beguiled was next with an average of $57,323 in four theaters. Both of these are well ahead of the $41,508 average Beauty and the Beast earned during its opening weekend. The only other film in the $10,000 club was the overall number one film, Transformers: The Last Knight, which earned an average of $10,981. More...

Weekend Estimates: Will International Earnings Be Enough to Save Last Knight?

June 25th, 2017

Transformers: The Last Knight

A tepid $45.3 million Friday-to-Sunday domestic weekend for Transformers: The Last Knight is pretty much unmitigated bad news for Paramount Pictures. The studio is in desperate need of a hit, and the Transformers franchise is by far their biggest property. Even including the film’s grosses from Wednesday and Thursday, its $69 million debut is barely in the top ten for the year so far, and poor reviews and a B+ CinemaScore mean that it won’t have significant legs, even with a bit of help from the upcoming July 4 weekend. So all eyes are going to be on its overseas performance. More...

Friday Estimates: Dawn of a New Day for Last Knight

June 24th, 2017

Transformers: The Last Knight

Transformers: The Last Knight suffered a 48% plummet on Thursday to earn just $8.14 million; however, it bounced back on Friday with $13.69 million. If we again compare this to Dark of the Moon, which is the last film in the franchise to open on a Wednesday, we get mixed messages. The Last Knight fell faster on Thursday (48% to 43%) but bounced back more on Friday (68% to 53%). If we assume The Last Knight will continue to outperform Dark of the Moon over the rest of the weekend, then it will earn about $42 million over the three-day weekend and $66 million over five. This is the worst opening in the franchise by a wide margin, but there is good news for Paramount, as the film earned $41.46 million during its first day in China, and $47.55 million if you include previews. The international numbers will save this film and justify more sequels. More...

Limited and VOD Releases: Sick and Tired

June 23rd, 2017

The Big Sick

Not many limited releases are earning any real buzz this week. The Beguiled has the best pedigree and its reviews might be good enough to help it thrive in theaters. The Bad Batch is the biggest in terms of theaters, but its box office potential is close to zero. This leaves The Big Sick as the best new release. That said, if you are not near one of the five theaters it is playing, you could always stay home and binge GLOW on Netflix. I reviewed it this week and it is worth the praise. More...

The Beguiled Trailer

June 8th, 2017

Historical thriller starring Colin Farrell, Nicole Kidman, Kirsten Dunst, and Elle Fanning, directed by Sofia Coppola opens June 23 ... Full Movie Details. More...

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/08/18 5 $544,077   194 $2,805   $544,077 1
2017/08/25 8 $319,744 -41% 194 $1,648   $1,309,310 2
2017/09/01 9 $206,605 -35% 243 $850   $1,806,439 3
2017/09/08 11 $130,254 -37% 201 $648   $2,081,687 4
2017/09/15 18 $81,271 -38% 145 $560   $2,218,151 5
2017/09/22 22 $28,207 -65% 68 $415   $2,284,016 6
2017/09/29 - $10,216 -64% 37 $276   $2,285,739 7
2017/10/06 - $1,404 -86% 5 $281   $2,288,691 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/26/2017 $84,990 50 50 106 $137,809 11/30/2017
Australia 7/7/2017 $21,582 26 70 534 $1,077,968 10/23/2017
Austria 6/29/2017 $44,000 25 30 142 $138,722 9/21/2017
Belgium 9/20/2017 $56,931 21 22 145 $173,575 11/16/2017
Bolivia 9/28/2017 $36 2 2 5 $9,334 10/23/2017
Brazil 8/11/2017 $183,459 62 72 263 $569,560 11/30/2017
Central America 10/5/2017 $330 1 1 7 $12,877 11/30/2017
Chile 9/7/2017 $30,652 11 14 33 $78,736 10/17/2017
Colombia 10/19/2017 $17,485 16 16 33 $39,541 12/7/2017
Czech Republic 7/21/2017 $1,660 3 78 178 $98,963 8/23/2017
Denmark 10/5/2017 $500 1 1 4 $11,294 11/2/2017
Dominican Republic 10/5/2017 $0 0 1 3 $4,130 11/30/2017
Ecuador 9/29/2017 $14,179 23 23 64 $36,958 10/26/2017
Finland 9/1/2017 $46,643 56 56 145 $170,910 10/26/2017
France 8/25/2017 $1,026,964 252 391 1517 $2,736,428 10/23/2017
Germany 6/29/2017 $307,000 116 119 757 $951,723 12/7/2017
Greece 7/7/2017 $135,000 47 49 131 $346,909 8/10/2017
Hong Kong 9/14/2017 $40,434 6 6 14 $78,468 10/17/2017
Hungary 9/8/2017 $47,488 33 42 120 $138,173 11/9/2017
Israel 9/8/2017 $26,000 11 11 38 $72,057 11/16/2017
Italy 9/22/2017 $1,056,572 0 48 119 $2,435,298 11/9/2017
Latvia 9/15/2017 $0 0 3 6 $22,028 10/23/2017
Lithuania 7/14/2017 $12,942 78 78 139 $42,271 8/22/2017
Mexico 9/8/2017 $142,212 65 65 298 $434,002 12/15/2017
Netherlands 9/8/2017 $110,254 32 33 221 $435,233 12/15/2017
New Zealand 8/18/2017 $0 0 11 56 $119,545 11/16/2017
North America 6/23/2017 $229,292 4 941 2909 $10,576,669
Norway 9/8/2017 $53,580 34 34 76 $153,946 10/23/2017
Paraguay 9/21/2017 $0 0 2 2 $3,761 10/17/2017
Peru 9/28/2017 $31,911 15 15 21 $71,276 11/2/2017
Philippines 9/6/2017 $8,537 4 4 5 $14,497 9/21/2017
Poland 9/1/2017 $163,792 114 115 416 $452,921 11/30/2017
Russia (CIS) 7/28/2017 $349,405 419 419 1063 $779,260 10/18/2017
Singapore 9/7/2017 $21,146 11 11 28 $43,983 10/26/2017
Slovakia 7/14/2017 $13,034 31 31 51 $26,087 8/3/2017
South Korea 8/11/2017 $0 0 395 446 $365,937 10/23/2017
Spain 8/18/2017 $544,077 194 243 1087 $2,288,691 10/18/2017
Sweden 9/1/2017 $78,250 73 73 230 $324,676 11/9/2017
Switzerland 6/29/2017 $0 0 18 108 $307,606 10/23/2017
Switzerland (German Speaking) 6/29/2017 $67,000 24 24 47 $107,000 7/11/2017
Taiwan 7/28/2017 $42,379 36 36 75 $94,538 8/17/2017
Thailand 8/24/2017 $25,878 15 15 34 $60,637 9/21/2017
United Kingdom 7/14/2017 $542,668 250 250 648 $1,519,498 9/14/2017
 
Rest of World $226,179
 
Worldwide Total$27,789,674 12/15/2017

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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