The Best of Enemies (2019)

The Best of Enemies
Theatrical Performance
Domestic Box Office $10,205,616Details
International Box Office $63,133Details
Worldwide Box Office $10,268,749
Further financial details...

Synopsis

The film centers on the unlikely relationship between Ann Atwater, an outspoken civil rights activist, and C.P. Ellis, a local Ku Klux Klan leader who reluctantly co-chaired a community summit, battling over the desegregation of schools in Durham, North Carolina during the racially-charged summer of 1971. The incredible events that unfolded would change Durham and the lives of Atwater and Ellis forever.

Metrics

Opening Weekend:$4,446,190 (43.6% of total gross)
Legs:2.30 (domestic box office/biggest weekend)
Domestic Share:99.4% (domestic box office/worldwide)
Production Budget:$10,000,000 (worldwide box office is 1.0 times production budget)
Theater counts:1,705 opening theaters/1,705 max. theaters, 2.8 weeks average run per theater
Infl. Adj. Dom. BO $12,010,537

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 5,301-5,400) 5,319 $10,205,616
All Time International Box Office (Rank 19,001-19,100) 19,018 $63,133
All Time Worldwide Box Office (Rank 7,501-7,600) 7,531 $10,268,749

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Netflix:Netflix, Netflix

Movie Details

Domestic Releases: April 5th, 2019 (Wide) by STX Entertainment
International Releases: June 20th, 2019 (Wide) (Malaysia)
July 26th, 2019 (Wide), released as The Best Of Enemies (Australia)
July 26th, 2019 (Wide) (South Africa)
Video Release: June 18th, 2019 by STX Entertainment
MPAA Rating: PG-13 for thematic material, racial epithets, some violence and a suggestive reference.
(Rating bulletin 2517 (Cert #51332), 3/7/2018)
Running Time: 133 minutes
Comparisons: vs. The Birth of a Nation
Create your own comparison chart…
Keywords: Ku Klux Klan, 1970s, Set in North Carolina, Race Relations, Elementary School, Historical Drama
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Astute Films, STX Films, Rambler Entertainment, Material Pictures
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 5, 2019 6 $4,446,190   1,705 $2,608   $4,446,190 1
Apr 12, 2019 10 $2,014,126 -55% 1,705 $1,181   $8,115,696 2
Apr 19, 2019 16 $595,987 -70% 1,002 $595   $9,585,764 3
Apr 26, 2019 24 $125,232 -79% 227 $552   $10,008,688 4
May 3, 2019 37 $50,342 -60% 134 $376   $10,128,316 5
May 10, 2019 40 $36,613 -27% 81 $452   $10,191,545 6

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Apr 4, 2019 P $265,000     1,440 $184   $265,000  
Apr 5, 2019 6 $1,627,520     1,705 $955   $1,627,520 1
Apr 6, 2019 6 $1,697,043 +4%   1,705 $995   $3,324,563 2
Apr 7, 2019 6 $1,121,627 -34%   1,705 $658   $4,446,190 3
Apr 8, 2019 7 $330,254 -71%   1,705 $194   $4,776,444 4
Apr 9, 2019 6 $713,865 +116%   1,705 $419   $5,490,309 5
Apr 10, 2019 7 $329,684 -54%   1,705 $193   $5,819,993 6
Apr 11, 2019 7 $281,577 -15%   1,705 $165   $6,101,570 7
Apr 12, 2019 10 $606,260 +115% -63% 1,705 $356   $6,707,830 8
Apr 13, 2019 10 $877,898 +45% -48% 1,705 $515   $7,585,728 9
Apr 14, 2019 11 $529,968 -40% -53% 1,705 $311   $8,115,696 10
Apr 15, 2019 11 $199,681 -62% -40% 1,705 $117   $8,315,377 11
Apr 16, 2019 10 $370,794 +86% -48% 1,705 $217   $8,686,171 12
Apr 17, 2019 13 $152,913 -59% -54% 1,705 $90   $8,839,084 13
Apr 18, 2019 13 $150,693 -1% -46% 1,705 $88   $8,989,777 14
Apr 19, 2019 - $193,672 +29% -68% 1,002 $193   $9,183,449 15
Apr 20, 2019 15 $246,768 +27% -72% 1,002 $246   $9,430,217 16
Apr 21, 2019 - $155,547 -37% -71% 1,002 $155   $9,585,764 17
Apr 22, 2019 - $70,794 -54% -65% 1,002 $71   $9,656,558 18
Apr 23, 2019 15 $113,862 +61% -69% 1,002 $114   $9,770,420 19
Apr 24, 2019 - $64,716 -43% -58% 1,002 $65   $9,835,136 20
Apr 25, 2019 - $48,320 -25% -68% 1,002 $48   $9,883,456 21
Apr 26, 2019 - $36,559 -24% -81% 227 $161   $9,920,015 22
Apr 27, 2019 - $52,907 +45% -79% 227 $233   $9,972,922 23
Apr 28, 2019 - $35,766 -32% -77% 227 $158   $10,008,688 24
Apr 29, 2019 - $15,790 -56% -78% 227 $70   $10,024,478 25
Apr 30, 2019 - $22,508 +43% -80% 227 $99   $10,046,986 26
May 1, 2019 - $17,183 -24% -73% 227 $76   $10,064,169 27
May 2, 2019 - $13,805 -20% -71% 227 $61   $10,077,974 28
May 3, 2019 - $13,927 +1% -62% 134 $104   $10,091,901 29
May 4, 2019 - $21,954 +58% -59% 134 $164   $10,113,855 30
May 5, 2019 - $14,461 -34% -60% 134 $108   $10,128,316 31
May 6, 2019 - $5,824 -60% -63% 134 $43   $10,134,140 32
May 7, 2019 - $8,711 +50% -61% 134 $65   $10,142,851 33
May 8, 2019 - $6,398 -27% -63% 134 $48   $10,149,249 34
May 9, 2019 - $5,683 -11% -59% 134 $42   $10,154,932 35
May 10, 2019 - $10,836 +91% -22% 81 $134   $10,165,768 36
May 11, 2019 - $13,939 +29% -37% 81 $172   $10,179,707 37
May 12, 2019 - $11,838 -15% -18% 81 $146   $10,191,545 38
May 13, 2019 - $3,676 -69% -37% 81 $45   $10,195,221 39
May 14, 2019 - $3,744 +2% -57% 81 $46   $10,198,965 40
May 15, 2019 - $3,370 -10% -47% 81 $42   $10,202,335 41
May 16, 2019 - $3,281 -3% -42% 81 $41   $10,205,616 42

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 5, 2019 6 $6,101,570   1,705 $3,579   $6,101,570 1
Apr 12, 2019 11 $2,888,207 -53% 1,705 $1,694   $8,989,777 2
Apr 19, 2019 16 $893,679 -69% 1,002 $892   $9,883,456 3
Apr 26, 2019 23 $194,518 -78% 227 $857   $10,077,974 4
May 3, 2019 35 $76,958 -60% 134 $574   $10,154,932 5
May 10, 2019 42 $50,684 -34% 81 $626   $10,205,616 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 7/26/2019 $1,762 3 3 3 $1,762 7/30/2019
Malaysia 6/20/2019 $1,694 5 5 14 $4,197 7/10/2019
South Africa 7/26/2019 $0 0 5 12 $9,039 9/11/2019
 
Rest of World $48,135
 
International Total$63,133 9/11/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Taraji P. Henson    Ann Atwater
Sam Rockwell    Claiborne Paul Ellis

Supporting Cast

Babou Ceesay    Bill Riddick
Anne Heche    Mary Ellis
Wes Bentley    Floyd Kelly
Nick Searcy    Garland Keith
Bruce McGill    Carvie Oldham
John Gallagher, Jr.    Lee Trombley
Nicholas Logan    Wiley Yates
Gilbert Glenn Brown    Howard Clement
Caitlin Mehner    Maddy Mays
Dolan Wilson    Councilman Bill Atkins
Morgan Mackey    Young Mother
Jennifer Sears    Protest Staffer
Wes McGee    Cyrus (Uniformed Patrolman)
Kendall Ryan Sanders*    Ben Butler
Chris Cavalier    Leonard
Malerie Grady    Singing White Woman
Ryan Dinning    Jeb
Najah Jackson    Operation Breakthrough Staffer
Bethany Dezelle    Court Clerk
David Plunkett    Mr. Paulsen
Al Hamacher    Charles Steele
McKenzie Applegate    Vickie Ellis
Brody Rose    Timmy Ellis
Carson Holmes    Kenneth Ellis
Nadej Bailey    Marilynn Atwater
Kevin Ianucci    Larry Ellis
Susan Williams    Nurse Caitlin
Lucius Baston    Teacher
Jeanette Branch    Principal
Jessica Miesel    Doreen (Waitress)
Rachel Bagley    Local Reporter
Charles Orr    NAACP Lawyer
Tim Ware    Judge Leslie Hallford
Jill Jane Clements    Secretary
Ned Vaughn    Wilbur Hobby
Dawntavia Bullard    Delores Riddick
Sope Aluko    Henrietta Kaye
Coley Campany    Charrette Volunteer #1
Elisabeth Omilami    Marion Wilson
Arin Logan    Peggy
Kameron Neal Kierce    Miles
Charles Black    Reverend Joseph
Aaron Smalls    Archie Cox
Hope Leigh    Charrette Volunteer #2
Bart Hansard    Horace Bray
Jeremy Daniel Madden*    Bone Ewell
Morgan Brown    Sam Waterford
Bob Harvey    Earl Weeks
Cranston Johnson    Emmett
Afemo Omilami    Franklin Mose
Jack Montague    Alvin
Chante Bowser    Nurse Bernadette
Rhoda Griffis    Nurse Whitney
Wilbur T. Fitzgerald    Fire Safety Inspector
Shane Jackson    Robert Jones
Lindsey N. Moser    Cashier
Chanel Young    Charrette Secretary
Michael Hyland Cole    Gas Company Man
Shane Bissell    Youth Corps Member

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Robin Bissell    Director
Robin Bissell    Screenwriter
Osha Gray Davidson    Story inspired by true events chronicled in “The Best of Enemies: Race and Redemption in the New South” by
Tobey Maguire    Producer
Danny Strong    Producer
Matt Berenson    Producer
Fred Bernstein    Producer
Dominique Telson    Producer
Matthew Plouffe    Producer
Robin Bissell    Producer
Rick Jackson    Executive Producer
Jeremiah Samuels    Executive Producer
David Lanzenberg    Director of Photography
Jeannine Oppewall    Production Designer
Harry Yoon    Editor
J.R. Hawbaker    Costume Designer
Marcelo Zarvos    Composer
Lon Bender    Sound Designer
Lon Bender    Sound Supervisor
Harrison Powell    Co-Producer
Ian Calip    Co-Producer
Debra Zane    Casting Director
Shayna Markowitz    Casting Director
Jeremiah Samuels    Unit Production Manager
Paul O. Davis    Unit Production Manager
Ian Calip    First Assistant Director
Kristina Peterson    Second Assistant Director
Mark Garner    Art Director
Jennifer Gentile    Set Decorator
Pam Foco    Set Designer
Steve C. Aaron    Sound Mixer
Tom MacDonald    Costume Supervisor
Monique Younger    Costume Supervisor
Douglas Noe    Make up
Yolanda Sheridan    Make up
Andrea C. Brotherton    Hairstylist
Talya R. Melvey    Hairstylist
Katherine Steets    Script Supervisor
Emily Elaine Chiu*    First Assistant Editor
Dave Fletcher*    Special Effects Coordinator
Norm Bielowicz    Location Manager
Christophe Lanzenberg    Second Unit Camera
John Portnoy    Post-Production Supervisor
Renee Minasian    Post-Production Supervisor
Glynna Grimala    Supervising Dialogue/ADR Editor
Russell Gorski    Sound Effects Editor
Michael Head    Foley Editor
Geordy Sincavage    Foley Mixer
Lon Bender    Re-recording Mixer
Patrick Cyccone    Re-recording Mixer
Katherine Soares    Visual Effects Producer
Marcelo Zarvos    Score Producer
Derek Somaru    Music Editor
Cal Johnson    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for July 2nd, 2019

July 3rd, 2019

JoJo’s Bizarre Adventure: Set 4, Part 1

It’s Anime week on the Home Market Release Report with more than half a dozen titles on the main list, as well as a few more in the secondary Blu-ray list. In fact, the only real contender for Pick of the Week is an Anime title, JoJo’s Bizarre Adventure: Set 4, Part 1, but it is not the only Anime title worth owning, as Cardcaptor Sakura: Clear Card - Part Two, Mobile Suit Gundam The Origin, and Steins;Gate 0 Part One and Part Two are also worth picking up. If you want something live action, then go with We Have Always Lived in the Castle. More...

Home Market Releases for June 18th, 2019

June 19th, 2019

Us

It is a shallow week with a lot of films on the main list that would be secondary Blu-ray releases on a normal week. There are only two contenders for Pick of the Week: Us and Killing Eve: Season Two. The Us Blu-ray screener hasn’t arrived yet, but it is still Pick of the Week, even with an unknown quality of extras. More...

Weekend Wrap-Up: Shazam Shocks the New Releases

April 16th, 2019

Shazam

Shazam easily topped the weekend box office chart with $24.45 million. This is significantly more than the best new release of the week, Little, which managed $15.41 million during its opening weekend. That film will break even sometime during its home market run. The same can’t be said of Hellboy, After, and Missing Link, all of which will lose money. This caused the overall box office to fall 24% from last weekend to just $110 million. This is also 25% lower than this weekend last year. Year-to-date, 2019 has fallen further behind 2018 and it now behind with $550 million or 17% at $2.68 billion to $3.23 billion. Avengers: Endgame will have to be unreasonably big at the box office for 2019 to turn things around any time soon. More...

Weekend Wrap-Up: Shazam Can’t Keep 2019’s Streak Going

April 9th, 2019

Shazam

Shazam topped expectations over the weekend, albeit by a small margin. However, it was the only new release to do this and the overall box office wasn’t particularly strong as a result. It did rise 6.2% from last weekend reaching $146 million. However, it wasn’t able to keep 2019’s winning streak alive in the year-over-year comparison, as this was 11% lower than the same weekend last year. 2018 extended its lead over 2019 and now has an advantage of $500 million at $3.03 billion to $2.53 billion. If you are looking for good news, then the percent difference actually closed by a fraction of one percent. To call that good news is stretching. More...

Weekend Estimates: Shazam Flies to First Place with over $50 million

April 7th, 2019

Shazam

Shazam is easily topping the weekend box office chart with an estimated $53.45 million for a total of $56.78 million, including its previous special engagement. This is marginally better than our prediction, but not as strong as I thought it would be after its surprising previews. The film should have strong legs with its amazing reviews, its A from CinemaScore, and its family-friendly target audience. On the other hand, Avengers: Endgame is on its way, and that film could practically end Shazam’s run at the box office. Internationally, Shazam is opening with an estimated $102 million in 79 markets. This includes $30.9 million in China, as well as $6.2 million in Mexico. On the other hand, it only managed $5.3 million in the U.K., which is far less impressive than its debut here. More...

Friday Estimates: Shazam’s Shockingly Strong Start

April 6th, 2019

Shazam

Shazam was able to take full advantage of its impressive previews, and its $20.5 million Friday debut should be enough to carry it above our initial prediction. Its reviews remain above 90% positive and it earned an A from CinemaScore. Furthermore, its a hit with families, so that should also help its legs over the rest of the weekend and beyond. As for the film’s international debut, it is almost as impressive, as the film earned $29.2 million on Friday for a three-day total of $44.0 million in 79 markets. It is not doing as well as it is here, at least relative to the sizes of the markets, but this is still a fantastic start for a film that cost $85 million to make. If there isn’t already a sequel in the works, there will be one shortly. More...

Thursday Night Previews: Shazam Surprises with $5.9 million

April 5th, 2019

Shazam

Shazam! got off to a fantastic start with $5.9 million during its previews last night, for a running tally of $9.2 million, including its special engagement run last month. That’s not too far behind Ant-Man, which earned $6.4 million during its previews. This is great news for Shazam! and means it should top our prediction. Not only are the film’s reviews a major asset, but since it is not opening during the summer holidays, it shouldn’t be as front-loaded during its opening weekend. It is still too early to tell where the film will end up, but we should know more when Friday’s estimates show up tomorrow. More...

Weekend Prediction: Shazam Should have a Super Start

April 4th, 2019

Shazam

Shazam is the biggest release of the weekend and will almost certainly be the second biggest hit of the month. It also has some of the best reviews of the year so far. Pet Sematary should be in a solid second place, both in terms of box office dollars and reviews. Finally there’s The Best of Enemies, which is not only the smallest release on this week’s list, but it is also earning the weakest reviews. However, the biggest box office hit of the weekend will very likely be Avengers: Endgame, as tickets went on sale during the week and I suspect advanced ticket sales for that film will top everything coming out this week. (Early tracking for that film is nearing $300 million just for its opening weekend.) This weekend last year, A Quiet Place opened with just over $50 million, a little more than the next two films combined earned. Fortunately for 2019, there was a huge drop-off from the top three to the rest of the releases, so if we have better depth this year, then 2019 could continue its winning ways. More...

2019 Preview: April

April 1st, 2019

Avengers: Endgame

March was a good month at the box office with most films beating expectations. The biggest hit was Captain Marvel, which is still on pace for $400 million domestically and may have crossed $1 billion worldwide by the time you read this. The biggest “miss” was Dumbo, but it is still going to top $100 million domestically with ease. This month, it is a battle between Avengers: Endgame and last year’s Infinity War. To be fair, A Quiet Place got last April off to a very fast start and Shazam! should do the same this year, so there will be more than one potential box office hit to talk about. That said, Endgame will almost certainly open with more than any other April release earns in total and if 2019 is going to cut into its deficit with 2018, it will be on the back of that one film. More...

The Best of Enemies Trailer

February 15th, 2019

Real-life drama starring Taraji P. Henson and Sam Rockwell opens April 5 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

The film centers on the unlikely relationship between Ann Atwater, an outspoken civil rights activist, and C.P. Ellis, a local Ku Klux Klan leader who reluctantly co-chaired a community summit, battling over the desegregation of schools in Durham, North Carolina during the racially-charged summer of 1971. The incredible events that unfolded would change Durham and the lives of Atwater and Ellis forever.

Metrics

Opening Weekend:$4,446,190 (43.6% of total gross)
Legs:2.30 (domestic box office/biggest weekend)
Domestic Share:99.4% (domestic box office/worldwide)
Production Budget:$10,000,000 (worldwide box office is 1.0 times production budget)
Theater counts:1,705 opening theaters/1,705 max. theaters, 2.8 weeks average run per theater
Infl. Adj. Dom. BO $12,010,537

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 5,301-5,400) 5,319 $10,205,616
All Time International Box Office (Rank 19,001-19,100) 19,018 $63,133
All Time Worldwide Box Office (Rank 7,501-7,600) 7,531 $10,268,749

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Netflix:Netflix, Netflix

Movie Details

Domestic Releases: April 5th, 2019 (Wide) by STX Entertainment
International Releases: June 20th, 2019 (Wide) (Malaysia)
July 26th, 2019 (Wide), released as The Best Of Enemies (Australia)
July 26th, 2019 (Wide) (South Africa)
Video Release: June 18th, 2019 by STX Entertainment
MPAA Rating: PG-13 for thematic material, racial epithets, some violence and a suggestive reference.
(Rating bulletin 2517 (Cert #51332), 3/7/2018)
Running Time: 133 minutes
Comparisons: vs. The Birth of a Nation
Create your own comparison chart…
Keywords: Ku Klux Klan, 1970s, Set in North Carolina, Race Relations, Elementary School, Historical Drama
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Astute Films, STX Films, Rambler Entertainment, Material Pictures
Production Countries: United States
Languages: English

Leading Cast

Taraji P. Henson    Ann Atwater
Sam Rockwell    Claiborne Paul Ellis

Supporting Cast

Babou Ceesay    Bill Riddick
Anne Heche    Mary Ellis
Wes Bentley    Floyd Kelly
Nick Searcy    Garland Keith
Bruce McGill    Carvie Oldham
John Gallagher, Jr.    Lee Trombley
Nicholas Logan    Wiley Yates
Gilbert Glenn Brown    Howard Clement
Caitlin Mehner    Maddy Mays
Dolan Wilson    Councilman Bill Atkins
Morgan Mackey    Young Mother
Jennifer Sears    Protest Staffer
Wes McGee    Cyrus (Uniformed Patrolman)
Kendall Ryan Sanders*    Ben Butler
Chris Cavalier    Leonard
Malerie Grady    Singing White Woman
Ryan Dinning    Jeb
Najah Jackson    Operation Breakthrough Staffer
Bethany Dezelle    Court Clerk
David Plunkett    Mr. Paulsen
Al Hamacher    Charles Steele
McKenzie Applegate    Vickie Ellis
Brody Rose    Timmy Ellis
Carson Holmes    Kenneth Ellis
Nadej Bailey    Marilynn Atwater
Kevin Ianucci    Larry Ellis
Susan Williams    Nurse Caitlin
Lucius Baston    Teacher
Jeanette Branch    Principal
Jessica Miesel    Doreen (Waitress)
Rachel Bagley    Local Reporter
Charles Orr    NAACP Lawyer
Tim Ware    Judge Leslie Hallford
Jill Jane Clements    Secretary
Ned Vaughn    Wilbur Hobby
Dawntavia Bullard    Delores Riddick
Sope Aluko    Henrietta Kaye
Coley Campany    Charrette Volunteer #1
Elisabeth Omilami    Marion Wilson
Arin Logan    Peggy
Kameron Neal Kierce    Miles
Charles Black    Reverend Joseph
Aaron Smalls    Archie Cox
Hope Leigh    Charrette Volunteer #2
Bart Hansard    Horace Bray
Jeremy Daniel Madden*    Bone Ewell
Morgan Brown    Sam Waterford
Bob Harvey    Earl Weeks
Cranston Johnson    Emmett
Afemo Omilami    Franklin Mose
Jack Montague    Alvin
Chante Bowser    Nurse Bernadette
Rhoda Griffis    Nurse Whitney
Wilbur T. Fitzgerald    Fire Safety Inspector
Shane Jackson    Robert Jones
Lindsey N. Moser    Cashier
Chanel Young    Charrette Secretary
Michael Hyland Cole    Gas Company Man
Shane Bissell    Youth Corps Member

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Robin Bissell    Director
Robin Bissell    Screenwriter
Osha Gray Davidson    Story inspired by true events chronicled in “The Best of Enemies: Race and Redemption in the New South” by
Tobey Maguire    Producer
Danny Strong    Producer
Matt Berenson    Producer
Fred Bernstein    Producer
Dominique Telson    Producer
Matthew Plouffe    Producer
Robin Bissell    Producer
Rick Jackson    Executive Producer
Jeremiah Samuels    Executive Producer
David Lanzenberg    Director of Photography
Jeannine Oppewall    Production Designer
Harry Yoon    Editor
J.R. Hawbaker    Costume Designer
Marcelo Zarvos    Composer
Lon Bender    Sound Designer
Lon Bender    Sound Supervisor
Harrison Powell    Co-Producer
Ian Calip    Co-Producer
Debra Zane    Casting Director
Shayna Markowitz    Casting Director
Jeremiah Samuels    Unit Production Manager
Paul O. Davis    Unit Production Manager
Ian Calip    First Assistant Director
Kristina Peterson    Second Assistant Director
Mark Garner    Art Director
Jennifer Gentile    Set Decorator
Pam Foco    Set Designer
Steve C. Aaron    Sound Mixer
Tom MacDonald    Costume Supervisor
Monique Younger    Costume Supervisor
Douglas Noe    Make up
Yolanda Sheridan    Make up
Andrea C. Brotherton    Hairstylist
Talya R. Melvey    Hairstylist
Katherine Steets    Script Supervisor
Emily Elaine Chiu*    First Assistant Editor
Dave Fletcher*    Special Effects Coordinator
Norm Bielowicz    Location Manager
Christophe Lanzenberg    Second Unit Camera
John Portnoy    Post-Production Supervisor
Renee Minasian    Post-Production Supervisor
Glynna Grimala    Supervising Dialogue/ADR Editor
Russell Gorski    Sound Effects Editor
Michael Head    Foley Editor
Geordy Sincavage    Foley Mixer
Lon Bender    Re-recording Mixer
Patrick Cyccone    Re-recording Mixer
Katherine Soares    Visual Effects Producer
Marcelo Zarvos    Score Producer
Derek Somaru    Music Editor
Cal Johnson    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for July 2nd, 2019

July 3rd, 2019

JoJo’s Bizarre Adventure: Set 4, Part 1

It’s Anime week on the Home Market Release Report with more than half a dozen titles on the main list, as well as a few more in the secondary Blu-ray list. In fact, the only real contender for Pick of the Week is an Anime title, JoJo’s Bizarre Adventure: Set 4, Part 1, but it is not the only Anime title worth owning, as Cardcaptor Sakura: Clear Card - Part Two, Mobile Suit Gundam The Origin, and Steins;Gate 0 Part One and Part Two are also worth picking up. If you want something live action, then go with We Have Always Lived in the Castle. More...

Home Market Releases for June 18th, 2019

June 19th, 2019

Us

It is a shallow week with a lot of films on the main list that would be secondary Blu-ray releases on a normal week. There are only two contenders for Pick of the Week: Us and Killing Eve: Season Two. The Us Blu-ray screener hasn’t arrived yet, but it is still Pick of the Week, even with an unknown quality of extras. More...

Weekend Wrap-Up: Shazam Shocks the New Releases

April 16th, 2019

Shazam

Shazam easily topped the weekend box office chart with $24.45 million. This is significantly more than the best new release of the week, Little, which managed $15.41 million during its opening weekend. That film will break even sometime during its home market run. The same can’t be said of Hellboy, After, and Missing Link, all of which will lose money. This caused the overall box office to fall 24% from last weekend to just $110 million. This is also 25% lower than this weekend last year. Year-to-date, 2019 has fallen further behind 2018 and it now behind with $550 million or 17% at $2.68 billion to $3.23 billion. Avengers: Endgame will have to be unreasonably big at the box office for 2019 to turn things around any time soon. More...

Weekend Wrap-Up: Shazam Can’t Keep 2019’s Streak Going

April 9th, 2019

Shazam

Shazam topped expectations over the weekend, albeit by a small margin. However, it was the only new release to do this and the overall box office wasn’t particularly strong as a result. It did rise 6.2% from last weekend reaching $146 million. However, it wasn’t able to keep 2019’s winning streak alive in the year-over-year comparison, as this was 11% lower than the same weekend last year. 2018 extended its lead over 2019 and now has an advantage of $500 million at $3.03 billion to $2.53 billion. If you are looking for good news, then the percent difference actually closed by a fraction of one percent. To call that good news is stretching. More...

Weekend Estimates: Shazam Flies to First Place with over $50 million

April 7th, 2019

Shazam

Shazam is easily topping the weekend box office chart with an estimated $53.45 million for a total of $56.78 million, including its previous special engagement. This is marginally better than our prediction, but not as strong as I thought it would be after its surprising previews. The film should have strong legs with its amazing reviews, its A from CinemaScore, and its family-friendly target audience. On the other hand, Avengers: Endgame is on its way, and that film could practically end Shazam’s run at the box office. Internationally, Shazam is opening with an estimated $102 million in 79 markets. This includes $30.9 million in China, as well as $6.2 million in Mexico. On the other hand, it only managed $5.3 million in the U.K., which is far less impressive than its debut here. More...

Friday Estimates: Shazam’s Shockingly Strong Start

April 6th, 2019

Shazam

Shazam was able to take full advantage of its impressive previews, and its $20.5 million Friday debut should be enough to carry it above our initial prediction. Its reviews remain above 90% positive and it earned an A from CinemaScore. Furthermore, its a hit with families, so that should also help its legs over the rest of the weekend and beyond. As for the film’s international debut, it is almost as impressive, as the film earned $29.2 million on Friday for a three-day total of $44.0 million in 79 markets. It is not doing as well as it is here, at least relative to the sizes of the markets, but this is still a fantastic start for a film that cost $85 million to make. If there isn’t already a sequel in the works, there will be one shortly. More...

Thursday Night Previews: Shazam Surprises with $5.9 million

April 5th, 2019

Shazam

Shazam! got off to a fantastic start with $5.9 million during its previews last night, for a running tally of $9.2 million, including its special engagement run last month. That’s not too far behind Ant-Man, which earned $6.4 million during its previews. This is great news for Shazam! and means it should top our prediction. Not only are the film’s reviews a major asset, but since it is not opening during the summer holidays, it shouldn’t be as front-loaded during its opening weekend. It is still too early to tell where the film will end up, but we should know more when Friday’s estimates show up tomorrow. More...

Weekend Prediction: Shazam Should have a Super Start

April 4th, 2019

Shazam

Shazam is the biggest release of the weekend and will almost certainly be the second biggest hit of the month. It also has some of the best reviews of the year so far. Pet Sematary should be in a solid second place, both in terms of box office dollars and reviews. Finally there’s The Best of Enemies, which is not only the smallest release on this week’s list, but it is also earning the weakest reviews. However, the biggest box office hit of the weekend will very likely be Avengers: Endgame, as tickets went on sale during the week and I suspect advanced ticket sales for that film will top everything coming out this week. (Early tracking for that film is nearing $300 million just for its opening weekend.) This weekend last year, A Quiet Place opened with just over $50 million, a little more than the next two films combined earned. Fortunately for 2019, there was a huge drop-off from the top three to the rest of the releases, so if we have better depth this year, then 2019 could continue its winning ways. More...

2019 Preview: April

April 1st, 2019

Avengers: Endgame

March was a good month at the box office with most films beating expectations. The biggest hit was Captain Marvel, which is still on pace for $400 million domestically and may have crossed $1 billion worldwide by the time you read this. The biggest “miss” was Dumbo, but it is still going to top $100 million domestically with ease. This month, it is a battle between Avengers: Endgame and last year’s Infinity War. To be fair, A Quiet Place got last April off to a very fast start and Shazam! should do the same this year, so there will be more than one potential box office hit to talk about. That said, Endgame will almost certainly open with more than any other April release earns in total and if 2019 is going to cut into its deficit with 2018, it will be on the back of that one film. More...

The Best of Enemies Trailer

February 15th, 2019

Real-life drama starring Taraji P. Henson and Sam Rockwell opens April 5 ... Full Movie Details. More...

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Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 5, 2019 6 $4,446,190   1,705 $2,608   $4,446,190 1
Apr 12, 2019 10 $2,014,126 -55% 1,705 $1,181   $8,115,696 2
Apr 19, 2019 16 $595,987 -70% 1,002 $595   $9,585,764 3
Apr 26, 2019 24 $125,232 -79% 227 $552   $10,008,688 4
May 3, 2019 37 $50,342 -60% 134 $376   $10,128,316 5
May 10, 2019 40 $36,613 -27% 81 $452   $10,191,545 6

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Apr 4, 2019 P $265,000     1,440 $184   $265,000  
Apr 5, 2019 6 $1,627,520     1,705 $955   $1,627,520 1
Apr 6, 2019 6 $1,697,043 +4%   1,705 $995   $3,324,563 2
Apr 7, 2019 6 $1,121,627 -34%   1,705 $658   $4,446,190 3
Apr 8, 2019 7 $330,254 -71%   1,705 $194   $4,776,444 4
Apr 9, 2019 6 $713,865 +116%   1,705 $419   $5,490,309 5
Apr 10, 2019 7 $329,684 -54%   1,705 $193   $5,819,993 6
Apr 11, 2019 7 $281,577 -15%   1,705 $165   $6,101,570 7
Apr 12, 2019 10 $606,260 +115% -63% 1,705 $356   $6,707,830 8
Apr 13, 2019 10 $877,898 +45% -48% 1,705 $515   $7,585,728 9
Apr 14, 2019 11 $529,968 -40% -53% 1,705 $311   $8,115,696 10
Apr 15, 2019 11 $199,681 -62% -40% 1,705 $117   $8,315,377 11
Apr 16, 2019 10 $370,794 +86% -48% 1,705 $217   $8,686,171 12
Apr 17, 2019 13 $152,913 -59% -54% 1,705 $90   $8,839,084 13
Apr 18, 2019 13 $150,693 -1% -46% 1,705 $88   $8,989,777 14
Apr 19, 2019 - $193,672 +29% -68% 1,002 $193   $9,183,449 15
Apr 20, 2019 15 $246,768 +27% -72% 1,002 $246   $9,430,217 16
Apr 21, 2019 - $155,547 -37% -71% 1,002 $155   $9,585,764 17
Apr 22, 2019 - $70,794 -54% -65% 1,002 $71   $9,656,558 18
Apr 23, 2019 15 $113,862 +61% -69% 1,002 $114   $9,770,420 19
Apr 24, 2019 - $64,716 -43% -58% 1,002 $65   $9,835,136 20
Apr 25, 2019 - $48,320 -25% -68% 1,002 $48   $9,883,456 21
Apr 26, 2019 - $36,559 -24% -81% 227 $161   $9,920,015 22
Apr 27, 2019 - $52,907 +45% -79% 227 $233   $9,972,922 23
Apr 28, 2019 - $35,766 -32% -77% 227 $158   $10,008,688 24
Apr 29, 2019 - $15,790 -56% -78% 227 $70   $10,024,478 25
Apr 30, 2019 - $22,508 +43% -80% 227 $99   $10,046,986 26
May 1, 2019 - $17,183 -24% -73% 227 $76   $10,064,169 27
May 2, 2019 - $13,805 -20% -71% 227 $61   $10,077,974 28
May 3, 2019 - $13,927 +1% -62% 134 $104   $10,091,901 29
May 4, 2019 - $21,954 +58% -59% 134 $164   $10,113,855 30
May 5, 2019 - $14,461 -34% -60% 134 $108   $10,128,316 31
May 6, 2019 - $5,824 -60% -63% 134 $43   $10,134,140 32
May 7, 2019 - $8,711 +50% -61% 134 $65   $10,142,851 33
May 8, 2019 - $6,398 -27% -63% 134 $48   $10,149,249 34
May 9, 2019 - $5,683 -11% -59% 134 $42   $10,154,932 35
May 10, 2019 - $10,836 +91% -22% 81 $134   $10,165,768 36
May 11, 2019 - $13,939 +29% -37% 81 $172   $10,179,707 37
May 12, 2019 - $11,838 -15% -18% 81 $146   $10,191,545 38
May 13, 2019 - $3,676 -69% -37% 81 $45   $10,195,221 39
May 14, 2019 - $3,744 +2% -57% 81 $46   $10,198,965 40
May 15, 2019 - $3,370 -10% -47% 81 $42   $10,202,335 41
May 16, 2019 - $3,281 -3% -42% 81 $41   $10,205,616 42

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 5, 2019 6 $6,101,570   1,705 $3,579   $6,101,570 1
Apr 12, 2019 11 $2,888,207 -53% 1,705 $1,694   $8,989,777 2
Apr 19, 2019 16 $893,679 -69% 1,002 $892   $9,883,456 3
Apr 26, 2019 23 $194,518 -78% 227 $857   $10,077,974 4
May 3, 2019 35 $76,958 -60% 134 $574   $10,154,932 5
May 10, 2019 42 $50,684 -34% 81 $626   $10,205,616 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 7/26/2019 $1,762 3 3 3 $1,762 7/30/2019
Malaysia 6/20/2019 $1,694 5 5 14 $4,197 7/10/2019
South Africa 7/26/2019 $0 0 5 12 $9,039 9/11/2019
 
Rest of World $48,135
 
International Total$63,133 9/11/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.