Singapore Box Office for Blended (2014)

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Blended poster
Theatrical Performance (US$)
Singapore Box Office $582,590Details
Worldwide Box Office $127,990,741Details
Home Market Performance
North America DVD Sales $14,838,285 Details
North America Blu-ray Sales $5,649,597 Details
Total North America Video Sales $20,487,882
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

After a disastrous blind date, single parents Lauren and Jim agree on only one thing: they never want to see each other again. But when they each sign up separately for a fabulous family vacation with their kids, they are all stuck sharing a suite at a luxurious African safari resort for a week.

Metrics

Movie Details

Production Budget:$45,000,000
Singapore Releases: June 5th, 2014 (Wide)
Video Release: August 26th, 2014 by Warner Home Video
MPAA Rating: PG-13 for crude and sexual content, and language.
(Rating bulletin 2306, 1/22/2014)
Running Time: 117 minutes
Keywords: Blind Date, Single Parent, Family Vacations, Gratuitous Cameos
Source:Original Screenplay
Genre:Romantic Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Gulfstream Pictures, Happy Madison
Production Countries: United States
Languages: English

DVD and Blu-ray Releases for August 26th, 2014

August 26th, 2014

This is not a good week for new releases on the home market. For one thing, the biggest first-run release is Blended (DVD or Blu-ray ComboPack) which is also one of the worst movies of the summer. There are many TV on DVD releases that helped pick up the slack somewhat, but it still feels like a shallow week. As for Pick of the Week contenders, there are not many. The Normal Heart (DVD or Blu-ray) and Belle (Blu-ray) are the two most likely candidates, but I kind of want to give it to Gravity Falls: Even Stranger (DVD). In the end, I went with The Normal Heart. More...

International Box Office: Transformers Continue On Top

July 24th, 2014

Transformers: Age of Extinction poster

Transformers: Age of Extinction continues its lock on top spot earning $84.6 million in 58 markets for totals of $662.6 million internationally and $889.6 million worldwide. It is about a week away from becoming the first film released in 2014 to hit the $1 billion mark and it will top Dark of the Moon's international numbers in the process. This weekend, the film opened in first place in Germany with $11.16 million on 645 screens over the weekend for a total opening of $12.84 million. It also pulled in first place in France with $8.91 million on 890 screens. It earned first place in Italy with $3.87 million on 850 screens over the weekend for a total of $5.24 million. Its "biggest" opening of the weekend was in Brazil where it made $16.13 million, but that was with previews. Over the weekend it made $5.71 million on 504 screens. That's a lot of previews. The film's biggest market to date is China, where it has pulled in $306.28 million, including $26.08 million over the past week. However, it has been knocked out of top spot by a local hit. More...

International Box Office: Transformers in Their Prime

July 9th, 2014

Transformers: Age of Extinction poster

Transformers: Age of Extinction remained in first place with $95.8 million in 37 markets over the weekend for totals of $400.9 million internationally and $576.3 million worldwide. Its best market remains China, where it added $120.61 million for the full week giving it a total of $222.74 million after two. These numbers are important for two reasons. Firstly, revised totals in China put the film's opening there ahead of its debut in North America. Stunning. Secondly, the film is already ahead of Avatar's final figure in that market. Granted, it's barely above Avatar's pace, as that film pulled in $221.9 million after ten days of release, but that is still great news. It held up better than most films do in South Korea earning $8.05 million on 1,096 screens over the weekend for a total of $34.62 million. In Russia, the film added $7.04 million on 2,171 screens over the weekend for a total of $35.38 million after two. The last major market was Australia, where it pulled in $4.54 million on 623 screens over the weekend for a two-week total of $17.32 million. More...

International Box Office: Beginning of a New Age

July 2nd, 2014

Transformers: Age of Extinction poster

Transformers: Age of Extinction earned top spot on the international chart with $201.3 million on 10,015 screens in 37 markets. This includes a record $99.81 million opening in China, which is basically a rounding error away from its North American debut. It also broke the record in Russia with $21.23 million on 2,171 screens. Its opening in South Korea was nearly identical with $15.88 million on 1,597 screens over the weekend for a total opening of $21.98 million. The final major market of the weekend was Australia, where it pulled in $8.30 million on 623 screens over the weekend for a total opening of $9.56 million. The film likely cost about $300 million to make and advertise, so it still needs work to break even, but this is an amazing start. More...

International Box Office: Bewitching the Box Office

June 25th, 2014

Maleficent poster

Maleficent rose to first place with $47.9 million in 54 markets for totals of $340.8 million internationally and $526.7 million worldwide. It became the first live-action film in Angelina Jolie's career to reach the $500 million mark. The film opened in first place in China with $22.01 million. Up next for the film is Japan and if it does well there, it could top Kung Fu Panda 2 as Angelina Jolie's biggest hit. More...

Weekend Wrap-Up: Maleficent is Magnificent Enough

June 2nd, 2014

Maleficent poster

It was a mostly good weekend at the box office with Maleficent earning first place with nearly $70 million, which was on the very high end of expectations. On the other hand, A Million Ways to Die in the West failed to match the low end of expectations. Overall, the box office pulled in $165 million, which is 11% lower than last weekend. That's not bad for a post-holiday weekend. Compared to last year, the box office was higher, albeit by 0.6%, which is much lower than ticket price inflation. Considering I thought it would be worse than this, I'm calling a 0.6% increase a victory. Year-to-date, 2014 remains ahead of 2013, but by $133 million or 3.3% at $4.16 billion to $4.02 billion. If June is as bad as May, then 2014 could slip behind 2013 entirely. More...

Weekend Estimates: Maleficent Magnificent

June 1st, 2014

Maleficent poster

Disney’s $180 million gamble on Maleficent looks to have paid off this weekend, with Angelina Jolie’s starring role carrying the film to a $70 million opening weekend, in spite of middling reviews. The film is as much a triumph for Jolie as World War Z was for husband Brad Pitt. They truly are Hollywood’s power couple. More...

Weekend Predictions: Will the New Releases Die at the Box Office?

May 29th, 2014

Maleficent poster

The weekend after a long weekend is never the best time of year to release a new movie, but at this point, summer vacation has begun for a lot of people, so both new releases should still have a lot of potential at the box office. Maleficent is the origin story for the villain from Sleeping Beauty. It should earn first place with ease. A Million Ways to Die in the West is the latest from Seth MacFarlane, but it is not earning as much praise as Ted did and its box office chances are not as strong as a result. The box office will certainly be lower than it was last weekend. However, we are more concerned with the comparison with last year. This weekend last year, there were two wide releases, Now You See Me and After Earth, but neither opened with more than $30 million. Granted, Fast and Furious 6 earned $35 million over the weekend, but that's still lower than usual for a number one film during summer weekend. The top three films this weekend should be better than the top three films last weekend, but I think 2014's depth will hurt it in the year-over-year comparison.

More...

Weekend Wrap-Up: X-Men Earn Monster Opening, but Overall Box Office Still Down

May 27th, 2014

X-Men: Days of Future Past poster

X-Men: Days of Future Past easily won the weekend race at the box office earning more than $100 million over the four-day weekend. That's great news and it helped the overall box office grow by 5% to $187 million over the three-day weekend from last week. That's the good news. The bad news the other new release, Blended, bombed and the three-day weekend was down 27% from the same weekend last year. In fact, this year's four-day weekend total of $231 million was 9% lower than last year's three-day total and 26% lower than the four-day weekend from last year. That's a devastating collapse. The only saving grace is last year was a record-breaking Memorial Day long weekend, so a sharp drop-off isn't that unexpected. So far, 2014 has pulled in $3.95 billion, which is 4% more than 2013's running tally of $3.80 billion. More...

Weekend Estimates: X-Men Joins 2014 $90 Million Club

May 25th, 2014

X-Men: Days of Future Past poster

Another weekend, another $90 million opener. This time, there’s an asterisk at least, because X-Men: Days of Future Past will “open” with $110 million, thanks to the four day Memorial Day long weekend, giving Fox an arguable claim to the biggest weekend of the year, and the first $100 million debut. The reality, however, is that it will line up in fourth place when comparing 3-day weekends, with Captain America still out in front, thanks to its $95 million opening back in April. May has seen the three other $90 million-plus weekends, with Godzilla second ($93 million) and The Amazing Spider-Man 2 third ($91.6 million). More...

Weekend Predictions: Will the X-Men Opening be Remembered in the Future

May 22nd, 2014

X-Men: Days of Future Past poster

It is Memorial Day long weekend and the box office is looking strong. X-Men: Days of Future Past should dominate the box office chart and there are some who think it will have the best opening of the year so far. Blended is playing the role of counter-programing this week and should do well in that role opening in third place. Meanwhile, the rest of the top five will be filled with Godzilla, Neighbors, and The Amazing Spider-Man 2, all of which should still pull in $10 million or more. By comparison, this weekend last year, there were six films that earned more than $10 million over the four-day weekend, led by Fast and Furious 6, which earned a four-day opening of $117.04 million There are some who think X-Men: Days of Future Past will top that figure. I really hope so. However, even if it does, last year was a record-breaking Memorial Day long weekend and I don't think 2014 will match it. More...

2014 Preview: May

May 1st, 2014

The Amazing Spider-Man 2 poster

It has been a great year so far and April was again a strong month. The box office was led by Captain America: The Winter Soldier, as it became the second film of the year to reach $200 million, while Rio 2 is on pace to become the seventh $100 million hit of the year. Big picture, 2014 has already hit $3 billion, which isn't a record for this time of the year, but it is $250 million ahead of 2013. That streak ends in May. Don't get me wrong. There are six films opening this month that at least have a shot at $100 million and two of those should earn more than $200 million and there are two others that at least have a shot at that milestone. Leading the way is The Amazing Spider-Man 2, which is looking to top The Winter Soldier and become the second biggest hit of the year so far. Its main competition this month is X-men: Days of Future Past, while Godzilla also has a shot at $200 million. Unfortunately, this month last year, Iron Man 3 earned more than $400 million, while two other films took in $200 million and seven films in total reached the century mark. That is going to be really hard to replicate this year and 2014 will likely lose some of its lead over 2013. Fortunately, 2014 has such a big lead that unless the box office really slumps, it will end the month with at least a small lead over 2013. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2014/06/27 12 $4,079   5 $816   $569,650 4
2014/07/04 15 $2,561 -37% 3 $854   $574,915 5
2014/07/11 17 $1,879 -27% 2 $940   $577,907 6
2014/07/18 24 $1,624 -14% 2 $812   $580,473 7
2014/07/25 18 $1,163 -28% 1 $1,163   $582,590 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/5/2014 $0 0 50 141 $1,611,906 12/30/2018
Australia 6/12/2014 $0 0 199 537 $4,404,786 12/17/2015
Austria 5/23/2014 $0 0 60 245 $1,169,503 12/17/2015
Belgium 6/11/2014 $0 0 20 40 $131,038 12/17/2015
Bolivia 6/12/2014 $0 0 8 27 $287,744 12/30/2018
Brazil 7/17/2014 $1,256,404 304 320 935 $6,740,147 12/17/2015
Bulgaria 5/30/2014 $0 0 18 59 $128,166 12/30/2018
Chile 6/5/2014 $0 0 21 50 $375,218 12/30/2018
Colombia 6/13/2014 $0 0 91 245 $1,902,465 12/30/2018
Croatia 7/3/2014 $13,456 16 17 65 $78,604 12/30/2018
Ecuador 6/13/2014 $0 0 54 222 $474,809 12/30/2018
Egypt 5/28/2014 $0 0 6 22 $173,351 12/30/2018
Estonia 7/11/2014 $16,492 7 8 20 $54,724 12/17/2015
Finland 6/27/2014 $56,840 59 59 135 $176,614 12/17/2015
Germany 5/22/2014 $0 0 203 622 $2,790,597 12/17/2015
Greece 6/19/2014 $0 0 19 32 $116,692 12/15/2015
Hong Kong 7/10/2014 $150,761 49 49 90 $371,240 12/17/2015
Hungary 7/3/2014 $164,216 53 53 209 $753,809 12/30/2018
Iceland 6/11/2014 $0 0 2 3 $31,380 12/30/2018
India 5/30/2014 $0 0 4 4 $366,079 12/15/2015
Indonesia 7/4/2014 $106,713 61 61 103 $348,792 12/30/2018
Israel 7/3/2014 $292,086 22 24 93 $1,192,282 12/30/2018
Italy 7/2/2014 $186,211 126 136 454 $857,884 12/17/2015
Kenya 6/6/2014 $0 0 2 7 $32,591 12/30/2018
Latvia 7/11/2014 $11,461 7 7 17 $37,002 12/30/2018
Lebanon 6/12/2014 $0 0 7 24 $172,657 12/30/2018
Lithuania 7/11/2014 $22,816 9 9 25 $63,939 12/17/2015
Malaysia 6/12/2014 $0 0 25 39 $374,695 12/17/2015
Mexico 6/25/2014 $2,265,147 1105 1105 3816 $11,459,109 12/17/2015
Netherlands 7/24/2014 $303,749 69 69 69 $335,088 12/17/2015
New Zealand 6/19/2014 $0 0 46 129 $413,889 12/17/2015
Nigeria 6/6/2014 $0 0 11 11 $53,942 12/30/2018
North America 5/23/2014 $14,284,031 3,555 3,555 14,592 $46,290,741
Norway 7/11/2014 $19,069 23 23 23 $19,069 12/16/2015
Peru 6/12/2014 $0 0 80 207 $1,740,738 12/30/2018
Philippines 6/11/2014 $0 0 0 0 $302,840 12/30/2018
Poland 7/4/2014 $67,858 112 124 397 $409,114 12/30/2018
Portugal 7/3/2014 $103,390 26 29 105 $336,761 12/17/2015
Romania 6/20/2014 $0 0 38 141 $439,553 12/30/2018
Russia (CIS) 6/19/2014 $0 0 912 1369 $5,633,810 12/30/2018
Serbia and Montenegro 7/3/2014 $8,057 14 14 56 $52,377 12/30/2018
Singapore 6/5/2014 $0 0 5 13 $582,590 12/17/2015
Slovakia 7/3/2014 $52,320 42 42 103 $199,668 12/17/2015
Slovenia 7/10/2014 $0 0 9 18 $43,520 12/17/2015
South Africa 7/4/2014 $220,808 76 78 300 $848,550 12/17/2015
Spain 6/27/2014 $527,362 219 245 1097 $2,322,878 12/17/2015
Sweden 6/27/2014 $22,850 14 14 24 $47,892 12/15/2015
Switzerland 5/22/2014 $0 0 20 68 $1,163,551 12/17/2015
Taiwan 6/20/2014 $0 0 70 164 $1,402,575 12/17/2015
Turkey 6/13/2014 $0 0 82 143 $665,112 12/30/2018
Ukraine 6/19/2014 $0 0 112 233 $497,519 12/30/2018
United Arab Emirates 6/12/2014 $0 0 21 88 $1,593,394 12/30/2018
Uruguay 6/19/2014 $0 0 14 56 $616,528 12/30/2018
Venezuela 7/4/2014 $298,999 21 29 105 $2,953,555 12/17/2015
Vietnam 5/30/2014 $0 0 4 4 $344,977 12/30/2018
 
Rest of World $22,002,687
 
Worldwide Total$127,990,741 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Adam Sandler    Jim Friedman
Drew Barrymore    Lauren Reynolds

Supporting Cast

Kevin Nealon    Eddy
Terry Crews    Nickens
Wendi McLendon-Covey    Jen
Bella Thorne    Hilary
Joel McHale    Mark
Abdoulaye N'Gom    Mfana
Jessica Lowe    Ginger
Braxton Beckham    Brendan
Emma Fuhrmann    Espn
Alyvia Alyn Lind    Lou
Kyle Red Silverstein    Tyler
Zak Henri    Jake
Shaquille O'Neal    Doug
Dan Patrick    Dick
Jacqueline Sandler    Hollywood Stepmom
Sunny Sandler    Wall Street Stepdaughter
Sadie Sandler    Little League Announcer
Judith Sandler    Little League Announcer's Grandma
Alexis Arquette    Georgina
Katheryn Cain    British Stepmom
Susan Yeagley    Southern Stepmom
Aimee Goldsmith    Wall Street Stepmom
Mary Pat Gleason    Pharmacy Cashier
Dale Steyn    Dale
Allen Covert    220 Tom
Tim Herlihy    Basketball Dad
Hugo McKerron    Basketball Son
Jared Sandler    Cute Teenage Boy
Chris April    Safety Director
Vivian Shabalala    Thathoo Harmony Group
Zenzozenkosi Dubazane    Thathoo Harmony Group
Albert Mhlongo    Thathoo Harmony Group
Arnold Ndlovu    Thathoo Harmony Group
Thokozani Duma    Thathoo Harmony Group
Goodwill Ngwane    Thathoo Harmony Group
Jabulani Dludla    Thathoo Harmony Group
Inos Phungula    Thathoo Harmony Group
Wellington Mncube    Thathoo Harmony Group
Josette Eales    Massage Instructor
Lauren Lapkus    Tracy
Anna Colwell    Bubbles
Marissa Raisor    Bethany
Ashley Pike    Britney
Casey Luckey    Bunny
Jonathan Loughran    Umpire
Chris Titone    Umpire
Rob Moran    Baseball Dad
Michael Buscemi    Baseball Dad
Max Karz    Little League Pitcher
Jackie Goldston    Closet Client
Joey Karz    Client's Son
Dylan Karz    Client's Son
Simon Sibonelo Vilakazi    Waiter
Gregg Bright    Wall Street Husband
Hannah Covert    Dick's Kid #1
Abigail Covert    Face Painting Girl
Nikki Walker    African Storyteller
Cullen Deuce Tonry    Little Boy
Dambuza Mdledle    African Barber
Zwelithin Mathebula    Villager
Ishmael Kakasa    Villager
Isaac Kakasa    Villager
Mikayla Park    Kissing Woman in Boat
J. D. Donaruma    Standard Fence Coach
Robert Harvey    Baseball Fan
Bill Romanowski    Baseball Fan

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Frank Coraci    Director
Mike Karz    Producer
Adam Sandler    Producer
Jack Giarraputo    Producer
Ivan Menchell    Screenwriter
Clare Sera    Screenwriter
Barry Bernardi    Executive Producer
Josie Rosen    Executive Producer
Tim Herlihy    Executive Producer
Allen Covert    Executive Producer
Steve Koren    Executive Producer
Julio Macat    Director of Photography
Perry Andelin Blake    Production Designer
Tom Costain    Editor
Christine Wada    Costume Designer
Rupert Gregson-Williams    Composer
Angela Demo    Casting Director
Barbara J. McCarthy    Casting Director
Kevin Grady    Co-Producer
Aimee Keen    Co-Producer
Kevin Grady    Music Supervisor
Brooks Arthur    Music Supervisor
Daryl Kass    Unit Production Manager
Dianne Beatty    Unit Production Manager
Justin Muller    First Assistant Director
John M. Morse    Second Assistant Director
Patricia Wheeler    Second Assistant Director
Andile Pakade    Second Assistant Director
Bryan Brucks    Co-Producer
Alan Au    Art Director
Andrew Orlando    Art Director
Drew Monahan    Assistant Art Director
Guy Potgieter    Assistant Art Director
Lauren Adams    Art Department Coordinator
Christo Strydom    Art Department Coordinator
Karen O'Hara    Set Decorator
Andrew McCarthy    Set Decorator
Ronit Ravich-Boss    Script Supervisor
Nancy Capper    Costume Supervisor
Jayne Forbes    Costume Supervisor
Ann Pala    Makeup Department Head
Corina Duran-Rabichuk    Make up
Kim Santantonio    Hair Department Head
Jose Zamora    Hairstylist
Nadine Prigge    Make up Supervisor
Richard Kite    Sound Mixer
Conrad Kuhne    Sound Mixer
Bob Shelley    Special Effects Coordinator
John Smith    Special Effects Coordinator
Lisa Reynolds    Special Effects Foreman
Elizabeth Tyson    Production Coordinator
Donovan Roberts-Baxter    Production Supervisor
David Louw    Assistant Production Supervisor
Frank Masi    Still Photographer
David Bloomer    Still Photographer
Fred Mpuuga    Storyboard Artist
Meg Tanner    Hair Supervisor
Simone Stubbs    Hairstylist
Mark Hyland    Special Effects
Leanne Mullon    Special Effects
Christopher September    Special Effects
Hennie Jooste    Special Effects
Tyler Spindel    Second Unit Director
Stephen Shapiro    First Assistant Editor
J.J. Titone    Assistant Editor
Jamie Keeney    Visual Effects Editor
Aimee Keen    Post-Production Supervisor
Sean Ware    Visual Effects Producer
Tateum Kohut    Re-recording Mixer
Greg Orloff    Re-recording Mixer
Elmo Weber    Supervising Sound Editor
Ulrika Akander    Dialogue Editor
Robert C. Jackson    Dialogue Editor
Darrin Mann    Foley Mixer
J. J. George    Music Editor
Stu Grusin    Music Editor
Frank Wolf    Score Recordist
Nick Wollage    Score Mixer
James Roberson    Score Coordinator
Peter G. Travers    Visual Effects Supervisor
Grant Hulley    Stunt Coordinator
Johann Spilhaus    Assistant Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.