United Arab Emirates Box Office for Breaking In (2018)

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Breaking In
Theatrical Performance (US$)
United Arab Emirates Box Office $242,282Details
Worldwide Box Office $51,485,382Details
Home Market Performance
North America DVD Sales $2,721,297 Details
North America Blu-ray Sales $1,656,976 Details
Total North America Video Sales $4,378,273
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A woman will stop at nothing to rescue her two children being held hostage in a house designed with impenetrable security. No trap, no trick and especially no man inside can match a mother with a mission when she is determined on breaking in.

Metrics

Movie Details

Production Budget:$6,000,000
United Arab Emirates Releases: May 11th, 2018 (Wide)
Video Release: July 24th, 2018 by Universal Home Entertainment
MPAA Rating: PG-13 for violence, menace, bloody images, sexual references, and brief strong language.
(Rating bulletin 2512 (Cert #51402), 1/31/2018)
Running Time: 88 minutes
Keywords: Hostage, Home Invasion, Rescue, Single Parent, Adult Child Dealing with the Death of a Parent, Inheritance, Prologue, Action Thriller
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Will Packer Productions, Practical Pictures, Universal Pictures, Dentsu Inc., Fuji Television Network
Production Countries: United States
Languages: English

Home Market Releases for August 7th, 2018

August 8th, 2018

Deadpool 2

It is a deceptively busy week on the home market, and not in a good way. There’s no one big release, at least not on DVD / Blu-ray, but there’s a sea of mediocrity this week. I’m not talking about quality here, but sales rank. There are a lot of films that wouldn’t even be filler during a normal week, but this week are selling well enough to be mentioned. There are several that are worth picking up, including limited releases like Bye Bye Germany and Revenge, classics like The Changeling, and even some Anime titles like Big Fish & Begonia or Tsuredure Children. Deadpool 2 is by far the biggest release of the week and I suspect the Blu-ray will be the Pick of the Week when it comes out, but I don’t want to give it that title until than. As a result, there’s no real winner this week. There were a lot that came close. More...

Featured Blu-ray and DVD Review: Breaking In

August 5th, 2018

Breaking In

Breaking In wasn’t a big hit at the box office, but it did well enough to cover its production budget during its opening weekend and will likely break even early in its home market run. The film does have a good hook, so I’m not surprised it did as well as it did, but does it have anything more? More...

Home Market Releases for July 24th, 2018

July 24th, 2018

In the Mouth of Madness

It is an incredibly slow week on the home market. Most of the films in the main list would be filler on even a below average week. The only real exception is Ready Player One, which did earn better than expected reviews, but it’s still not Pick of the Week material. There were a few actual contenders for that title, including Gravity Falls: The Complete Series and A Matter of Life and Death, but in the end, I went with In the Mouth of Madness on Blu-ray. More...

Weekend Wrap-Up: Deadpool Dominates Box Office, But Can’t Compete with Original

May 22nd, 2018

Deadpool 2

Deadpool 2 didn’t live up to expectations at the box office, but you can’t really complain about a $125.51 million opening weekend. The other new releases were Book Club, which did acceptable business, while the less said about Show Dogs’ debut the better. Overall, the box office rose 51% from last weekend earning $209 million. This is 69% higher than the same weekend last year. Year-to-date, 2018 is now ahead of 2017 by a margin of $290 million or 7.0% at $4.49 billion to $4.20 billion. Because Infinity War opened a week earlier than usual, it has been hard to compare the overall box office, but now it is safe to say 2018 has a sizable lead over 2017, one that should grow next weekend as well. More...

Weekend Estimates: Deadpool Has Surprisingly Short Legs, Still Dominates with $125 million

May 20th, 2018

Deadpool 2

Deadpool 2 broke records during its previews and stumbled a little on Friday, before finishing the weekend with an estimated $125 million. That’s still a fantastic result, more than the $110 million it reportedly cost to make, and more than the total box office earned this weekend last year. That said, it is way below the $150 million many thought it would earn after the preview numbers were announced. This isn’t as good as Deadpool’s opening weekend; however, that film benefited from Valentine’s day landing on Sunday, while this film will get some help next weekend, as it is Memorial Day long weekend. Furthermore, both films earned nearly identical reviews and both films earned an A from CinemaScore, so this film's legs should be decent. We will have a better idea where it will end up next weekend. More...

Weekend Predictions: Can Deadpool Come Back to Life?

May 17th, 2018

Deadpool 2

May gets its first monster hit, as Deadpool 2 debuts in theaters this weekend. The film is earning impressive reviews and was widely expected to top the original's opening weekend. Neither of the two other new releases are expected to compete for first place, or even second place, as Avengers: Infinity War has that locked down. Book Club should open in third place with more than $10 million, but that’s not a guarantee. Meanwhile, Show Dogs’ buzz is so quiet that I’m have trouble coming up with a prediction. This weekend last year, Alien: Covenant opened in first place, but with only $36.16 million. If Deadpool 2 doesn’t top that opening night, then I will be shocked. In fact, Deadpool 2 should earn more by itself than the total box office from this weekend last year. More...

Weekend Wrap-Up: Infinity War Helps 2018 Take on Guardians

May 15th, 2018

Avengers: Infinity War

The weekend was better than expected, for the most part. All of the holdovers, including the number one film, Avengers: Infinity War, held on better than we predicted, while one of the two new releases also opened faster. Life of the Party was the only film in the top five that didn’t beat expectations. Overall, the box office still slipped 19% from last week, down to $137 million. However, this is 1.2% higher than the same weekend last year. Year-to-date, 2018 maintains a strong 5.2% / $210 million lead over 2017 at $4.24 billion to $4.03 billion. More...

Friday Estimates: Infinity War Breaks up the Party

May 12th, 2018

Avengers: Infinity War

Avengers: Infinity War was on the high end of expectations on Friday with $16.00 million during its 15th day of release. This puts it on pace for $62 million during its third weekend of release for a running tally of $548 million. It became the second fastest film to reach $500 million domestically, getting there a day faster than The Last Jedi did. The film also debuted in China earning $60.73 million on Friday, $70.06 million including previews. Only Monster Hunt 2 and The Fate of the Furious had faster starts. More...

Thursday Night Previews: Party Generates some Noise, Breaking In Could find Some Loot

May 11th, 2018

Life of the Party

Life of the Party only managed $700,000 during its previews, which is well below the $985,000 The Boss managed two years ago. If this film has the same legs, it will open with just under $17 million. Granted, Life of the Party is earning better reviews, so it could perform a little better over the weekend, but matching our $21 million prediction might be asking too much. More...

Weekend Predictions: Infinity War Looks to Complete the Threepeat

May 10th, 2018

Life of the Party

Avengers: Infinity War will have no trouble earning first place for the third time at the box office chart. It’s only competition is the sophomore stint of Guardians of the Galaxy Vol 2, which earned $65 million this weekend last year. Hopefully Infinity War will come within $10 million of that. As for the new releases, Life of the Party should earn more than all three new releases earned last weekend, while Breaking In is on track for an opening in the low to mid teens. If all three films can meet these expectations, then 2018 will have a shot at winning in the year-over-year comparison. More...

2018 Preview: May

May 1st, 2018

Solo: A Star Wars Story

April was all about Avengers: Infinity War, which earned about as much during its opening weekend as the next two biggest films, A Quiet Place and Rampage, will earn in total. However, moving Infinity War to April has left a big gap for the first two weeks of May. It isn’t until Deadpool 2 debuts that we have a potential $100 million movie, while the week after Solo: A Star Wars Story closes the month on a strong note. Fortunately, both of those films are expected to earn more than $100 million during their opening weekends alone and combined could earn over $700 million domestically. Last May, Guardians of the Galaxy Vol 2 helped the month get off to a fast start, but it was the only monster hit of the month. Infinity War opening a week early will mean the month will start slower, in terms of new releases, but Infinity War’s record-breaking debut should help 2018 come out ahead in the end. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/05/11 - $159,357   44 $3,622   $192,931 1
2018/05/25 - $2,321   4 $580   $239,930 3
2018/06/01 - $1,089 -53% 2 $545   $241,732 4
2018/06/08 - $220 -80% 1 $220   $242,282 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Central America 5/18/2018 $21,000 5 9 37 $287,975 7/6/2018
Egypt 5/9/2018 $10,336 14 14 38 $18,904 1/1/2019
Germany 8/17/2018 $292,765 241 241 715 $656,563 10/11/2018
Italy 7/26/2018 $17,639 0 0 0 $26,497 8/17/2018
Lebanon 5/10/2018 $19,564 14 14 15 $30,069 1/1/2019
Middle East Region 5/11/2018 $238,431 57 57 89 $417,689 6/14/2018
North America 5/11/2018 $17,630,285 2,537 2,537 10,860 $46,840,590 3/4/2020
South Africa 6/1/2018 $132,186 67 79 444 $878,188 10/11/2018
Spain 8/24/2018 $17,118 15 15 31 $43,547 9/20/2018
Trinidad 6/6/2018 $110,617 19 19 56 $277,237 1/1/2019
United Arab Emirates 5/11/2018 $159,357 44 44 51 $242,282 1/1/2019
United Kingdom 5/11/2018 $575,362 320 320 1049 $1,664,919 7/6/2018
 
Rest of World $100,922
 
Worldwide Total$51,485,382 3/4/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Gabrielle Union    Shaun Russell

Supporting Cast

Billy Burke    Eddie
Richard Cabral    Duncan
Ajiona Alexus    Jasmine Russell
Levi Meaden    Sam
Jason George    Justin Russell
Seth Carr    Glover Russell
Christa Miller    Maggie Harris
Damien Leake    Isaac Paulson
Mark Furze    Peter

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

James McTeigue    Director
Ryan Engle    Screenwriter
Jaime Primak Sullivan    Story by
Will Packer    Producer
Gabrielle Union    Producer
Sheila Hanahan Taylor    Producer
James Lopez    Producer
Craig Perry    Producer
Jaime Primak Sullivan    Executive Producer
Valerie Bleth Sharp    Executive Producer
Jeff Morrone    Executive Producer
Toby Oliver    Director of Photography
Cecele M. De Stefano    Production Designer
Joseph Jett Sally    Editor
Jason Sky Bland    Costume Designer
Johnny Klimek    Composer
Nancy Nayor    Casting Director
Valerie Bleth Sharp    Unit Production Manager
Aldric La'auli Porter    First Assistant Director
Lillian Awa    Second Assistant Director
Rob Bonz    Additional Editor
Shayla Cowan    Associate Producer
Jan McWilliams    Script Supervisor
Michael Budge    Art Director
Kenneth A. Larson    Set Designer
Lisa J. Alkofer    Set Decorator
Chris Giles    Sound Mixer
Anthony Franco    Costume Supervisor
Adam Brandy    Make up
Malika James    Make up
Andre Dubois    Hairstylist
Wankaya Hinkson    Hairstylist
Scott Trimble    Location Manager
Tommy Frazier    Special Effects Supervisor
Ken Clark    Special Effects Coordinator
Nancy Kirhoffer    Post-Production Supervisor
Larry Madaras    First Assistant Editor
Erin Oakley    Supervising Sound Editor
Sean McCormack    Supervising Sound Editor
Paul Pirola    Sound Effects Editor
Trevor Metz    Sound Effects Editor
Ryan Squires    Foley Mixer
Tom Marks    Supervising Re-Recording Mixer
Greg Orloff    Supervising Re-Recording Mixer
Gabriel Mounsey    Additional Music
Gabriel Mounsey    Score Mixer
Raoul Yorke Bolognini    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.