United Kingdom Box Office for Burden (2017)

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Burden
Theatrical Performance (US$)
United Kingdom Box Office $1,994Details
Worldwide Box Office $20,434Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Chris Burden guaranteed his place in art history in 1971 with a period of often dangerous and at times stomach-churning performances. After having himself shot, locked up in a locker for five days, electrocuted, and crucified on the back of a VW bug, Burden reinvented himself as the creator of truly mesmerizing installations and sculptures, from a suspended gigantic flywheel that seemingly spins on its own, to an assemblage of antique streetlights rewired for solar energy and illuminated outside the Los Angeles County Museum of Art.

Metrics

Movie Details

United Kingdom Releases: May 5th, 2017 (Limited)
Video Release: May 5th, 2017 by Magnolia Home Entertainment
MPAA Rating: Not Rated
Running Time: 90 minutes
Keywords: Artists, Biography, Performing Arts, Museum, 1970s, Scene in End Credits, Archive Footage
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Magnolia Pictures, Submarine Entertainment
Production Countries: United States
Languages: English

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Not only did Guardians of the Galaxy Vol 2 earn first place on the weekend box office chart, it was also the top film on the theater average chart earning an average of $33,704. This is the fourth best result of the year so far, second best for a wide release. (Beauty and the Beast is still the best of the year with an average of $41,508.) Second place went to the re-release of Stalker with $20,540 in its lone theater. The Lovers was the only other film in the $10,000 club with an average of $16,572 in four theaters. More...

Limited and VOD Releases: Lovers of Limited Releases

May 5th, 2017

Chuck

It is one of those weeks where it is hard to find a film with high box office potential. Last Men in Aleppo is the best movie, but as a documentary, it likely won’t expand significantly. Chuck has a great cast, but it’s reviews are merely good. Maybe The Lovers will do the best. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/05/05 - $1,519   1 $1,519   $1,519 1
2017/05/12 - $175 -88% 1 $175   $1,914 2
2017/05/19 - $60 -66% 1 $60   $1,994 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
North America 5/5/2017 $3,231 2 13 18 $18,440
United Kingdom 5/5/2017 $1,519 1 1 3 $1,994 5/26/2017
 
Worldwide Total$20,434 5/26/2017

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Chris Burden    Himself

Interviewee(s)

Jonathan Gold    Himself
Marina Abramovic    Herself
Frank Gehry    Himself
Alexis Smith    Herself
John McEnroe    Himself
Vito Acconci    Himself
Brian Sewell    Himself
Ed Ruscha    Himself
Ed Moses    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Richard Dewey    Director
Timothy Marrinan*    Director
David Koh    Producer
Josh Braun    Producer
Dan Braun    Producer
Simone Haggiag    Executive Producer
Stanley Buchthal    Executive Producer
Maja Hoffmann    Executive Producer
Anna Godas    Executive Producer
Jakob Abrahamsson    Executive Producer