Ecuador Box Office for The Conspirator (2011)

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The Conspirator poster
Theatrical Performance (US$)
Ecuador Box Office $2,784,020Details
Worldwide Box Office $15,907,411Details
Home Market Performance
North America DVD Sales $2,741,107 Details
North America Blu-ray Sales $1,556,244 Details
Total North America Video Sales $4,297,351
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

In the wake of Abraham Lincoln's assassination, seven men and one woman are arrested and charged with conspiring to kill the President, Vice President, and Secretary of State. The lone woman charged, Mary Surratt, 42, owns a boarding house where John Wilkes Booth, 26, and others met and planned the simultaneous attacks. Against the ominous back-drop of post-Civil War Washington, newly-minted lawyer, Frederick Aiken, a 28-year-old Union war-hero, reluctantly agrees to defend Surratt before a military tribunal. Aiken realizes his client may be innocent and that she is being used as bait and hostage in order to capture the only conspirator to have escaped a massive manhunt, her own son, John. As the nation turns against her, Surratt is forced to rely on Aiken to uncover the truth and save her life.

Metrics

Movie Details

Production Budget:$25,000,000
Ecuador Releases: October 19th, 2012 (Wide)
Video Release: August 16th, 2011 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for some violent content.
(Rating bulletin 2142, 10/13/2010)
Running Time: 122 minutes
Keywords: Political, Hitmen, War, Conspiracy Theory, Historical Drama, 1860s
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: The American Film Co, Wildwood Enterprises
Production Countries: United States
Languages: English

Blu-ray Sales: Priest Pulls out the Win

September 1st, 2011

Despite only managing fourth place on the DVD sales chart this week, Priest opened on top of the Blu-ray sales chart with 187,000 units / $4.24 million. Its opening Blu-ray ratio was 49% and this is great news for upcoming summer blockbusters, as it suggests they could break 50%. More...

DVD Sales: Rio Earns Trio of Wins

August 30th, 2011

There were six new releases to chart this week, but none were able to push Rio out of top spot. The film sold an additional 361,000 units lifting its running tally to 2.58 million units / $38.67 million after three weeks of release. More...

DVD and Blu-ray Releases for August 16th, 2011

August 16th, 2011

It's a deceptively busy week, as there are several significant releases hitting the home market on Tuesday. However, most of these are wide releases that flopped, to one degree or another. In fact, one of the best selling releases of the week is Jane Eyre, an early success story in limited release. When a limited release could conceivably lead the way in sales... well, that's a sure sign of weakness in the overall market. As for the best release of the week, that would have to go to The Big Lebowski Limited Edition Blu-ray Digibook. The latest season of Dexter would come close, but while the show is great, the releases are not Pick of the Week material. More...

Per Theater Chart: L'Amour's In Love With Top Spot

May 17th, 2011

L'Amour Fou was the only film to top the $10,000 mark on the per theater chart, earning first place with an average of $18,625 in two theaters. The number two film on the overall box office chart, Bridesmaids, did at least come relatively close with an average of $8,995. More...

Evil is Profitable on the Per Theater Chart

April 26th, 2011

Evil Bong 3D earned $19,315 in its lone theater to lead the way on the per theater chart, and clearly I've slipped into an alternate dimension. Actually, I'm very happy with this film's success, as it's distributed by Full Moon Features, the same company that released Puppetmaster and countless other low-budget films I've been a fan of. Second place went to The Double Hour with $14,990, which is less than 1% lower than its opening weekend. Madea's Big Happy Family was the only wide release to reach the $10,000 mark, and it was close at $10,957. There is one confusing release, Incendies, which earned over $60,000 in 13 theaters, if you include Canada. However, if you just look at its U.S. opening, it earned $50,679 in 3 theaters for an average of $16,893, which is much more impressive. More...

Rio and Hour Double-Team the Per Theater Chart

April 19th, 2011

The Double Hour earned top spot on the per theater chart with an average of $15,123 in two theaters. The only other film to crack the $10,000 mark was the overall box office leader, Rio, with an average of $10,250. More...

Weekend Estimates: Rio Opens With $40 Million to Break Box Office Slump

April 17th, 2011

At the 19th attempt, 2011 finally has a legitimate winning weekend at the box office, thanks to a better-than-expected opening for Rio (and, to be fair, a weak comparison weekend last year). With a $40 million estimated debut, Rio lays claim to having the best opening of the year so far, and the fifth-best April weekend of all time (nudging out Hop debut two weeks ago). While that's undoubtedly good news, the rest of the chart is something of a mixed bag. More...

Daydreaming of Limited Releases

April 15th, 2011

It's another big week for limited releases with a couple that are opening in far more theaters than most limited releases can dream of, plus they are opening with a lot stronger buzz. ... Or to be much more accurate, much louder buzz, as the two biggest releases are not exactly earning top notch reviews. The Conspirator is benefiting from an incredible pedigree, which includes Robert Redford as the director. Meanwhile, Atlas Shrugged: Part I is based on a book by Ayn Rand, who has a committed fan base. Personally, the film I'm most interested in seeing is Daydream Nation, which opens in Canada this weekend and in the United States next month. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2012/10/19 7 $2,131   4 $533   $2,131 1
2012/10/26 - $427 -80% 12 $36   $2,784,020 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Brazil 5/4/2012 $27,693 13 13 22 $61,479 12/11/2015
Colombia 5/11/2012 $18,070 16 16 32 $49,540 12/29/2018
Ecuador 10/19/2012 $2,131 4 12 16 $2,784,020 12/29/2018
North America 4/15/2011 $3,506,602 707 849 3,794 $11,538,204 8/28/2013
Peru 6/21/2012 $14,834 11 11 18 $33,805 12/29/2018
Uruguay 6/22/2012 $3,712 2 2 5 $7,641 12/29/2018
Venezuela 10/5/2012 $8,391 3 3 4 $76,105 12/12/2015
 
Rest of World $1,356,617
 
Worldwide Total$15,907,411 12/29/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

James McAvoy    Frederick Aiken
Robin Wright    Mary Surratt

Supporting Cast

Kevin Kline    Secretary Edwin M. Stanton
Evan Rachel Wood    Anna Surratt
Tom Wilkinson    Reverdy Johnson
Alexis Bledel    Sarah
Danny Huston    Joseph Holt
Justin Long    Nicholas Baker
Colm Meaney    General David Hunter

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Robert Redford    Director
Joe Ricketts    Executive Producer
Jeremiah Samuels    Executive Producer
Webster Stone    Executive Producer
Robert Redford    Producer
Greg Shapiro    Producer
Brian Falk    Producer
Robert Stone    Producer
Bill Holderman    Producer
James Solomon    Screenwriter
Newton Thomas Sigel    Cinematographer
Kalina Ivanov    Production Designer
Craig McKay    Editor
Mark Isham    Composer
Josh Gold    Sound Effects Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.