Ecuador Box Office for Dirty Grandpa (2016)
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| Theatrical Performance (US$) |
| Ecuador Box Office |
$97,844 | Details |
| Worldwide Box Office |
$105,078,449 | Details |
| Home Market Performance |
| North America DVD Sales |
$5,757,450 |
Details |
| North America Blu-ray Sales |
$3,798,107 |
Details |
| Total North America Video Sales |
$9,555,557 | |
| Further financial details... |
- Summary
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- Trailer
Synopsis
Jason Kelly is one week away from marrying his boss's uber-controlling daughter, putting him on the fast track for a partnership at the law firm. However, when the straight-laced Jason is tricked into driving his foul-mouthed grandfather, Dick, to Daytona for spring break, his pending nuptials are suddenly in jeopardy. Between riotous frat parties, bar fights, and an epic night of karaoke, Dick is on a quest to live his life to the fullest and bring Jason along for the ride. Ultimately, on the wildest journey of their lives, "dirty" Grandpa and his uptight grandson discover they can learn from one another and form the bond they never had.
Metrics
Movie Details
| Production Budget: | $11,500,000 |
| Ecuador Releases: |
April 8th, 2016 (Wide) |
| Video Release: |
April 26th, 2016 by Lionsgate Home Entertainment |
| MPAA Rating: |
R for crude sexual content throughout, graphic nudity, and for language and drug use.
(Rating bulletin 2401 (Cert #50150), 11/25/2015) |
| Running Time: |
97 minutes |
| Keywords: |
Road Trip, Generational Conflict, Slobs vs. Snobs, Spring Break, Widow/Widower, Buddy Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: |
QED International, Lionsgate, BillBlock Media, Josephson Entertainment |
| Production Countries: |
United States |
| Languages: |
English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2016/04/08 |
4 |
$43,180 |
|
20 |
$2,159 |
$43,180 |
1 |
| 2016/04/15 |
6 |
$15,399 |
-64% |
23 |
$670 |
$97,844 |
2 |
Box Office Summary Per Territory
| Territory |
Release
Date |
Opening
Weekend |
Opening
Weekend
Screens |
Maximum
Screens |
Theatrical
Engagements |
Total
Box Office |
Report
Date |
| Argentina |
2/18/2016 |
$232,554 |
69 |
69 |
178 |
$666,988 |
12/31/2018 |
| Australia |
1/29/2016 |
$1,682,343 |
226 |
230 |
959 |
$4,569,261 |
6/9/2016 |
| Austria |
2/11/2016 |
$469,659 |
50 |
66 |
543 |
$2,694,197 |
6/9/2016 |
| Belgium |
2/17/2016 |
$217,723 |
33 |
33 |
161 |
$792,423 |
6/9/2016 |
| Brazil |
2/4/2016 |
$108,690 |
106 |
106 |
172 |
$279,444 |
6/9/2016 |
| Bulgaria |
2/5/2016 |
$67,800 |
35 |
35 |
196 |
$473,776 |
12/31/2018 |
| Central America |
2/18/2016 |
$0 |
0 |
22 |
58 |
$378,392 |
4/19/2016 |
| Chile |
2/25/2016 |
$43,252 |
22 |
22 |
28 |
$87,955 |
12/31/2018 |
| Colombia |
2/18/2016 |
$164,508 |
118 |
118 |
220 |
$343,328 |
12/31/2018 |
| Croatia |
1/28/2016 |
$83,240 |
23 |
23 |
131 |
$415,642 |
12/31/2018 |
| Ecuador |
4/8/2016 |
$43,180 |
20 |
23 |
43 |
$97,844 |
12/31/2018 |
| France |
2/3/2016 |
$729,991 |
248 |
248 |
607 |
$1,557,448 |
6/9/2016 |
| Germany |
2/11/2016 |
$2,685,230 |
398 |
495 |
3625 |
$11,678,806 |
6/9/2016 |
| Greece |
4/14/2016 |
$67,273 |
58 |
58 |
58 |
$0 |
4/19/2016 |
| Hong Kong |
1/21/2016 |
$414,343 |
34 |
36 |
117 |
$1,459,710 |
6/9/2016 |
| Hungary |
1/28/2016 |
$419,048 |
51 |
51 |
561 |
$1,726,529 |
12/31/2018 |
| Iceland |
1/29/2016 |
$0 |
0 |
3 |
3 |
$76,807 |
12/31/2018 |
| Iraq |
1/21/2016 |
$4,144 |
2 |
2 |
16 |
$30,265 |
12/31/2018 |
| Italy |
4/13/2016 |
$961,411 |
275 |
275 |
590 |
$3,325,915 |
11/11/2018 |
| Lebanon |
1/28/2016 |
$30,244 |
4 |
4 |
25 |
$292,938 |
12/31/2018 |
| Lithuania |
1/22/2016 |
$0 |
0 |
52 |
78 |
$119,807 |
6/9/2016 |
| Mexico |
3/4/2016 |
$808,216 |
0 |
351 |
351 |
$3,175,835 |
6/9/2016 |
| Netherlands |
2/18/2016 |
$281,531 |
84 |
84 |
586 |
$1,473,783 |
6/9/2016 |
| New Zealand |
1/28/2016 |
$140,818 |
56 |
63 |
238 |
$481,868 |
6/9/2016 |
| North America |
1/22/2016 |
$11,111,875 |
2,912 |
2,912 |
11,527 |
$35,593,113 |
12/16/2017 |
| Oman |
1/21/2016 |
$1,589 |
1 |
1 |
2 |
$28,849 |
12/31/2018 |
| Peru |
2/18/2016 |
$225,281 |
82 |
82 |
143 |
$646,354 |
12/31/2018 |
| Philippines |
2/3/2016 |
$0 |
0 |
20 |
20 |
$95,129 |
12/31/2018 |
| Poland |
1/22/2016 |
$198,065 |
0 |
58 |
58 |
$854,374 |
12/31/2018 |
| Portugal |
1/21/2016 |
$151,365 |
49 |
52 |
249 |
$794,698 |
6/9/2016 |
| Romania |
2/5/2016 |
$0 |
0 |
42 |
42 |
$725,286 |
12/31/2018 |
| Russia (CIS) |
1/21/2016 |
$1,265,958 |
752 |
752 |
2125 |
$4,398,628 |
11/13/2018 |
| Serbia and Montenegro |
1/28/2016 |
$26,443 |
19 |
19 |
88 |
$191,672 |
12/31/2018 |
| Singapore |
1/28/2016 |
$148,564 |
27 |
27 |
49 |
$285,547 |
6/9/2016 |
| Slovakia |
1/21/2016 |
$46,671 |
44 |
44 |
112 |
$146,970 |
6/9/2016 |
| Slovenia |
2/4/2016 |
$50,390 |
17 |
17 |
120 |
$306,837 |
6/9/2016 |
| South Africa |
1/29/2016 |
$0 |
0 |
57 |
57 |
$277,436 |
6/9/2016 |
| South Korea |
3/17/2016 |
$312,390 |
392 |
392 |
457 |
$540,016 |
6/9/2016 |
| Switzerland |
2/3/2016 |
$44,190 |
7 |
48 |
153 |
$862,445 |
6/9/2016 |
| Taiwan |
1/22/2016 |
$308,426 |
42 |
45 |
149 |
$1,243,856 |
6/9/2016 |
| Thailand |
2/4/2016 |
$30,195 |
29 |
29 |
40 |
$47,901 |
6/9/2016 |
| Turkey |
1/22/2016 |
$45,149 |
37 |
88 |
145 |
$7,839,089 |
2/26/2019 |
| Ukraine |
1/21/2016 |
$0 |
0 |
81 |
146 |
$608,585 |
12/31/2018 |
| United Arab Emirates |
1/21/2016 |
$390,007 |
60 |
60 |
123 |
$1,086,872 |
12/31/2018 |
| United Kingdom |
1/29/2016 |
$2,903,840 |
424 |
424 |
1717 |
$7,790,811 |
6/9/2016 |
| Uruguay |
3/24/2016 |
$19,113 |
5 |
7 |
21 |
$80,759 |
12/31/2018 |
| |
| Rest of World |
$4,434,261 |
|
| |
| Worldwide Total | $105,078,449 |
2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
