Spain Box Office for End of Watch (2012)

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End of Watch poster
Theatrical Performance (US$)
Spain Box Office $1,117,301Details
Worldwide Box Office $57,586,606Details
Home Market Performance
North America DVD Sales $16,805,404 Details
North America Blu-ray Sales $9,432,473 Details
Total North America Video Sales $26,237,877
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

End Of Watch follows two young Los Angeles police officers Taylor and Zavala as they patrol the mean streets of south central Los Angeles. Giving the story a gripping, first-person immediacy, the action unfolds through footage from the handheld HD cameras of the police officers, gang members, surveillance cameras, and citizens caught in the line of fire to create a riveting portrait of the city's most dangerous corners, the cops who risk their lives there every day, and the price they and their families are forced to pay.

Metrics

Movie Details

Production Budget:$15,000,000
Spain Releases: December 5th, 2012 (Wide)
Video Release: January 22nd, 2013 by Universal Home Entertainment
MPAA Rating: R for strong violence, some disturbing images, pervasive language including sexual references, and some drug use.
(Rating bulletin 2234, 8/1/2012)
Running Time: 109 minutes
Keywords: Beat Cops, Narcotics, Human-Trafficking, Gangs, Organized Crime, Hispanic, Surprise Twist, Epilogue, Filmed By a Character, Voiceover/Narration, Buddy Cop, Hood Film, Crime Thriller
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Open Road Films, Exclusive Media Group, EFF-Hedge Fund Films, Le Grisbi, Crave Films
Production Countries: United States
Languages: English, Spanish

Blu-ray Sales: January 27th, 2013: End Begins On Top

March 14th, 2013

New releases did well on the Blu-ray sales chart for the week of January 27th, 2013. This includes End of Watch, which earned first place with 428,000 units / $9.41 million. Its opening week Blu-ray share was just a hair over 50%, which is really impressive for this type of release. More...

DVD Sales: January 27th, 2013: Watch Gets Taken Out in the End

March 14th, 2013

There were four new releases in the top five of the DVD sales chart for the week of January 27th. However, Taken 2 was able to remain in first place with 516,000 units / $7.73 million over the week for totals of 1.68 million units / $27.55 million after two. More...

Blu-ray Sales: January 20th, 2013: Taken Too Much for Competition

March 5th, 2013

We had a new release on top of the Blu-ray sales chart for the week of January 20th, 2013. Taken 2 sold 838,000 units and generated $16.75 million. Its opening week Blu-ray share was 42%, which is good for the genre, but not great. More...

DVD and Blu-ray Releases for January 22nd, 2013

January 21st, 2013

There are not a lot of big releases on this week's list with End of Watch being the biggest. Conveniently, it is also the best and it is the Pick of the Week on either DVD or Blu-ray Combo Pack. More...

Featured Blu-ray / DVD Review: End of Watch

January 21st, 2013

End of Watch was released in September, which is usually a terrible sign. It didn't seem like a bad movie from the trailer, and there was a lot of buzz going in, but still, that release date is usually a death sentence. Its reviews turned out to be better than expected, award-worthy, in fact. But it was only able to become a midlevel hit. Granted, it was profitable thanks to its low budget and it is one of the best runs for the studio. Will it be able to find an audience on the home market? More...

Awards Season: Silver Linings for Limited Releases

November 28th, 2012

The Independent Spirit Awards has a special place in the Awards Season. The nominations are the unoffficial start of Awards Season, but the actual awards aren't given out until Oscar weekend, so they are the beginning at the end of Awards Season. They also help out a lot of limited releases that would otherwise not get enough buzz, although they are not so good at predicting Oscar wins. This year, two films tied for most nominations, Moonrise Kingdom and The Silver Linings Playbook, both of which earned five nominations. They weren't the only films to earn multiple nominations though. More...

Weekend Wrap-Up: An Early Halloween Treat

October 1st, 2012

September ended on a record-breaking note as Hotel Transylvania finally bumped Sweet Home Alabama out of top spot on the September weekend list. That record lasted a full decade, which is amazing given the total ticket price inflation since 2002. Not only did Hotel Transylvania crush predictions, Looper also did a little bit better than predicted, a tiny bit better than predicted. This is true of just about every film in the top ten, and every little bit helps. Overall, the weekend box office surged 30% from last weekend to $118 million, which was 19% higher than the same weekend last year. Let's hope this is more than a momentary blip and the beginning of a new winning streak. More...

Weekend Predictions: A Vacancy for New Releases

September 27th, 2012

There are two wide releases coming out this week that should be in a relatively close race for first place, plus an also-ran that will mostly be forgotten. Last week I thought Looper would win the weekend over Hotel Transylvania; however, that's probably not going to happen. Looper is definitely the better movie, but Hotel Transylvania is opening in more theaters than expected, while Looper is opening in less than expected. Both should do decent business, at least compared to the rest of September's new releases. On the other hand, Won't Back Down will likely struggle just to reach the top five. There's one more new release with a shot at a spot in the top ten, Pitch Perfect. It's opening in more than 300 theaters, which is a risky proposition. If it does open in the top ten, it could expand wide next weekend. I don't think it is very likely, but I'll have more to say with the limited release report. Last year there were four wide releases, but none of them cracked $10 million. The number one film was Dolphin Tale at just under $13 million. If we don't top that this year, we are in a world of trouble. More...

Weekend Wrap-Up: End Starts on Top

September 24th, 2012

It was another terrible week at the box office with only one of the four wide releases matching pre-weekend predictions. End of Watch was able to come out on top and it was only the second time an Open Road release was able to do that. The rest of the films ranged from a little disappointing to, 'Please don't make me talk about this; it's depressing.' The overall box office rose by 5.1% from last week to $90, but that's a staggering 23% lower than the same weekend last year. Yes, year-to-date, 2012 is still ahead of 2011, but its lead continues to shrink reaching just 2.5% at $7.92 billion to $7.73 billion. Ticket sales are just 1.3% higher than last year's pace and the upcoming releases don't seem particularly strong, so by the end of October, we could officially be in trouble. More...

Weekend Estimates: Three-Way Tie on Another Slow Weekend

September 23rd, 2012

Moviegoers have delivered a split verdict this weekend, with any one of three films in the running for top spot as of Sunday morning. End of Watch and House at the End of the Street are tied at $13 million, according to projections from Open Road and Relativity, but Trouble with the Curve is right behind them with a projected $12.72 million, according to Warner Bros., and the eventual winner is still anybody's guess. In fact, Trouble with the Curve may have a slight edge, since it is likely to have better legs on Sunday. For all the intrigue at the top, September continues to be a very sluggish month at the box office, and there's little that this weekend's new releases will do to change that. More...

Weekend Predictions: Will the New Releases Be in Trouble?

September 20th, 2012

This weekend there are four wide releases, which is too many. The odds are at least one, more likely two films will miss reaching their full potential. That's under normal circumstances. The box office is clearly sub-normal at the moment. The widest release of the week is Trouble with the Curve, but its Tomatometer Score has fallen from close to 90% to barely more than 60%. At this pace, by the time the weekend starts, it will be below the overall positive level. House at the End of the Street has good buzz, but still no reviews, and that is troubling. Dredd's reviews are shockingly good, but the film has had trouble escaping the remake stink. Finally, End of Watch is also earning great reviews, but its studio has a really bad track record at the box office. By comparison, last year there were four wide releases, none of which earned more than $20 million; however, three of them did earn more than $10 million and the fourth came close, while The Lion King won the weekend with more than $20 million. I think it will be another loss for 2012 in the year-over-year comparison. It likely won't be close. More...

Contest: Trouble Predicting The Winner

September 13th, 2012

Next weekend there are four films opening wide. Not only that, but there is a real debate about which film will be the number one release over the weekend. Trouble with the Curve went from being a film that might not open truly wide to the widest release of the weekend. (I think the RNC has a lot to do with that.) However, it has aimed at a very mature target demographic, and they rarely rush out to see a film's opening weekend. On the other hand, Dredd screams Fanboy and its reviews are amazing. However, the buzz is bad, mostly from people complaining about the original. End of Watch also has great early reviews. However, Open Road has only had one film crack $10 million during its opening weekend. House at the End of the Street has one of the hottest young stars, Jennifer Lawrence, in the lead. However, there are no early reviews. So which film will be our target film? Ummmm... Let me grab a dice. House at the End of the Street is the target film in this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for House at the End of the Street. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Terra Nova: The Complete Series on DVD. Meanwhile, whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Terra Nova: The Complete Series on DVD. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2012 Preview: September

September 1st, 2012

August is over and let's just be glad we never have to talk about that month again. It is too early to tell how a couple of the wide releases from the month will do, but of the other fourteen we have solid numbers for, none of them were a pleasant surprise. There were a few that were mildly disappointing, but likely still profitable. There were also a few that were "What were they thinking?" level of box office bomb. This September, there about a dozen films opening wide, depending on your definition of wide. (Plus, For A Good Time, Call might expand wide on the 14th, while The Master is opening in limited release on the 14th, but might expand wide before the end of the month. "Might" is the key here. I don't think either will get it done.) None of the dozen films are likely to get to $100 million. In fact, there's a good chance no film opening this month will get to $75 million in total. The biggest film of the month could be Finding Nemo, which is getting a 3D Re-release. As long as the movie going public hasn't tired of 3D re-releases, it should be a hit, but there are signs that the trend might be ending soon. There are a few others that should become midlevel hits, but most will struggle to find an audience. Last September was not terrible with one $100 million film and a few other midlevel hits. For 2012 to come out ahead, it will have to rely on depth, and I'm more than a little worried in that regard. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2012/12/07 5 $423,533   215 $1,970   $646,912 1
2012/12/14 7 $143,136 -66% 200 $716   $895,942 2
2012/12/21 10 $51,087 -64% 101 $506   $1,003,475 3
2012/12/28 13 $29,751 -42% 40 $744   $1,056,163 4
2013/01/04 17 $11,454 -62% 36 $318   $1,098,375 5
2013/01/11 23 $2,954 -74% 16 $185   $1,115,755 6
2013/01/18 28 $203 -93% 4 $51   $1,117,014 7
2013/01/25 32 $28 -86% 1 $28   $1,117,301 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/14/2013 $56,244 32 32 52 $85,338 12/30/2018
Australia 11/1/2012 $767,931 191 191 586 $2,010,257 12/12/2015
Austria 12/20/2012 $0 0 21 41 $253,846 12/13/2015
Belgium 12/5/2012 $74,328 17 17 51 $137,619 12/13/2015
Brazil 11/2/2012 $14,314 37 88 194 $326,705 12/12/2015
Colombia 4/5/2013 $16,759 18 18 18 $16,759 12/30/2018
Croatia 3/14/2013 $5,861 8 8 31 $12,443 12/30/2018
Czech Republic 11/8/2012 $28,537 41 41 64 $46,706 12/29/2018
Denmark 11/29/2012 $0 0 45 55 $137,982 12/12/2015
Egypt 12/12/2012 $8,535 5 5 6 $10,323 12/29/2018
Finland 11/9/2012 $0 0 17 17 $124,741 12/12/2015
France 11/14/2012 $451,381 146 146 146 $451,381 12/12/2015
Germany 12/20/2012 $548,966 179 179 537 $1,803,319 12/13/2015
Hong Kong 10/18/2012 $53,698 22 22 29 $113,940 12/12/2015
Hungary 11/1/2012 $0 0 19 19 $58,943 12/29/2018
Iceland 10/12/2012 $0 0 4 11 $66,680 12/29/2018
Italy 11/22/2012 $237,813 129 129 221 $421,734 12/13/2015
Lebanon 10/25/2012 $0 0 3173 3173 $25,499 12/29/2018
Malaysia 1/3/2013 $37,198 14 14 39 $78,552 12/14/2015
Netherlands 10/18/2012 $0 0 42 42 $376,466 12/12/2015
North America 9/21/2012 $13,152,683 2,730 2,780 12,904 $41,003,371 12/2/2014
Norway 11/30/2012 $43,665 35 35 92 $161,954 12/13/2015
Philippines 10/3/2012 $38,268 40 40 40 $38,268 12/29/2018
Poland 12/14/2012 $79,125 67 67 122 $232,939 12/29/2018
Portugal 11/22/2012 $64,953 36 36 113 $194,985 12/13/2015
Romania 10/5/2012 $0 0 5 14 $81,982 12/29/2018
Russia (CIS) 9/20/2012 $746,812 450 450 892 $1,294,052 12/29/2018
Serbia and Montenegro 12/6/2012 $2,614 7 8 63 $5,406 12/30/2018
Singapore 10/18/2012 $116,049 27 27 51 $225,345 12/12/2015
Slovakia 11/8/2012 $12,724 24 24 35 $25,146 12/12/2015
Slovenia 11/22/2012 $5,281 3 3 9 $13,091 12/12/2015
Spain 12/5/2012 $423,533 215 215 613 $1,117,301 12/14/2015
Sweden 11/30/2012 $46,672 23 23 32 $2,672,226 12/13/2015
Switzerland 1/3/2013 $111,374 19 19 19 $114,229 12/13/2015
Taiwan 9/28/2012 $129,192 39 39 80 $391,094 12/12/2015
Thailand 9/27/2012 $67,783 57 57 112 $125,352 12/12/2015
Turkey 9/21/2012 $37,950 40 40 137 $107,942 12/29/2018
Ukraine 9/20/2012 $37,252 37 37 46 $71,373 12/29/2018
United Arab Emirates 10/18/2012 $131,738 33 33 33 $131,738 12/29/2018
United Kingdom 11/23/2012 $997,715 278 278 421 $3,018,778 12/13/2015
Uruguay 12/19/2013 $801 1 1 1 $801 12/30/2018
 
Worldwide Total$57,586,606 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Jake Gyllenhaal    Brian Taylor
Michael Peña    Mike Zavala

Supporting Cast

Anna Kendrick    Janet
Natalie Martinez    Gabby
Frank Grillo    Sarge
America Ferrera    Orazco
David Harbour    Van Hauser
Jaime Fitzsimmons    Captian Resse
Cody Horn    Davis
Kevin Vance    Ice Agent

Uncategorized

Ron Rogge    Pastor Simons (Uncredited)

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

David Ayer    Director
David Ayer    Screenwriter
John Lesher    Producer
David Ayer    Producer
Nigel Sinclair    Producer
Matt Jackson    Producer
Randall Emmett    Executive Producer
Stepan Martirosyan    Executive Producer
Remington Chase    Executive Producer
Adam Kassan    Executive Producer
Chrisann Verges    Executive Producer
Guy East    Executive Producer
Tobin Armbrust    Executive Producer
Jake Gyllenhaal    Executive Producer
Alex Ott    Co-Producer
Ian Watermeier    Co-Producer
Jillian Longnecker    Co-Producer
Roman Vasyanov    Cinematographer
Dody Dorn    Editor
David Sardy    Composer
Season Kent    Music Supervisor
Gabe Hilfer    Music Supervisor
Devorah Herbert    Production Designer
Kevin Constant    Art Director
Betty Berberian    Set Decorator
Bob Iannaccone    Costume Designer
Lisa Pinero    Sound Mixer
Mike Wilhoit    Sound Editor
Joe Barnett    Re-recording Mixer
Chris Minkler    Re-recording Mixer
Kevin Hannigan    Special Effects Coordinator
Adam Avitabile    Visual Effects Supervisor
Mike Gunther    Stunt Coordinator
Paul 'Sparky' Barrera    Associate Producer
Jason Blumenfeld    Assistant Director
Mary Vernieu    Casting Director
Lindsay Graham    Casting Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.