Argentina Box Office for Father Figures (2017)

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Bastards
Theatrical Performance (US$)
Argentina Box Office $188,505Details
Worldwide Box Office $21,038,441Details
Home Market Performance
North America DVD Sales $1,966,303 Details
North America Blu-ray Sales $944,784 Details
Total North America Video Sales $2,911,087
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Fraternal twins Kyle and Peter accidentally discover they’ve been living with a lie all their lives. The kindly man in the photo on their mantle isn’t their father after all, but an invention their mother concocted to conceal the truth: that she actually doesn’t know who their real father is. See, it was the seventies, and things were crazy, and… well, you know. Armed with only a handful of clues, the brothers resolve to find the mystery man in what results in a road trip of discovery and revelations—about their mother, themselves and each other.

Metrics

Movie Details

Production Budget:$25,000,000
Argentina Releases: March 16th, 2018 (Wide)
Video Release: March 20th, 2018 by Warner Home Video
MPAA Rating: R for language and sexual references throughout.
(Rating bulletin 2495 (Cert #50589), 9/27/2017)
Running Time: 113 minutes
Keywords: Twins, Dysfunctional Family, Faked Death, Road Trip, Family Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Alcon Entertainment, Montecito Picture Company, DMG Entertainment
Production Countries: United States
Languages: English

Home Market Releases for April 3rd, 2018

April 3rd, 2018

My Hero Academia

It’s a short week for one reason: Star Wars: The Last Jedi, which came out last week, but it is still scaring away top-notch releases. There are only a couple of first-run releases coming out this week, Father Figures and Insidious: The Last Key. However, there are also a few films in the main section that wouldn’t even be included in the secondary releases on a normal week. There are a trio of Pick of the Week contenders, including Jumanji: Welcome to the Jungle, but that’s a late review. The best of this week’s releases are Jane and My Hero Academia Season Two, Volume One. Both are absolutely worth picking up, but in the end, I went with My Hero Academia. More...

Home Market Releases for March 20th, 2018

March 20th, 2018

Coco

It is a slow week with less than a dozen releases in the main section, and that includes two late reviews. There’s no more than that for the secondary Blu-ray releases. That said, a high percentage of these are worth picking up with many Pick of the Week contenders. For example, the biggest release of the week, Jumanji: Welcome to the Jungle, is one of the best, as is one of the smallest releases, Miss Kiet’s Children. However, in the end, I went with Coco, which technically came out a couple of weeks ago, but the screener arrived late and it really deserves the title of Pick of the Week. More...

Weekend Wrap-Up: Abridged Edition: Star Wars Tops Estimates with $71.57 million / $99.03 million

December 26th, 2017

Star Wars: The Last Jedi

We still don’t have final numbers for the weekend or Christmas day, and because of the holidays, we likely won’t get them until January 2nd. This means were are stuck with weekend estimates for Jumanji: Welcome to the Jungle and other films and no information for Monday. Star Wars: The Last Jedi outperformed estimates with $71.57 million for a four-day total of $99.03 million. Its 11-day total is $395.63 million and it will take just 12 days to get to $400 million. That’s not the record, but it is the third best result and that's still very impressive. More...

Weekend Estimates: Last Jedi Easily Holds Off Five Newcomers

December 24th, 2017

Star Wars: The Last Jedi

It’s a very crowded weekend, to say the least, in theaters, with five new wide releases already playing, and another joining the fray tomorrow. The Last Jedi is unperturbed by the competition, and will come out an easy winner, according to studio estimates released on Sunday. Its $68.486 million projected 3-day gross takes it to $365 million after 10 days in release. Among its new records this weekend, it became the 3rd-fastest film to earn $350 million at the domestic box office, and will have the 3rd-best Christmas weekend. All this is in spite of the fact that takings are expected to be down significantly today as everyone prepares for, or starts celebrating, the holiday. More...

Friday Estimates: The Last Jedi Adds $24.68 Million to Top $300 Million

December 23rd, 2017

Star Wars: The Last Jedi

This weekend complicated, as Christmas Eve lands on a Sunday and Christmas Day technically makes it a four-day weekend. Although with so many schools closed for the holidays, you could almost call it a eleven-day weekend. This makes interpreting Friday’s box office numbers more difficult than usual. Star Wars: The Last Jedi earned $24.68 million on Friday, putting its running tally to $321.28 million. It tied Jurassic World for second-fastest to $300 million at just 8 days. On the other hand, this is a little bit lower than our predictions. It still has a real shot at over $100 million during the four-day weekend, but it could have to wait until Tuesday to get to $400 million. More...

Last Jedi Finishes Week in First Place with $17.8 million on Thursday

December 22nd, 2017

Star Wars: The Last Jedi

Star Wars: The Last Jedi bounced back 5% from Wednesday, earning $17.8 million on Thursday for a week-long total of $296.5 million. It is impossible to compare the film to The Force Awakens, as the seventh day in that film’s run was Christmas Eve and it fell 28% as a result. Rogue One grew a lot more, up 12% to $16.7 million. I was expecting the film to bounce back more than this. That said, it is already in seventh place on the 2017 domestic chart and will be in fourth place by the end of the weekend. Add in Christmas and it will be at over $500 million by the end of the year. More...

Weekend Predictions: New Releases are Far From Perfect

December 21st, 2017

Pitch Perfect

This is technically Christmas Weekend, so it should come as no surprised that there are a lot of movies vying for that lucrative Christmas family audience. Two of them, Jumanji: Welcome to the Jungle and The Greatest Showman, opened yesterday, and we’ve already talked about how well they did on their opening day. On Friday, they will be joined by Pitch Perfect 3, Downsizing, and Father Figures, none of which are earning good reviews and only one of which is expected to be a box office hit. This should leave Star Wars: The Last Jedi on top of the chart with room to spare. This weekend last year, Rogue One: A Star Wars Story dominated the box office, while Sing was the only release that was a major hit. More...

2017 Preview: December

December 1st, 2017

The Last Jedi

The box office was mostly as expected during November. Granted, Thor: Ragnarok over-performed and Justice League underperformed, but overall there were no real surprises. This means the month started slow, but we got a couple of wins in the end and that bodes well going into the final month of the year. That said, December is a weird month. There are five weekends, but only seven films that I’m sure are opening truly wide. Additionally, five of those seven films are opening Christmas weekend. I’ve never seen a month this lop-sided. There are no real wide releases the first two weeks of the month, so we will likely start slow again, but when The Last Jedi debuts, we should see explosive growth at the box office. It will open with more than any film last December made and that should help 2017 cut into 2016’s lead. 2017 won’t be able to close the gap entirely, but the month could do well enough to cut 2016’s lead to under $250 million. That’s my goal. If that happens, I will be happy. More...

Bastards Trailer

January 3rd, 2017

Comedy starring Ed Helms and Owen Wilson opens January 27 ... Full Movie Details. More...

2017 Preview: January

January 1st, 2017

xXx: Return of Xander Cage

December box office numbers helped 2016 end on ... a note. The good news and the bad news almost exactly balance out. On the one hand, Rogue One: A Star Wars Story will finish the year with more than $400 million after just 16 days of release. That’s a stunning amount of money that helped 2016 earn a record box office at the domestic market. However, Star Wars: The Force Awakens earned $650 million during December of 2015, so the month lost a lot of its lead over 2015, so much so that ticket sales fell behind last year’s total. The weakness at the end of the year will spill over into 2017, which is terrible news. A slow start could result in the dominant box office story being 2017 struggles compared to 2016. Bad news like this can sometimes become a self-fulfilling prophecy. Sadly, 2017 is also going to get off to a slow start when it comes to wide releases / expansions. There are 16 films scheduled to open or expand wide this month and none of them are expected to get to $100 million. It is likely none of them will even get very close. xXx: Return of Xander Cage is expected to be the best of a weak bunch, but I could see it getting beat by one of the five Oscar contenders opening wide this month, if it gets off to a slow start and one of the Oscar contenders starts picking up steam. Hidden Figures got off to a great start on Christmas Day and should it continue to earn Awards Season recognition, including some Oscar nominations, it could be in wide release well into February. Last January wasn’t as busy with 13 films opening or expanding wide over five weeks. Of these, two of them, The Revenant and Kung Fu Panda 3, topped $100 million domestically, while another, Ride Along 2, came close. 2017 is going to get destroyed in the year-over-year comparison. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/16/2018 $116,142 0 0 0 $188,505 1/1/2019
Australia 2/2/2018 $3,652 20 20 20 $3,652 2/5/2018
Brazil 1/19/2018 $248,405 0 0 0 $287,682 6/14/2018
Bulgaria 12/22/2017 $8,961 0 0 0 $75,986 2/26/2019
Italy 3/1/2018 $363,490 0 0 0 $363,490 3/5/2018
Mexico 3/1/2018 $217,559 0 0 0 $217,559 3/5/2018
Netherlands 1/19/2018 $149,267 57 57 170 $336,096 2/5/2018
North America 12/22/2017 $3,287,451 2,902 2,902 8,014 $17,501,244
Poland 12/22/2017 $41,541 0 0 0 $41,541 1/1/2019
Russia (CIS) 1/12/2018 $857,474 1215 1215 2604 $1,536,118 1/1/2019
Slovakia 12/29/2017 $44,027 45 45 114 $134,544 1/31/2018
United Kingdom 2/16/2018 $352,024 323 323 323 $352,024 2/21/2018
 
Worldwide Total$21,038,441 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Owen Wilson    Kyle Reynolds
Ed Helms    Peter Reynolds
J.K. Simmons    Ronald Hunt
Katt Williams    Hitchhiker
Terry Bradshaw    Himself
Ving Rhames    Rod Hamilton
Christopher Walken    Dr. Walter Tinkler
Glenn Close    Helen Baxter

Supporting Cast

Harry Shearer    Gene
Robert Jon Mello*    Mr. Jensen
Retta*    Annie
Zachary Haven    Ethan
Mary Grill    Katherine
Ann McKenzie    Sheila
Jessica Gomes    Kaylani
Sarah Skeist    Pretty Flight Attendant
Jo Wintker    Elderly Woman
Debra Stipe    Karen Bradshaw
Hannah Black    Field Hockey Girl #1
Sarah Stipe    Field Hockey Girl #2
Essence Wallace    Field Hockey Girl #3
June Squibb    Mrs. Hunt
Robert Pralgo    Ferrari Owner
Niki Davis    Ferrari Owner’s Wife
Donna Duplantier    ER Doctor
Robert Walker Branchaud    Officer #1
B’nard Lewis    Officer #2
Andrew Wilson    Hotel Desk Clerk
Katie Aselton    Sarah
Ryan Cartwright    Liam O’Callaghan
Ryan Gaul    Sean O’Callaghan
Jack McGee    Kevin O’Callaghan
Taylor Treadwell    Kelly
Jim France    Father McManus
Ali Wong    Ali

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Larry Sher    Director
Justin Malen    Screenwriter
Broderick Johnson    Producer
Andrew Kosove    Producer
Ivan Reitman    Producer
Ali Bell    Producer
Tom Pollock    Executive Producer
Timothy M. Bourne    Executive Producer
Scott Parish    Executive Producer
Chris Fenton    Executive Producer
Chris Cowles    Executive Producer
John Lindley    Director of Photography
Stephen H. Carter    Production Designer
Dana E. Glauberman    Editor
Julie Weiss    Costume Designer
Rob Simonsen    Composer
Alan D'Antoni    Stunt Coordinator
Joulles Wright    Costume Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.