South Korea Box Office for Laurel (2015)

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Theatrical Performance (US$)
South Korea Box Office $57,502Details
Worldwide Box Office $1,732,228Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

The true love story of Laurel Hester and Stacie Andree and their fight for justice. A decorated New Jersey police detective, Laurel is diagnosed with cancer and wants to leave her hard earned pension to her domestic partner, Stacie. However the county officials, Freeholders, conspire to prevent Laurel from doing this. Hard-nosed detective Dane Wells, and activist Steven Goldstein, unite in Laurel and Stacie’s defense, rallying police officers and ordinary citizens to support their struggle for equality.

Metrics

Movie Details

Production Budget:$7,000,000
South Korea Releases: July 7th, 2016 (Limited), released as Laurel
Video Release: January 19th, 2016 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for some thematic elements, language and sexuality.
(Rating bulletin 2386, 8/12/2015)
Running Time: 103 minutes
Keywords: LGBTQ+, LGBT Rights Movement, Romance, Terminal Illness, Cancer
Source:Based on Short Film
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Masproduction, Shiny Penny, Lieutenant Films, High Frequency Entertainment
Production Countries: United States
Languages: English

Home Market Releases for February 2nd, 2016

February 2nd, 2016

Snow White and the Seven Dwarfs

This week the home market is led by a Blu-ray double-dip, Snow White and the Seven Dwarfs, while there is also an Oscar contender, Bridge of Spies, on the top. After that, the list is filled with bombs and weaker limited releases. It was an easy choice to select Snow White as Pick of the Week. More...

Per Theater Chart: Malala and Mars

October 8th, 2015

He Named Me Malala

Only two films were in the $10,000 club this weekend. He Named Me Malala led the way with an average of $15,221 in four theaters, which is very strong for a documentary. The film's reviews are only good, but the appeal here is Malala Yousafzai and I don't think moviegoers are too upset that the film is a little shallow. The Martian was close behind with an average of $14,176. More...

Limited and VOD Releases: Shanghaied

October 2nd, 2015

A Christmas Horror Story

It is a bad week for limited releases. Shanghai is the biggest release on this week's list, but that just means it is opening in way too many theaters to thrive. The film I'm most interested in is A Christmas Horror Story, but I do have a well-known pro-Canada bias. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/07/08 26 $18,197   62 $294   $29,870 1
2016/07/15 34 $5,660 -69% 19 $298   $48,125 2
2016/07/22 31 $2,432 -57% 12 $203   $53,338 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/17/2016 $0 0 17 18 $16,532 4/19/2016
Australia 11/6/2015 $28,908 37 37 89 $70,484 6/9/2016
Austria 4/8/2016 $8,628 20 20 31 $15,833 6/9/2016
Brazil 4/22/2016 $45,472 0 0 0 $74,721 11/15/2018
Central America 1/28/2016 $3,214 13 13 13 $3,214 2/2/2016
France 2/10/2016 $148,900 80 80 80 $148,900 6/9/2016
Germany 4/7/2016 $45,933 75 75 127 $82,867 6/9/2016
Hong Kong 12/10/2015 $25,778 12 12 18 $66,410 6/9/2016
Italy 11/5/2015 $231,180 162 162 234 $383,978 6/9/2016
Netherlands 5/19/2016 $13,106 19 19 38 $19,598 11/18/2018
New Zealand 11/6/2015 $5,205 17 17 65 $16,316 12/14/2015
North America 10/2/2015 $37,983 5 148 398 $546,201 7/25/2016
Portugal 3/24/2016 $17,471 14 14 37 $45,444 6/9/2016
Russia (CIS) 5/6/2016 $3,113 0 0 0 $8,622 11/13/2018
Slovenia 3/31/2016 $0 0 5 5 $799 6/9/2016
South Korea 7/7/2016 $18,197 62 62 93 $57,502 8/11/2016
Spain 5/6/2016 $45,129 88 88 136 $92,889 6/9/2016
Turkey 12/4/2015 $3,749 8 8 20 $10,387 12/30/2018
United Kingdom 2/19/2016 $18,167 12 12 24 $21,446 6/9/2016
Uruguay 4/7/2016 $2,778 4 4 5 $3,517 12/31/2018
Venezuela 3/25/2016 $1,491 6 6 11 $9,153 6/9/2016
 
Rest of World $37,415
 
Worldwide Total$1,732,228 12/31/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Julianne Moore    Laurel Hester
Elliot Page    Stacie Andree

Supporting Cast

Michael Shannon    Dane Wells
Steve Carell    Steven Goldstein
Luke Grimes    Todd Belkin
Gabriel Luna    Quesada
Anthony De Sando    Toohey
Skipp Sudduth    Chief Reynolds
Josh Charles    Bryan Kelder
Kevin O'Rourke    Dan Wickery
Tom McGowan    William Johnson
William Sadler    Peter Santucci
Dennis Boutsikaris    Pat Gerrity
Adam LeFevre    Don Bennett
Jeannine Kaspar    Margaret
Mary Birdsong    Carol Andree
Kelly Deadmon    Lynda Hester
Traci Hovel    Hannah
Julie Reiber    Cat
Mina Sundwall    Maya Kelder
Sahr Ngaujah    Father John
Stink Fisher    Jake
Karl Jacob    Jeeter
Portia Reiners    Christy Miller
Jess Jacobs    Stacie's Team Member
Suzanne Savoy    Town Clerk
Tom Place    Driver of Jeep
Robbie Tann    First Thug
Mary Joy    Estelle the Realtor
Oliver Solomon    Security Guard
Henny Russell    Dr. Sarah Tonner
Susan Merson    Harriet
Jessica Pressman    TV Reporter
Joe Diomede    Derrick
Dane Wells    Honor Guard

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Peter Sollett    Director
Ron Nyswaner    Screenwriter
Michael Shamberg    Producer
Stacey Sher    Producer
Cynthia Wade    Producer
Jack Selby    Producer
Duncan Montgomery    Producer
James D. Stern    Producer
Julie Goldstein    Producer
Phil Hunt    Producer
Compton Ross    Producer
Kelly Bush Novak*    Producer
Elliot Page    Producer
Robert Salerno    Executive Producer
Richard Fischoff    Executive Producer
Ameet Shukla    Executive Producer
Taylor Latham    Executive Producer
Adam Del Deo    Executive Producer
Scott Stone    Executive Producer
Hilary Davis    Executive Producer
Stephen Kelliher    Executive Producer
Greg Schenz    Executive Producer
Maryse Alberti    Director of Photography
Jane Musky    Production Designer
Andrew Mondshein    Editor
Hans Zimmer    Composer
Johnny Marr    Composer
Linda Cohen    Music Supervisor
Stacey Battat    Costume Designer
Avy Kaufman    Casting Director
Robert Salerno    Unit Production Manager
Maggie Murphy    First Assistant Director
Cathleen McFadyen    Second Assistant Director
Kristy Maurer    Co-Producer
Ana R. Seyffert Saenz    Associate Producer
Robert Patrick Malkassian    Associate Producer
Jessica Pressman    Associate Producer
Lisa G. Hannusch    Associate Producer
William Hernstadt    Associate Producer
Tom Harberd    Associate Producer
Anita Sum    Production Supervisor
Patrice Andrew Davidson    Art Director
Joanne Ling    Set Decorator
Tony Osso    Script Supervisor
Ken Ishii    Sound Mixer
Wendy Bailey    Costume Supervisor
Mandy Lyons    Hairstylist
Therese Ducey    Hairstylist
Elaine Offers    Make up
Eve Morrow Chubb*    Make up
Jeremy Selenfriend    Special Make-up Effects
Jeremy Selenfriend    Make-up and Prosthetic Effects Designer
Drew Jiritano    Special Effects Coordinator
Isabel Henderson    Post-Production Supervisor
Ryan Murphy    First Assistant Editor
Michael Barry    Re-recording Mixer
John J. Morris    Re-recording Mixer
John J. Morris    Supervising Sound Editor
William Sweeney    Dialogue Editor
Catherine Wilson    Music Editor
Shari Johanson    Music Editor
Andrew Lim    Visual Effects Supervisor
Stephen Pope    Stunt Coordinator
Christopher Place    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.