Spain Box Office for Godzilla (2014)

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Godzilla poster
Theatrical Performance (US$)
Spain Box Office $3,459,193Details
Worldwide Box Office $529,076,069Details
Home Market Performance
North America DVD Sales $17,786,804 Details
North America Blu-ray Sales $27,371,952 Details
Total North America Video Sales $45,158,756
Further financial details...

  1. Summary
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  4. Worldwide
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  6. Cast & Crew
  7. Trailer

Synopsis

Godzilla 3D remake.

Metrics

Movie Details

Production Budget:$160,000,000
Spain Releases: May 15th, 2014 (Wide)
Video Release: September 16th, 2014 by Warner Home Video
MPAA Rating: PG-13 for intense sequences of destruction, mayhem and creature violence.
(Rating bulletin 2317, 4/9/2014)
Running Time: 123 minutes
Franchise: Godzilla, MonsterVerse
Keywords: 3-D, Reboot, Foreign-Language Remake, Development Hell, Kaiju, 3-D - Shot in 3-D, Visual Effects, Motion Capture Performance, 3-D - Post-production Conversion, IMAX: DMR
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Legendary Pictures
Production Countries: United States
Languages: English

2014 - Holiday Gift Guide - Part I

November 26th, 2014

This Thursday is Thanksgiving, which means this is Black Friday and Cyber Monday, and a ton of shopping. It also means the first installment of our Holiday Gift Guide. Over the next month, we will talk about TV on DVD releases, independent releases, foreign language releases, classics, etc. but this week we start with Major Movie Releases. These are first run releases, franchise box sets, etc. In some ways, this is better than last year, as there were a wider number of big releases that would make great gifts. However, in other ways it is much weaker. I can't think of a single big franchise box set that came out this year. There are some smaller ones, like the Halloween Box Set, but while the franchise has lasted ten installments and 30 years, how many can you really say are worth repeated viewing? Fortunately, there were plenty of great films to come out this year, starting with what is currently the biggest hit of the year. More...

DVD and Blu-ray Releases for September 16th, 2014

September 16th, 2014

The Christmas Shopping Season is kicking into high gear with a great mix of first-run releases, as well as TV on DVD releases. The biggest release of the week is Godzilla and while it is worth picking up on DVD, Blu-ray Combo Pack, or 3D Combo Pack, it isn't quite Pick of the Week material. For that, we turn to The Fault in Our Stars on DVD or Blu-ray Combo Pack and Eraserhead on Blu-ray (Criterion Collection). It was a close call, but in the end, I went with The Fault in Our Stars. More...

Weekend Wrap-Up: Holdovers Help, But Summer Stops

August 19th, 2014

Let’s Be Cops poster

Only one of the three wide releases this past weekend did reasonably well over the weekend. Despite earning reviews that were flirting with single-digits, Let's Be Cops was the best of the new releases this weekend earning an acceptable opening. On the other hand, Teenage Mutant Ninja Turtles and Guardians of the Galaxy held on well earning first and second places over the weekend. The overall box office plummeted from last weekend down 23% to $143 million, but this is still 2.5% more than the same weekend last year. Year-to-date, 2014 is still behind 2013, even though the gap shrunk a little bit at 4.5% or $6.75 billion to $7.07 billion. More...

Weekend Wrap-Up: Guardians Help Summer Recover

August 5th, 2014

Guardians of the Galaxy poster

Finally! Finally we have a week where there's nothing but good news to talk about. Guardians of the Galaxy crushed high expectations breaking the August records for biggest day and biggest weekend. While Guardians dominated at the box office chart, Get On Up did okay in the counter-programming role. This helped the overall box office soar, rising 20% when compared to last weekend to $186 million. More importantly, this was 35% better that this weekend last year. Year-to-date, 2014 is still behind 2013 $6.26 billion to $6.62 billion, but the gap was closed a little bit at $360 million or 5.4%. More...

International Box Office: Apes Overtake Dinobots

July 30th, 2014

Dawn of the Planet of the Apes poster

Dawn of the Planet of the Apes rose to first place on the international chart with $54.8 million on 12,247 screens in 61 markets for a total of $186.7 million after three weeks of release. Worldwide, the film's running tally rose to $359.2 million, which is still about $120 million away from topping the previous installment, but at this pace, it is practically inevitable that it will get there. This week, the film earned first place in Brazil with $6.86 million on 453 screens for a total opening of $9.10 million, or a two-week total of $9.10 million, depending on what sources you look at. Likewise, it either opened in first place in Mexico, or rose to first place in Mexico earning $6.90 million on 2,392 screens over the weekend for a total of $12.99 million. The film remained in first place in the U.K. with $6.37 million on 574 screens for a two-week total of $28.90 million. More...

Weekend Wrap-Up: Dinobots Propel Transformers to the Top

June 30th, 2014

Transformers: Age of Extinction poster

As expected, Transformers: Age of Extinction easily won the race for the top of the box office chart and became the first film released in 2014 to earn more than $100 million during its opening weekend. Granted, it barely made it, but we will take it. This helped the overall box office climb by 20% to $190 million over the weekend. Unfortunately, this was still 8% lower than the same weekend last year when Monsters University repeated at the box office champion. Year-to-date, 2014 has pulled in $5.11 billion, which is 0.3% below 2013's pace of $5.13 billion. This is still close enough that we shouldn't panic, but the trajectory is going in the wrong direction. More...

International Box Office: Bewitching the Box Office

June 25th, 2014

Maleficent poster

Maleficent rose to first place with $47.9 million in 54 markets for totals of $340.8 million internationally and $526.7 million worldwide. It became the first live-action film in Angelina Jolie's career to reach the $500 million mark. The film opened in first place in China with $22.01 million. Up next for the film is Japan and if it does well there, it could top Kung Fu Panda 2 as Angelina Jolie's biggest hit. More...

International Box Office: Trio Top the Charts

June 18th, 2014

Godzilla poster

There were three films that were in a virtual tie for top spot on the international top ten. Godzilla squeaked out a win with $38.4 million in 62 markets for totals of $248.7 million internationally and $440.2 million worldwide after a month of release. This includes a $37.00 million opening weekend in China. Needless to say, it earned first place in that market. The film finishes its international run in Japan at the end of July and it should jump over $500 million worldwide when it does. More...

Weekend Wrap-Up: Dragons Soar but Jump Higher

June 17th, 2014

22 Jump Street poster

How to Train Your Dragon 2 missed lofty expectations and that allowed 22 Jump Street to earn first place. Both films opened well and their respective studios should be happy, while the overall box office rose by 15% compared to last weekend hitting $187 million. Unfortunately, this is still 8% lower than this weekend last year. Had How to Train Your Dragon 2 matched higher expectations, 2014 would have won on the year-over-year comparison. Year-to-date, 2014 has earned $4.64 billion, putting it 3.0% ahead of 2013's pace of $4.50 billion, so this weekend's loss isn't a big deal. More...

International Box Office: Sharpening the Edge

June 12th, 2014

Edge of Tomorrow poster

Edge of Tomorrow rose to first place with $82 million in 63 markets for a two-week total of $111 million. This includes a first-place, $25.68 million opening in China. It also opened in first place in South Korea with $10.52 million on 801 screens over the weekend for a total opening of $16.28 million. In Russia, the film opened on top spot with $7.41 million on 1,649, while in France it also earned first place, but with just $2.82 million on 585. It only managed second place in Australia with $2.88 million on 477 screens, while it could do no better than third place in Mexico with $2.88 million on 1,301 screens over the weekend for a total of $3.19 million. Its best holdover was in the U.K. where it added $2.08 million on 460 screens for a two-week total of $7.21 million.

More...

International Box Office: Century Opening for Maleficent

June 4th, 2014

Maleficent poster

Maleficent opened on top of the international chart with $106.1 million in 47 markets, making it the latest movie to open with more than $100 million on the international chart. The film opened in a number of major markets, but individual results were mixed. The film opened in first place in Mexico with $14.05 million on 2,892 screens and in Russia with $13.06 million on 1,733 screens. In the U.K. it pulled in $11.04 million on 486 screens. It didn't crack $10 million, but did earn first place in Italy ($5.87 million on 650 screens); in Brazil ($5.63 million on 452); and in Germany ($4.87 million on 525 screens over the weekend for a total opening of $5.26 million); and Spain ($4.29 million on 625). It had to settle for second place in Australia with $3.76 million on 530 screens over the weekend for a total opening of $3.90 million. It only managed third place in France ($5.01 million on 550 screens) and in South Korea ($3.38 million on 631 screens over the weekend for a total opening of $3.81 million). The film has yet to open in China and Japan and given this start, it should reach $500 million worldwide before it is done. More...

Weekend Wrap-Up: Maleficent is Magnificent Enough

June 2nd, 2014

Maleficent poster

It was a mostly good weekend at the box office with Maleficent earning first place with nearly $70 million, which was on the very high end of expectations. On the other hand, A Million Ways to Die in the West failed to match the low end of expectations. Overall, the box office pulled in $165 million, which is 11% lower than last weekend. That's not bad for a post-holiday weekend. Compared to last year, the box office was higher, albeit by 0.6%, which is much lower than ticket price inflation. Considering I thought it would be worse than this, I'm calling a 0.6% increase a victory. Year-to-date, 2014 remains ahead of 2013, but by $133 million or 3.3% at $4.16 billion to $4.02 billion. If June is as bad as May, then 2014 could slip behind 2013 entirely. More...

Weekend Predictions: Will the New Releases Die at the Box Office?

May 29th, 2014

Maleficent poster

The weekend after a long weekend is never the best time of year to release a new movie, but at this point, summer vacation has begun for a lot of people, so both new releases should still have a lot of potential at the box office. Maleficent is the origin story for the villain from Sleeping Beauty. It should earn first place with ease. A Million Ways to Die in the West is the latest from Seth MacFarlane, but it is not earning as much praise as Ted did and its box office chances are not as strong as a result. The box office will certainly be lower than it was last weekend. However, we are more concerned with the comparison with last year. This weekend last year, there were two wide releases, Now You See Me and After Earth, but neither opened with more than $30 million. Granted, Fast and Furious 6 earned $35 million over the weekend, but that's still lower than usual for a number one film during summer weekend. The top three films this weekend should be better than the top three films last weekend, but I think 2014's depth will hurt it in the year-over-year comparison.

More...

International Box Office: Looking Forward to the Future

May 28th, 2014

X-Men: Days of Future Past poster

X-Men: Days of Future Past dominated the international box office chart with $171.08 million in 71 markets for a total opening of $191.00 million. This includes China, where it earned first place with $39.35 million on 6,000 screens. It also earned first place in the U.K. with $15.39 million on 537 screens, while in South Korea it earned $11.78 million on 1,056 screens over the weekend for a total opening of $14.15 million. Mexico contributed $9.39 million on 3,034 screens over the weekend for a total opening of $11.02 million. The film's debut in Russia was very similar with $9.90 million on 2,230 screens. France was right behind with $9.29 million on 620 screens, while in Brazil it pulled in $8.38 million on 507. The film earned $7.80 million on 684 screens in Australia. It struggled a little more in Germany and Spain with $4.03 million on 579 screens and $3.19 million on 650 respectively. More...

Weekend Wrap-Up: X-Men Earn Monster Opening, but Overall Box Office Still Down

May 27th, 2014

X-Men: Days of Future Past poster

X-Men: Days of Future Past easily won the weekend race at the box office earning more than $100 million over the four-day weekend. That's great news and it helped the overall box office grow by 5% to $187 million over the three-day weekend from last week. That's the good news. The bad news the other new release, Blended, bombed and the three-day weekend was down 27% from the same weekend last year. In fact, this year's four-day weekend total of $231 million was 9% lower than last year's three-day total and 26% lower than the four-day weekend from last year. That's a devastating collapse. The only saving grace is last year was a record-breaking Memorial Day long weekend, so a sharp drop-off isn't that unexpected. So far, 2014 has pulled in $3.95 billion, which is 4% more than 2013's running tally of $3.80 billion. More...

Weekend Estimates: X-Men Joins 2014 $90 Million Club

May 25th, 2014

X-Men: Days of Future Past poster

Another weekend, another $90 million opener. This time, there’s an asterisk at least, because X-Men: Days of Future Past will “open” with $110 million, thanks to the four day Memorial Day long weekend, giving Fox an arguable claim to the biggest weekend of the year, and the first $100 million debut. The reality, however, is that it will line up in fourth place when comparing 3-day weekends, with Captain America still out in front, thanks to its $95 million opening back in April. May has seen the three other $90 million-plus weekends, with Godzilla second ($93 million) and The Amazing Spider-Man 2 third ($91.6 million). More...

Contest: Prizes Tailored to You: Winning Announcement

May 23rd, 2014

The winners of our Prizes Tailored to You contest were determined and they are... More...

Weekend Predictions: Will the X-Men Opening be Remembered in the Future

May 22nd, 2014

X-Men: Days of Future Past poster

It is Memorial Day long weekend and the box office is looking strong. X-Men: Days of Future Past should dominate the box office chart and there are some who think it will have the best opening of the year so far. Blended is playing the role of counter-programing this week and should do well in that role opening in third place. Meanwhile, the rest of the top five will be filled with Godzilla, Neighbors, and The Amazing Spider-Man 2, all of which should still pull in $10 million or more. By comparison, this weekend last year, there were six films that earned more than $10 million over the four-day weekend, led by Fast and Furious 6, which earned a four-day opening of $117.04 million There are some who think X-Men: Days of Future Past will top that figure. I really hope so. However, even if it does, last year was a record-breaking Memorial Day long weekend and I don't think 2014 will match it. More...

International Box Office: Godzilla Grounds the Competition

May 21st, 2014

Godzilla poster

Godzilla got off to a milestone start on the international market earning $103.0 million on 16,946 screens in 64 markets during its first weekend of release. It was able to dominate the box office thanks to a string of first place finishes in most of the major markets. Its biggest market was the U.K., where the film pulled in $10.73 million on 550 screens, while Russia was close behind with $8.65 million on 1,814 screens. The film was surprisingly strong in Mexico, pulling in $7.21 million on 2,494 screens over the weekend for a total opening of $8.57 million. It was also strong in Australia with $6.34 million on 498 screens and in France with $5.73 million on 596. The film earned $4.97 million on 584 screens over the weekend in Germany for a total opening in that market of $5.50 million. Brazil was a strong market for Godzilla, as it opened with $4.07 million on 417 screens there. The film's opening in South Korea was nearly the same with $3.65 million on 610 screens over the weekend for a total opening of $4.37 million. Italy was next with $3.55 million on 692 screens. Finally, the film was soft in Spain with an opening of $1.29 million on 427 screens over the weekend for a total opening of $1.55 million, but this was still enough for first place there. Overall, it wasn't as strong internationally as it was domestically, relative to the size of the markets, but it is still on pace to break even before it reaches the home market. More...

Per Theater Chart: Godzilla Chows Down on the Competition

May 20th, 2014

The Immigrant poster

Godzilla led the way on both the overall box office chart and the per theater box office chart, earning an average of $23,580 in nearly 4,000 theaters. The second best film on the per theater chart was The Immigrant with an average of $14,688 in three theaters. Chinese Puzzle was the final film in the $10,000 club with an average of $11,772 in two theaters. More...

IMAX: Godzilla Growls Loud

May 20th, 2014

Godzilla poster

Godzilla's weekend haul was very impressive and this includes its IMAX numbers. The film pulled in $14.2 million on 352 IMAX theaters, while internationally it managed $7 million in 187. Up next is Maleficent, which opens at the end of the month. I don't think it will be as big, but it should still be a significant hit on IMAX. More...

Weekend Wrap-Up: Godzilla Helps 2014 Climb Back on Top

May 20th, 2014

Godzilla poster

I thought Godzilla would be a monster hit. I mentioned that possibility in the monthly preview and the weekend predictions. However, I was in the minority and I reduced my expectations. That turns out to be a mistake. Godzilla opened with $93.19 million over the weekend, which is a better opening than The Amazing Spider-Man 2 managed, but it wasn't quite up to Captain America: The Winter Soldier. It also helped the overall box office soar to $178 million, which is 30% more than last weekend. More importantly, it was 16% more than the same weekend last year. 2014 is now ahead of 2013 by a margin of $185 million or 5.3% at $3.66 billion to $3.48 billion. More...

Weekend Estimates: Godzilla Joins $90 Million Club

May 18th, 2014

Godzilla poster

After a huge start on Friday, estimated at $38.5 million, Godzilla looked as though it might be the first film of 2014 to have a $100 million opening weekend. But the monster movie seems to have run out of energy a little through the weekend, and Warner Bros. is projecting a weekend around $93.2 million, based on figures through Sunday morning. The film’s performance is well ahead of earlier tracking, which pegged its opening around $60 million–$80 million, and impressive for a non-sequel (although clearly Godzilla is a well-established franchise at this point). In fact, it is one of the top 10 non-sequel openers ever (see full list here). More...

Weekend Predictions: Godzilla will be Huge, but How Huge?

May 15th, 2014

Godzilla poster

Godzilla is the second of four May releases that at least have a realistic shot at reaching $200 million domestically. The first of these films, The Amazing Spider-Man 2 won't match original expectations, but it is still on pace to reach $200 million. It is very unlikely Godzilla will open as fast as The Amazing Spider-Man 2 did, but even coming close would be a huge boost to the box office. Million Dollar Arm should have a respectable opening as counter-programming and on the high end it could land in third place. Meanwhile, Neighbors is aiming for $100 million and while it won't get there this weekend, it will get there soon enough. This weekend last year, Star Trek Into Darkness earned first place with $70.17 million over the weekend, which is a figure I think Godzilla will top. If it does, and the holdovers hold on well, then 2014 might end its mini-losing streak earlier than I thought it would. More...

Weekend Wrap-Up: Neighbors were Louder than Expected

May 13th, 2014

Neighbors poster

Neighbors got off to a much faster start than expected, as did many of the top five films. The Amazing Spider-Man 2 fell more than 60% during its sophomore stint, but that was expected, at least it was inline with my expectations. Overall, the box office still fell from last weekend, but by 11% to $137 million, which isn't as bad as it could have been. It was down 14% from the same weekend last year, but that's a huge improvement from what it was last weekend, so in a small way, it is a bit of a victory. Year-to-date, 2014 has pulled in $3.45 billion, putting it 5.4% ahead of 2013's pace. That's down from its peak, but even if 2014 loses next weekend and the weekend after that, 2014 should still remain ahead of last year's pace. More...

Contest: Prizes Tailored to You

May 9th, 2014

Next weekend there are two wide releases, but the box office will be dominated by Godzilla. (Million Dollar Arm could do well in counter-programming, but its early reviews are merely mixed.) On the high end, Godzilla could earn the highest opening box office of the year so far. Even on the low end, it will double or triple the second place film. Because it will dominate the box office so much, it is really the only choice for the target film for this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Godzilla. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Adventure Time: The Suitor on DVD. Meanwhile, whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Adventure Time: The Suitor on DVD. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2014 Preview: May

May 1st, 2014

The Amazing Spider-Man 2 poster

It has been a great year so far and April was again a strong month. The box office was led by Captain America: The Winter Soldier, as it became the second film of the year to reach $200 million, while Rio 2 is on pace to become the seventh $100 million hit of the year. Big picture, 2014 has already hit $3 billion, which isn't a record for this time of the year, but it is $250 million ahead of 2013. That streak ends in May. Don't get me wrong. There are six films opening this month that at least have a shot at $100 million and two of those should earn more than $200 million and there are two others that at least have a shot at that milestone. Leading the way is The Amazing Spider-Man 2, which is looking to top The Winter Soldier and become the second biggest hit of the year so far. Its main competition this month is X-men: Days of Future Past, while Godzilla also has a shot at $200 million. Unfortunately, this month last year, Iron Man 3 earned more than $400 million, while two other films took in $200 million and seven films in total reached the century mark. That is going to be really hard to replicate this year and 2014 will likely lose some of its lead over 2013. Fortunately, 2014 has such a big lead that unless the box office really slumps, it will end the month with at least a small lead over 2013. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2014/07/11 39 $1,131   11 $103   $3,457,328 9
2014/07/18 46 $385 -66% 8 $48   $3,459,193 10

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/15/2014 $0 0 1 1 $2,839,514 12/30/2018
Austria 5/16/2014 $0 0 15 29 $1,630,637 12/17/2015
Belgium 5/14/2014 $0 0 12 17 $1,831,081 12/17/2015
Bulgaria 5/16/2014 $0 0 8 10 $510,262 12/30/2018
Chile 5/15/2014 $0 0 7 8 $2,252,761 12/30/2018
Colombia 5/16/2014 $0 0 471 475 $2,403,129 12/30/2018
Egypt 5/14/2014 $0 0 5 12 $703,846 12/30/2018
Germany 5/15/2014 $0 0 162 299 $13,156,525 12/17/2015
Japan 7/25/2014 $4,992,630 334 334 334 $6,701,804 12/17/2015
Lebanon 5/15/2014 $0 0 1 2 $374,228 12/30/2018
Malaysia 5/15/2014 $0 0 1 3 $6,077,147 12/17/2015
New Zealand 5/15/2014 $0 0 1 1 $2,444 3/31/2021
North America 5/16/2014 $93,188,384 3,952 3,952 20,644 $200,676,069
Spain 5/15/2014 $0 0 11 19 $3,459,193 12/17/2015
Ukraine 5/15/2014 $0 0 4 12 $939,930 12/30/2018
United Arab Emirates 5/15/2014 $0 0 2 6 $3,813,191 12/30/2018
United Kingdom 5/15/2014 $0 0 12 12 $28,924,010 12/17/2015
Venezuela 5/16/2014 $0 0 5 8 $3,308,721 12/17/2015
 
Rest of World $249,471,577
 
Worldwide Total$529,076,069 3/31/2021

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Aaron Taylor-Johnson    Ford Brody

Supporting Cast

C.J. Adams    Young Ford
Ken Watanabe    Dr. Ishiro Serizawa
Bryan Cranston    Joe Brody
Elizabeth Olsen    Elle Brody
Carson Bolde    Sam Brody
Sally Hawkins    Vivienne Graham
Juliette Binoche    Sandra Brody
David Strathairn    Admiral William Stenz
Richard T. Jones    Captain Russell Hampton
Victor Rasuk    Sergeant Tre Morales
Patrick Sabongui    Lieutenant Commander Marcus Waltz
Jared Keeso    Jump Master
Luc Roderique    Bomb Tracker
James Pizzinato    HALO Jumper
Catherine Lough Haggquist    PO#1
Eric Keenleyside    Boyd
Primo Allon    Mine Team Member
George Allen Gumapac Jr.    Lead Guerilla Fighter
Ken Yamamura    Takashi
Garry Chalk    Stan Walsh
Hiro Kanagawa    Hayato
Kevan Ohtsji    Nervous Engineer
Kasey Mazak    Team Member #1
Terry Chen    Team Member #2
Mas Morimoto    Team Member #3
James D. Dever    Captain Freeman
Akira Takarada    Japanese Immigration Agent
Yuko Kiyama    Mom in Japanese Jail Waiting Room
James Yoshizawa    Goth Dressed Boy
Jason Furukawa    Gruff Smuggler
Brian Markinson    Whelan
Ty Olsson    Jainway
Al Sapienza    Huddleston
Gardiner Millar    Fitzgerald
Kurt Max Runte    Crow's Nest Tech #2
Peter Shinkoda    Muto Crow's Nest Tech #1
Bill Marchant    Muto Crow's Nest Tech #2
Christian Tessier    Muto Crow's Nest Tech #3
Derrick Yamanaka    Muto Base Camp Guard
Peter Kawasaki    Muto Crane Operator
Jason Riki Kosuge    Muto Base Camp Security #1
Hiroyoshi Kajiyama    Muto Base Camp Security #2
Tetsuro Shigematsu    Muto Base Camp Security #3
Jill Teed    Head Nurse
Dean Redman    National Guard #1
Taylor Nichols    Military Analyst
Anthony Konechny    Thach
George Eli    PO #3
Jake Cunanan    Akio
Yuki Morita    Akio's Mother
Warren Takeuchi    Akio's Father
Chuck Church    Survivor
Dallas Blake    Missile Tech #1
Lane Edwards    Missile Tech #2
Todd Scott    Transport Vessel Soldier
Zoe Krivatsy    Young Girl on Beach
Serge M. Krivatsy    Father on Beach
Lise Krivatsy    Mother on Beach
Josh Cowdery    Pilot
Steven M. Murdzia    Beret Leader
Keo Woolford    Airport Worker
Lynne Halevi    Older Woman at Beach Bar
Martin Kogan    Older Man at Beach Bar
Sandy Ritz    FEMA Worker
Toby Levins    Lead Lightning Pilot
Eric Breker    Army Soldier
Jesse Reid    Ordinance Tech
Aaron Pearl    Evacuation Worker #1
Amy Fox    Evacuation Worker #2
Rich Paul    Officer
Dee Jay Jackson    Bus Driver
Kyle Riefsnyder    SFPD Cop
Michael Denis    Golden Gate Navy Man on Deck
Melody B. Choi    SF School Bus Kid #1
Taya Clyne    SF School Bus Kid #2
Erika Forest    SF School Bus Kid #3
Ben Harrison    SF School Bus Kid #4
Grayson Maxwell Gurnsey    SF School Bus Kid #5
Justin Blayne Lowery    Praying Soldier
Marci T. House    Government Spokesperson
Chris Shields    Dispatch Officer
Zach Martin    Airman
Darren Dolynski    Civilian Analyst #1
P. Lynn Johnson    Civilian Analyst #2
Leif Havdale    SF Ground Troop #3
Antonio Anagaran    Airforce Loadmaster
Kevin O'Grady    Bucket Brigadier
Zachary Choe    Akio Photo Double

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Gareth Edwards    Director
Max Borenstein    Screenwriter
David Callaham    Story Creator
Thomas Tull    Producer
Jon Jashni    Producer
Mary Parent    Producer
Brian Rogers    Producer
Patricia Whitcher    Executive Producer
Alex Garcia    Executive Producer
Yoshimitsu Banno    Executive Producer
Kenji Okuhira    Executive Producer
Seamus McGarvey    Director of Photography
Owen Paterson    Production Designer
Bob Ducsay    Editor
Alexandre Desplat    Composer
Dave Jordan    Music Supervisor
Erik Aadahl    Sound Designer
Ethan Van der Ryn    Sound Designer
Allen Maris    Visual Effects Producer
Jim Rygiel    Visual Effects Supervisor
Sharen Davis    Costume Designer
Sarah Halley Finn    Casting Director
LeeAnn Stonebreaker    Unit Production Manager
Jim Rowe    Unit Production Manager
Patricia Whitcher    Unit Production Manager
Alex Gayner    Assistant Director
Misha Bukowski    Key Second Assistant Director
John Dykstra    Additional Visual Effects Designer
Ron Rosen    Additional Editor
Shannon Triplett    Associate Producer
LeeAnn Stonebreaker    Associate Producer
Jim Rowe    Associate Producer
Martin Cohen    Associate Producer
Grant Van Der Slagt    Supervising Art Director
Dan Hermansen    Art Director
Ross Dempster    Art Director
Kirsten Franson    Art Director
David Clarke    Assistant Art Director
Andrew Li    Assistant Art Director
Harrison Yurkiw    Assistant Art Director
Doug Higgins    Assistant Art Director
Matt Allsopp    Lead Creature and Concept Designer
Kimberley French    Still Photographer
Michael McGee    Sound Mixer
Jana Rayne MacDonald    Costume Supervisor
Victoria Down    Makeup Department Head/FX Artist
Sherry Linder-Gygli    Hairstylist
Joel Whist    Special Effects Coordinator
Ty Warren    Executive in Charge of Production
Kim LoCascio    Visual Effects Executive
Adrienne Sol    Production Supervisor
Tamara Hunter    Casting Associate
Jason B. Stamey    Casting Assistant
Coreen Mayrs    Additional Casting (Canada)
Heike Brandstatter    Additional Casting (Canada)
Annalise Tilling    Casting Assistant
Cera Ziegler    Casting Assistant
Kris Bergthorson    Set Designer
Bryan Sutton    Set Designer
Nancy Anna Brown    Set Designer
Marek Norman    Set Designer
Tim LeBlanc    Re-recording Mixer
Gregg Landaker    Re-recording Mixer
Rick Kline    Re-recording Mixer
James K. Jensen    Post-Production Supervisor
Joseph Kirkland    First Assistant Editor
Jason Dale    First Assistant Editor
Shaunt Aprahamian    Assistant Editor
Shae Salmon    Assistant Editor
Jamal McLemore    Assistant Editor
Jason W. Jennings    Sound Effects Editor
Ai-Ling Lee    Sound Effects Editor
Greg ten Bosch    Sound Effects Editor
John Marquis    Sound Effects Editor
David Butler    Dialogue Editor
Bob Kellough*    First Assistant Sound Editor
Jesse Rosenman    Second Assistant Sound Editor
Richard Duarte    Foley Mixer
John Guentner    Foley Mixer
Blake Collins    Foley Mixer
James Ashwill    Foley Mixer
E.J. Foerster    Second Unit Director
John Stoneham, Jr.    Stunt Coordinator
Jake Mervine    Stunt Coordinator
Kenneth Karman    Supervising Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.