| Theatrical Performance (US$) | ||
| Australia Box Office | $69,443 | Details |
| Worldwide Box Office | $1,339,604 | Details |
| Home Market Performance | ||
| North America DVD Sales | $48,435 | Details |
| Total North America Video Sales | $48,435 | |
| Further financial details... | ||
| Australia Releases: | November 4th, 2016 (Wide) October 6th, 2022 (Limited) |
| Video Release: | May 30th, 2017 by RLJ/Acorn |
| Running Time: | 96 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | MoliFilms |
| Production Countries: | United Kingdom |
| Languages: | English |
May 29th, 2017
Last week was amazing for this time of year with three top-tier releases. This week, the best first-run release is Before I Fall, which deserves to be seen by more, but there are no extras, so it is not a Pick of the Week contender. The actual contenders are limited to The Blackcoat’s Daughter and Ghost World: The Criterion Collection. It isn’t close as to which one comes out on top.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/11/04 | - | $1,018 | 2 | $509 | $2,191 | 1 | |
| 2016/11/11 | - | $2,212 | +117% | 2 | $1,106 | $4,380 | 2 |
| 2016/12/02 | - | $5,686 | 11 | $517 | $9,982 | 5 | |
| 2016/12/09 | - | $6,327 | +11% | 13 | $487 | $19,888 | 6 |
| 2016/12/16 | - | $3,167 | -50% | 10 | $317 | $26,290 | 7 |
| 2016/12/23 | - | $1,433 | -55% | 10 | $143 | $30,041 | 8 |
| 2016/12/30 | - | $1,036 | -28% | 6 | $173 | $32,424 | 9 |
| 2017/01/06 | - | $1,026 | -1% | 2 | $513 | $34,427 | 10 |
| 2017/02/10 | - | $178 | 1 | $178 | $41,637 | 15 | |
| 2018/03/02 | - | $1,068 | 3 | $356 | $43,073 | 70 | |
| 2018/03/09 | - | $2,113 | +98% | 4 | $528 | $45,717 | 71 |
| 2022/10/07 | - | $348 | 1 | $348 | $65,134 | 310 | |
| 2023/05/05 | - | $152 | 1 | $152 | $67,664 | 340 | |
| 2023/05/12 | - | $551 | +263% | 2 | $276 | $69,752 | 341 |
| 2023/05/19 | - | $707 | +28% | 3 | $236 | $69,443 | 342 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 11/4/2016 | $1,018 | 2 | 13 | 71 | $69,443 | 5/22/2023 |
| France | 9/15/2017 | $419,366 | 0 | 0 | 0 | $1,013,214 | 6/28/2018 |
| New Zealand | 10/14/2016 | $28,743 | 46 | 51 | 292 | $153,009 | 1/9/2017 |
| United Kingdom | 4/29/2016 | $1,325 | 6 | 6 | 33 | $103,938 | 6/29/2016 |
| Worldwide Total | $1,339,604 | 5/22/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| John Miller | Director |
