May 19th, 2014
It's that time of year, the weakest time of year on the home market. This week there are four first-run releases, but only one of them earned overall positive reviews and only one of them did well at the box office. Fortunately, it was the same film, About Last Night. If you are a fan of romantic comedies, then the DVD or Blu-ray is worth picking up, but it is not Pick of the Week material. For Pick of the Week, I went with Nosferatu the Vampyre on Blu-ray.
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May 19th, 2014
Grand Piano is a thriller that opened in limited release earlier this year. Thrillers rarely do well in limited release and this film proved to be no exception. Despite earning amazing reviews, the film opened below the Mendoza Line and disappeared in a matter of weeks. Granted, it was also playing on Video on Demand, so the theatrical numbers were an after thought. This week, it comes out on the home market, but will those who passed on it in theaters want to check it out now?
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March 12th, 2014
The Grand Budapest Hotel led the way on the per theater chart with an average of $202,792 in four theaters. This is the best per theater average this year and the best per theater average since Frozen's debut last year. It is also the best per theater average for a live action film of all time, beating The Master's old record of $147,262 in five theaters set in 2012. The film will clearly expand wide enough to earn a significant measure of mainstream success, if it doesn't expand truly wide. Particle Fever was next with an average of $14,323 in three theaters over the weekend, while its total since Wednesday is $49,869. The only wide release to top $10,000 on the per theater chart was 300: Rise of an Empire, which earned an average of $13,006. Interior. Leather Bar. was a surprise entrant in the $10,000 club earning $10,902 in one theater.
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March 7th, 2014
This week the list of limited releases includes The Grand Budapest Hotel, which is earning amazing buzz and arguably better reviews. It will likely dominate the per theater chart so much so that the rest of the films might suffer as as result. This would be too bad, because there are several other films that deserve to find an audience. Grand Piano and In Fear are both earning great reviews, but as horror films playing on Video on Demand, their box office numbers will be nothing more than an afterthought. There are also a couple of comedies I'm interested in seeing, Journey To The West and No Clue, although the latter is only playing in Canada.
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