For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
March 9th, 2010
We have a pair of Awards Season players coming out this week. I was supposed to review both Precious and Up in the Air, but they ran out of screeners for the latter. Because of that, it is hard for me to say which one is more deserving of the Pick of the Week honors, so I'm going to award that title to both of them. That said, while the DVD and the Blu-ray for Precious are worth picking up, the Up in the Air Blu-ray is too expensive compared to the DVD.
January 17th, 2010
More than half the films on this week's International Details column were international films, starting with sixth place Io, loro E Lara. That film placed first in Italy with $7.56 million on 608 screens over the weekend, giving it $12.91 million in total.
January 10th, 2010
Black Lightning opened in sixth place internationally with $8.42 million on 798 screens in 5 markets.
Those markets include Russia, Ukraine, Estonia, Latvia and Lithuania.
The latest from Timur Bekmambetov debuted in second place in his native Russia behind Avatar with an estimated $8 million on 700 screens.
August 22nd, 2009
Public Enemies remained in fifth place with $8.74 million on 2919 screens in 49 markets for a total of $76.20 million. The film opened in first place in Spain with $2.44 million on 460 screens, but had to settle for fifth in South Korea with $1.22 million on 375 screens over the weekend and $1.70 million in total. With Debuts in Italy and Japan still ahead, the film should have no trouble topping $100 million internationally and $200 million worldwide. However, it was a costly film to make, so it will have to show some strength on the home market to show a profit.
August 16th, 2009
Harry Potter and the Half-Blood Prince became just the second film of the year to reach $500 million on the international chart, but the sixth film of that franchise to reach that milestone. Over the weekend it earned $22.85 million on 9346 screens in 63 markets for a total of $548.68 million internationally and $822.53 million worldwide after just four weeks of release. The film is running on holdovers, but it did place third in France adding $3.78 million on 918 screens over the weekend for a total of $45.08 million in that market. Meanwhile it remained in first place in Germany with $2.74 million on 908 screens giving it $54.68 million in total. Its best market overall remains the U.K. where it has made $73.85 million, including $2.25 million on 535 screens over the past weekend.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
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